Dernier témoin

Known as Blackjack and Captain Blackjack, this stars george sanders as mike, skipper of a boat which is helping political refugees get to shore. The picture quality is just awful, and sometimes its hard to tell what's going on. This seems to be a collection of americans, here in spain for various reasons.... everyone out for themselves. Filmed off the spanish island of palma, which is currently having great seismic activity. When one of the ships is reported to have burned up, mike goes to investigate. Herb marshall is doctor curtis, who seems to be involved in all this. Along with the always devious agnes moorehead, as emily birk. Inspector carnero is standing by, waiting to arrest those guilty of smuggling and other crimes. Part of the excitement is clearly the exotic location. Similar to the film algiers. Based on a story by robert gaillard. Directed by julien duvivier, who had directed a TON of great films, including tales of manhattan, anna karenina. Fun note: herb marshall was a pretty big star... was in BOTH versions of The Letter. And lost a leg in world war one.

I saw this film when it was released to the minor cinemas in the UK some 50 years ago; and the memory remains of a great musical score, and the tragedy of the storyline. I saw it again on video recently. The sound track was poor and the picture grainy; but it is one of two films that I saw again the next day, the other being Gladiator. The music theme is intensely tragic, and from the outset one knows that it heralds failure or death. Certainly one of George Sanders best performances; as a man working the black market to get pay back for what he lost in the war, but nemesis waits; Patricia Roc plays a refugee from Eastern Europe eaten with despair. He is attracted to her, selflessly wants to help her, and then falls in love with her, but she is too proud and hurt to accept help. Their love destroys him, and inevetably the girl and the doctor (Herbert Marshall), who brought the nemesis. The storyline is of complex intertwining destinies, where subsidiary characters are not who they appear to be. This is as a film, which diappointed the critics and struggled at the box office; but for the adolescent who saw it, and the retired gentleman who saw it again it is one of the greatest films (taking into account its age)whose story is more akin to an opera.

An early production effort by the Salkind brothers (Superman) this uneasy mixture of neo-realism and and standard actioner was plagued with production problems. Location filming on Majorca dragged on for an incredible seven months. Rushes had to be sent to the mainland for processing so it was impossible to view progress on a daily basis. Some of the post-synching in outdoors scenes is muffled and doesn't seem to match the actors voices in studio sequences.The photography is also uneven, even though the cinematographer Andre Thomas was married to leading lady Patricia Roc some of her close ups are less than flattering. The climax of the film set on two boats is so badly edited that you have a job working out what is going on. George Sanders is completely miscast in an Errol Flynn role whilst poor Pat Roc struggles with an unevenly written part as a Swedish refugee, seeming constantly on the verge of hysterics for no good reason. The technical shortcomings sink a potentially enjoyable film

Released at a time when Duvivier was going again from strength to strength ."Black Jack" which was sandwiched between the overlooked extraordinary "Au Royaume des Cieux" and the dazzling stunning "Sous Le Ciel de Paris" , is a jumble,which Duvivier himself hated,which is not surprising.There's almost nothing to write about this dud.We can notice that:

1.Orson Welles used to admire Duvivier .That may explain why Wellesian actors were featured in Duvivier's movies :Joseph Cotten in "Lydia" (1941) ,and here a totally wasted Agnes Moorehead .It's the first time

I have not enjoyed Moorehead's performance!On the other hand,Welles borrowed his Desdemona (Suzanne Cloutier) from Duvivier's "Au Royaume des Cieux" for his "Othello".

2.In any Duvivier's movie,there's one or two worthwhile sequences and this one is no exception: the search in the caves where Duvivier's sense of mystery works wonders (for a short while);then the chase when Dalio gets caught up in the fishnets.Duvivier's touch can be felt in the unhappy end too.

As for the rest ,as my dear pen pal writer's reign writes,it's a black joke.

George Sanders has a ship, and smuggles. He also offers suggestions to Marcel Dalio on transporting refugees if they can afford it. One refugee he's willing to take for free is Patricia Roc, who develops a wary relationship with him. Sanders is looking to make up for lost time, lost money, the lost girl, all gone in the War. He's got a big deal coming along. After that, he plans to be honest once again. But Herbert Marshall seems to be involved in government affairs, and Agnes Moorhead seems to be looking out for herself.

It's watchable until the very poor ending, but it's the worst movie directed by Duvivier I've ever seen. There are flaws in character, in story logic, and the fight sequence with Dalio, which should have been delightful, is stupid. Clearly the intention was to make a Bogey and Bacall movie, but this one not only lacks the star couple, it lacks sense, particularly at the end.