Marqué au fer

Excellent Paramount western, which I regularely confound with William Dieterle's RED MOUNTAIN, starring the same Ladd. Rudolph Maté the director shows us here his talent for westerns, as he also will for THREE VIOLENT PEOPLE, VIOLENT MEN. A bit less with RAWHIDE YEARS though. I would prefer SHANE, I admit, and also maybe RED MOUNTAIN. Of course there is not much surprise in this classic western, nothing much unpredictable. Robert Keith is excellent in this role. Photography is also jaw dropping, and it contributes a lot to the pleasure I had to watch it after several decades. Awesome settings with desert and valley landscapes. One of the best of Alan Ladd.

This horse-opera is an excellent , meaty Western ; it contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining . A gunfighter (Alan Ladd) named Choya (as someone obligingly explains Choya is Spanish for cactus) along with a swindler (Robert Keith) take part in a scheme to bilk a rich cattle family (formed by father , Charles Bickford , mother, and daughter , the feisty Mona Freeman) out of half a million dollars by pretending to be their son, who was kidnapped as child . As tough Choya (in fact, when asked if he has some friends he answers : ¨My guns¨) impersonates the long-gone son of wealthy rancher .

The picture gets action Western , shootouts , a familiar drama and is entertaining and well realized . A fairly gripping film ,being probably one of the best Western in the fifties , including frenetic action up and down . Nicely balanced thrills , intrigue , drama and a love story . The highlights of the film in the course of action are the climatic shoot'em ups , thrilling pursuits and violent fights . The traditional story as well as complex screenplay was rightly written by Sydney Boehm based on a novel by Max Brand . The enjoyable tale is enhanced for interesting moments developed among main characters and especially on the relationship between Alan Ladd, pre-Shane, and Mona Freeman , the prettiest of heroines who even played a 60 minute broadcasting radio adaptation of the movie reprising her film role . Magnificently performed by Alan Ladd who proves to be as two-fisted as his name ,Choya, and an old veteran Charles Bickford , they are awesome experts in the art of conjuring sensational acting , here are reunited in this atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of entertaining situations . Most of the fun in this one is picking out the locations and identifying stock performers , as there appears several secondaries such as Robert Keith , Peter Hansen , Milburn Stone and veteran actors as Joseph Calleia and Tom Tully giving the stars solid supports . Glamorous as well picturesque cinematography in shinning colour by means of Technicolor ; it is superbly caught by cameraman Charles Lang , though being necessary a correct remastering . Shot on location in Portal, Globe, Salt River Canyon,San Simon,Douglas, Arizona, USA Kanab Canyon, Kanab, Utah, and valley of Rio Grande . Thrilling as well as lively musical score by Roy Webb.

This is another superbly powerful Paramount Western being compellingly directed by Rudolph Mate . He was an expert cameraman and director of the classic D.O.A and filmmaking occasionally for cinema all kind of genres . Polish-born Mate was an assistant cameraman for Alexander Korda and later worked throughout Europe with noted cameraman Karl Freund , director Carl Theodor Dreyer and Erich Pommer . Dreyer was so impressed with his work that they hired him as cinematographer on The Passion of Joan of Arc . Mate was soon working on some of Europe's most prestigious films, cementing his reputation as one of the continent's premier cinematographers. Hollywood came calling in 1935, and Mate shot films there for the next 12 years before turning to directing in 1947. Unfortunately, while many of his directorial efforts were visually impressive ,especially his sci-fi When the worlds collide (1951) , his labour as cameraman was excellent . He realized a variety films of all kind of genres as Adventures : The Black Shield of Falworth , Seven Seas to Calais , Western : Three Violent People , The far horizons , Noir films : Union Station , Second chance .He also directed Epic films as The Barbarians and The 300 Espartans . The films themselves were for the most part undistinguished, with his best work probably being the film-noir classic DOA (1950). ¨Branded¨ rating : Better than average , 7. This is a fair stuff for Alan Ladd fans and Western buffs . Well worth watching .

While on the dodge from a shooting scrape, gunfighter Alan Ladd meets up with a pair of drifters, Robert Keith and John Berkes. They want him to pose as the long lost son of a prominent Texas rancher Charles Bickford who was kidnapped as a child and never heard from again. John Berkes is a tattoo artist and he gives Alan Ladd a tattoo that looks like a birth mark the child had.

It works all too well as Ladd is welcomed into the home of Bickford and wife Selena Royle. In addition there's a sister in the home played by Mona Freeman and Ladd is not developing brotherly feelings for her.

In the end he can't go through with fleecing these decent people and Ladd sets out to set things right.

Branded was Ladd's second starring western after Whispering Smith and he proved to be equally well received here. The urban Ladd of the films Paramount put him in starting with This Gun for Hire gradually gave way to a western character and he would do more of them of varying quality over the rest of his career. The best of which was that immortal classic Shane.

In one sense though Ladd's character is very much like Raven in This Gun for Hire. Both of them were orphans with great big chips on their shoulders. Imagine Raven a little earlier than when he met up with Veronica Lake and got into the home of a couple like Bickford and Royle and you have a pretty good idea of what Ladd's character Choya is like in Branded.

Acting honors however go to the ever dependable Joseph Calleia as a Mexican bandit chief and to Robert Keith. Keith usually was a good guy in most films, a typical role for him would be the father of the Tuttle girls as he was in Young at Heart. He completely plays against type as a slime ball bottom feeder who turns out to be far more despicable than even we originally think.

Branded is a good western and Alan Ladd and the cast members should be proud of their work in this one.

One of Alan Ladd's lesser-known westerns is this adventure of a scheming outlaw with a conscience who sets out to solve the mystery of a lost son and return him to his parents. Of course, the mission is fraught with danger, from a partner and assorted crooks. After getting to know the missing lad's family, Choya's change of heart takes across the Rio Grande where the boy is being raised by a tough, mean outlaw who aims to keep the boy, using gun play if necessary to get his point across. The picture is helped by great scenery and several scenes show a realistic slice of ranch life and cattle drives. Ladd gets a great boost from Robert Keith, Charles Bickford and Joseph Calleia, and Mona Freeman, always tough and spirited, is pretty as she takes a fancy to the dashing outlaw who would be her brother.

This film begins with a gunslinger by the name of "Choya" (Alan Ladd) escaping from some men who intend to lynch him for killing a friend of theirs in a gunfight. Although he manages to escape two bystanders by the names of "T. Jefferson Leffingwell" (Robert Keith) and "Tattoo" (John Berkes) find him camping in a cave and offer him a certain proposition. Essentially, they tell him of a young boy who was kidnapped from a wealthy family 30 years ago and since he fits the general description they ask him to ride to this ranch owner and claim to be his missing son. To help with the impersonation he is given a tattoo on his right arm which resembles a birthmark that the young child had. However, what he doesn't expect is the outpouring of love given to him by this family when he successfully deceives them-and this begins to gnaw on his conscience from that point on. Now rather than reveal any more I will just say that, although it started off rather slow, it developed rather nicely after that and kept my attention all the way until the end. Admittedly, there were some parts toward the end which could have been condensed a little but it was still a pretty good western all the same and I have rated it accordingly. Slightly above average.