La ville écartelée

Spooky airlift film in which the bad seem good and visa versa. This movie was made in 1950. As such, Berlin is accurately portrayed as a destroyed city. Portrayed is perhaps the wrong word. The reason is because the city was still a giant rubble pile. Great dialogue and excellent story make this the premiere film concerning the American and British airlift to save Berlin from the Soviets. The malevolent opportunism demonstrated by the German locals, lend a tragic, yet realistic touch to this movie. Lovelorn American servicemen eat up female German desperation, and thus the stage is set for tragedy.

This movie surprised me a little bit. From the title and the description of the movie on the DVD jacket, I was expecting to find almost a quasi-documentary about the Berlin airlift. There is some interesting stuff about the airlift. The challenges of flying in and out of Berlin in the era seem to be well documented, and there was what seemed to me to be a wholly authentic picture of American military life in that era, heightened by the fact that aside from Montgomery Clift and Paul Douglas, all the military personnel portrayed played themselves. Having said that, the movie really turned out to be more of a slice of life depiction of what it was like to live in Berlin during these post-war years, and especially during the airlift.

The movie focuses really on the budding relationship between Sgt. MacCullough (Clift) and a German woman he meets and falls in love with (played very well by an actress named Cornell Borchers.) As we watch their relationship develop we are introduced to the situation in Berlin - a city still largely in ruins 5 years after the end of World War II, food and electricity in short supply, hopelessly divided into the different zones of occupation, some Germans struggling with a Nazi legacy, others co-operating with the Russians just to survive, and (in the greatest irony of all) a people totally dependent on the Western allies (who had so recently been their enemies) for their survival. Douglas offered a pretty good portrayal of an American soldier (Kowalski) who had been held in a German POW camp during the War and who struggled with his anti-German feelings all the way through. After being a bit taken aback to discover that this movie wasn't what I had expected it to be, I ended up getting quite caught up in the story. As a very early piece of Cold War movie-making propaganda, it obviously glorifies the American ideal, but it's pretty well put together and enjoyable all the way through. 7/10

Found this one recently on DVD at my local market. Have mixed feelings about it. On the negative side there is the picture quality with too high a contrast, plus an abysmal and tinny-sounding soundtrack. Storywise, the first 27 minutes were superfluous and my interest as a spectator was only aroused from minute 28 onwards. I reckon the whole gamut could have been locked into a 1h 35m stint instead of the two hours it took in reality.

On the positive side, however, the film is a very interesting insight into the Berlin under blocade of the 1950's. Filmed on location with the Berliner people, you couldn't ask for a greater dose of realism. Some of the scenes are overlong, notably those within aircraft, which gets boring. What interested me were the character developments of the four main protagonists, plus the "russian spy". I found Montgomery Clift's character too weak and passionless and was more interested by the character portrayed by Paul Douglas, as well as that portrayed by Cornell Borchers ( I was most unpleasantly surprised when I realised what her real intentions were ). A most impressive moment in the film is when Clift confronts Borchers on her past in front of the house in rubble. As he leaves her, disgusted, a great part of wall comes tumbling down ! I don't know whether it was done on purpose, or whether it was just a coincidence during the filming. Whatever the hypothesis, it was most impressive.

My appreciation of the film on balance is definitely positive in relation to its plot and character development but oh how I wish they could have given it a clear stereo soundtrack !!!

The movie, "The Big Lift," starring Montgomery Clift as Flight Engineer Danny MacCullough, represents a time machine back into the beginnings of the Cold War. It's shot in gritty black and white by director George Seaton to enhance the images of life among the ruins of post WWII Berlin. It's also a very nice slice of Air Force flying in the early 50's and as a professional pilot, I can say that the flying sequences showing the C-54 cockpit are quite realistic. In one scene, Clift runs cockpit checklists for the pilots who are flying that are completely authentic. There is also a nice description of how GCA approach control works, which still exists as a backup at todays airports.

Some claim that Paul Douglas' character, "Kowalski," isn't believable as an anti-German bigot, but I thought he was "spot-on." There are men in their 80's today who still feel the same way.

German actor O.E. Hasse portrays "Stieber, the Scrounger." He's a bit of comic relief as a spy for the Russians, watching Templehof field, counting the Allied aircraft as they land. He says that he has to lessen the count so that the Russians will believe him. Look for Hasse in another excellent war picture, "Decision Before Dawn", where he plays Wehrmacht Colonel Von Ecker of the XI Panzer Corps, deployed east of the Rhine to counter the American Seventh Army during the closing months of the war. Also like "The Big Lift," this movie was shot amongst the ruins of Germany and used real Army personnel on screen.

"Decision Before Dawn," "Battleground," "The Best Years of Our Lives" and "The Big Lift" are four b+w movies made in this era which attempted to get a real taste for the movie goer of what the men experienced during World War II and the period just after. All four are favorites of mine and I hope you enjoy them as much as I do. Thank you for reading my comments.

The shooting of the film on location in Germany is what makes the whole film work and memorable. The story in itself is not really that great, but probably it grasps our attention because of the surroundings: the ruins, the gloomy statues and the simple and down-to-earth life of the common people. Had it been a Hollywood stage production, there wouldn't have been much to it, but once the movie enters Berlin it gets to another level. The same goes for the acting. Acting among the local population with only two brought-in American actors in the cast ( the main characters ) must have been an inspiration.