Bunco Squad

I almost always enjoy "B" movies of the crime genre. They rarely run more than 65 minutes and don't waste time trying to develop detailed and boring character development. This fast paced film had everything from fast car crashes to gunplay. And, BTW, in all of his films, did Ricardo Cortez ever play any type of role other than a criminal? Gunner

Herbert I. Leeds was an efficient American B-film director and editor of Jewish origin, born and died in Manhattan, of whom you may have never heard, but not because he made bad movies, but because American film industry opted over the years for huge, expensive products built around the names of profitable monsters, with little space for little movies.

From Leeds I had seen a couple of entertaining and well-constructed films from the Mr. Moto and Charlie Chan detective series, today considered un-PC and offensive. They are still enjoyable and benefit from Leeds' experience as an editor, filming low budget stories with narrative and visual economy. My curiosity has been aroused now by the good opinion that some people have of his four films of detective Mike Shayne, played by Lloyd Nolan, and of «Manila Calling», a film made in wartime that, according to what I read, avoid US Army propaganda, until the last moment.

I'm adding now «Bunco Squad» to the list of little films by Leeds that I like. The cast is clearly having a good time telling us the story of five swindlers who use the occult to trick unsuspecting clients and rob them. The target is a millionaire lady whose son has died. The crooks create the Rama Society, with Princess Liane as the in-house medium, but the strings are pulled by the criminal Tony Weldon (Ricardo Cortez, once again in the roles of villain he always did very well). Since the deceased son had charitable tendencies, the swindlers induce his mother to bequeath her fortune to the Rama Society, which they present almost as a charity association.

The dramatic complication is clear, without great complications or mysteries, Leeds handles the action with skill, the good guys and the bad guys pulse with pleasure for 67 minutes, and the interest in the spiritism theme (with a slight smile on my face) never wanes. At a very low cost.

While some might call this a film noir picture, it's really more of a true crime movie...and a very good one at that. The story is about psychics and how they prey upon gullible folks who want to communicate with dead loved ones....and one particular case involving a very rich lady who seems to be the perfect victim.

They story begins with a smart bunco artist, Tony Weldon (Ricardo Cortez), organizing the local phony psychics behind something he calls the Rama Society. Using this seemingly legitimate organization, they plan on bilking Jessica Royce...and when the police find out, they work hard to stop them...even though Mrs. Royce is 100% sure the Society is doing wonderful work and she refuses to listen to the police.

This is a very good B-movie from RKO because it manages to take a simple story idea and tell it well due to very good acting and writing. The ending also is very rewarding. Overall, a very good film despite it being relatively low budgeted.

You've got to hand it to post-war RKO-- they really knew how to turn out fast, efficient little crime dramas. Nothing special here, except a good look at LA locations circa 1950 and Detroit's all-time ugliest car—the "inverted bathtub" Nash sedan. Ricardo Cortez makes an excellent smoothie conning gullible women out of their fortunes. However, the phony medium set-up comes across as something of a stretch, but does lend needed atmosphere. Also, having cutie Joan Dixon play an actress allows for some clever "movie within a movie" set-ups; at the same time, the very last line sounds like an inspiration of the moment that was allowed to stand. Note too that usual bad guy Doug Fowley gets to work the other side of the law, and in a crime drama, no less. Still and all, I wish the screenplay had gotten more imaginative by using tricks from magician Dante to foil the crooks, instead of two guys in black beating up a crook in the dark, which may make an interesting visual effect, but makes no plot sense. Anyhow it's a good, fast hour of programming that shows again how well RKO could fill up a double-bill at the local theatre.

Almost All of these "Mystics and Psychic" Types so Popular in the 20th Century are Bunk.

Nothing More than Scams Offering Vulnerable and Gullible People "False Hope" for Donations in the Collection Plate.

Sound Familiar.

Religions do the Same but are Respected Tax-Exempt Institutions Promising "Pie In The Sky" Unverifiable Results from Beyond the Earthly Realm.

It's a Fine Line to Cross.

In this Story there is an Active Targeted Fraud and the Hucksters Make No Attempt to Pretend Otherwise Behind the Scenes.

This Type of Fringe Culture is Used Regularly in Film-Noir. That's Where Film-Noir Exists.

On the Fringe.

Many a Noir has done this sort of Thing much Better using Cracker-Jack Film-Makers and Budgets.

"Nightmare Alley" (1949) to Name one of the Best.

"Bunco" is done on the Cheap and in a Hurry (13 day shoot) with Contrivances so Frequent and Glaring that it Almost Loses Credulity from Frame One...Almost.

For what They had to Work With it Turns Out to be a Fast-Paced, Lively Movie About Contacting the Dead as a Come-On to Fleece an Elderly Widow.

There are a Couple of Nifty Scenes and Set Pieces that Produce Enough Entertainment for Non-Discerning Viewers.

Sterling is Wooden but OK, Dixon Steals the Show, and Cortez Plays Sleaze with the Best and with some Help from a Special-Effect or Two and Moody Set Dressings...

Worth a Watch/

But it Only Skirts the Fringe of Film-Noir and doesn't Fully Commit.