La ville écartelée

To say that a film is dated because it was shot on location in 1950 (which, I suppose, is history for most of us now) is pretty inadequate. If anything makes this film still interesting it is BECAUSE it was shot on location in 1950. As a young German who only knows a wealthy comfortable democratic Germany I find the very setting the most intriguing, as is the case with the more serious "Germania anno Zero" by Rosselini. The film has its values, however, but is, admittedly, more on the entertaining side. Nice to spot later Haimatfilm and TV favourites in a Hollywood production. If you like Berlin and don't mind an "old" look, watch Billy Wilder's "One, Two, Three", shot 10 years later. To me as funny as "Some Like it Hot", and that means VERY funny.

Found this one recently on DVD at my local market. Have mixed feelings about it. On the negative side there is the picture quality with too high a contrast, plus an abysmal and tinny-sounding soundtrack. Storywise, the first 27 minutes were superfluous and my interest as a spectator was only aroused from minute 28 onwards. I reckon the whole gamut could have been locked into a 1h 35m stint instead of the two hours it took in reality.

On the positive side, however, the film is a very interesting insight into the Berlin under blocade of the 1950's. Filmed on location with the Berliner people, you couldn't ask for a greater dose of realism. Some of the scenes are overlong, notably those within aircraft, which gets boring. What interested me were the character developments of the four main protagonists, plus the "russian spy". I found Montgomery Clift's character too weak and passionless and was more interested by the character portrayed by Paul Douglas, as well as that portrayed by Cornell Borchers ( I was most unpleasantly surprised when I realised what her real intentions were ). A most impressive moment in the film is when Clift confronts Borchers on her past in front of the house in rubble. As he leaves her, disgusted, a great part of wall comes tumbling down ! I don't know whether it was done on purpose, or whether it was just a coincidence during the filming. Whatever the hypothesis, it was most impressive.

My appreciation of the film on balance is definitely positive in relation to its plot and character development but oh how I wish they could have given it a clear stereo soundtrack !!!

Spooky airlift film in which the bad seem good and visa versa. This movie was made in 1950. As such, Berlin is accurately portrayed as a destroyed city. Portrayed is perhaps the wrong word. The reason is because the city was still a giant rubble pile. Great dialogue and excellent story make this the premiere film concerning the American and British airlift to save Berlin from the Soviets. The malevolent opportunism demonstrated by the German locals, lend a tragic, yet realistic touch to this movie. Lovelorn American servicemen eat up female German desperation, and thus the stage is set for tragedy.

Part docu and part drama--it's a look at life in post-war Germany. It's entertaining and educational. Clift made this and "The Search" while in Germany in the late 1940s. Seeing Berlin as it was then-is shocking and eye opening. Then look at Syria, among other places today, and see how far we haven't come....

Montgomery Clift had made his screen debut in 1947 in The Search and in the short period of four years made some films considered now as classics. He was also in Red River. The Heiress, and A Place in the Sun. The Big Lift doesn't belong in that category.

Still it's an intriguing idea that George Seaton. With only five actors in the plot, have the rest of the film be actual army personnel and German civilians. And the amateur cast does fine playing themselves. I guess it saved a whole lot salary. It gives the movie a documentary feel to it.

Monty and Paul Douglas are two American GIs participating in The Berlin Airlift. This was America and it's allies Great Britain and France in a joint effort to airlift supplies into Berlin after Stalin closed off ground access to Berlin in an effort to force the other three occupying powers out of Berlin.

It was a great propaganda victory for the west at the beginning of the Cold War. Fed a hungry city at the same time calling Joe Stalin's bluff. One Harry Truman's best decisions as President, a win/win for sure.

The story involves Clift and Douglas and their interaction with some German civilians they hooked up with. Clift is a sensitive soul as he always is and Douglas is the rough hewn, but kindly type he usually is. They have differing views about the Germans from fighting them in the late War which was only five years old at the time The Big Lift was made.

Let us say that both of them learn something from their experiences by the time the film ends and the Berlin Airlift is officially over.

Not in the pantheon of great films for Clift and Douglas, but an interesting and in this case historical piece of cinema.