Guérillas

There were hundreds of these cheap-ish World War Two quickies in the decade following the close of the conflict itself. They differed little from those produced during the war, still being in a kind of adulatory propagandistic mode, except that they were a little more vague usually having no direct message. What's more, as more time went by the seemed to get further and further from the realities of the conflict.

An American Guerrilla in the Philippines sees Tyrone Power, swashbuckling idol of the pre-war years, as an officer battling Japs in the Philippine jungle. Power has matured as an actor since his pictures a decade earlier, appearing tougher and less boyish, although he has also become less interesting in the process. His performance is steady and natural, but he is unable to make anything of what is admittedly a rather bland character on paper anyway. His buddy Tom Ewell is an unusual addition to the cast. He was in later years a very fine comedy actor, but it's hard to tell if he's appearing here as comic relief or not. In some moments, such as his burbling in the water trying to stay afloat, seem as if he is trying to play them for laughs, inappropriately if so, and certainly not at all funny. The rest of the cast is simply plain bad or plain boring.

Director Fritz Lang is normally someone who can give a nice baroque touch to even the most American of film formats, while still remain true to genre and tone. He seems uncertain however quite what to do with this one. He gives many shots in the jungle an abstract feel, with no familiar points of reference, giving them a threateningly wild look. Often his camera takes a spectator's position, peeping out through foliage. It's hard to tell what purpose this serves, as it distances us from the events on screen. Incidentally, Lang was a very good director of crowds and action, as evidenced in his big-budget silent pictures. There are some very powerful moments, with characters moving straight towards us down the middle of the shot and memorably stylised movements. However for a director who is normally so good at imbuing his work with a dark and nightmarish feel, An American Guerrilla in the Philippines has none of the bleak terror of, say, Operation Burma, a picture which really worked because it made us the audience feel lost within the jungle ourselves.

And ultimately An American Guerrilla in the Philippines is too light, and too sparing on any true sense of tragedy. It's lack of a real feeling of danger gives it many dull stretches, and its lack of realism does a disservice to those involved in the conflict. All of which is rather odd because the picture is also far from being a comedy. The only thing which saves it and makes it watchable is Fritz Lang's strong, vibrant imagery, such as dozens of hats waving in the air or a soldier's dying scream just inches from the lens. Having said that, there are far better Fritz Lang pictures to see these brilliant touches in.

This movie had a rush release just weeks before American soldiers get serious in Korea. A very good feel from this war drama about American fighters stranded in the Philippine Islands waiting for Gen. Douglas MacArthur's return. Guerrilla warfare helps sustain against the invading Japanese in 1942. Some very nice scenery and interesting war action. Top direction from Fritz Lang and potent acting from Tyrone Power and Tom Ewell.

The great Tyrone Power does it again! Not only does he wow the audience with his fabulous looks, he also makes you feel like you're really there, with his great acting ability. It is natural, not put on. The real chemistry with Michelle Perelle is very evident. (It's easy to see why Ty had thousands swarm to see him where ever he went.) You not only get a history lesson about the war in the Philippines, you also get to see it through the eyes of those who risked their lives and suffered through it! This includes Ty Power who sacrificed big bucks in offered movie contracts to go fight for our freedom instead. What a great American! It has dynamic movement, not a dull moment in it anywhere. The scenery is great, too! I must say I like having Tyrone Power doing the areas of narration, also. A real must to see with the whole family.

It's not really about what I thought of the film - I note military and naval experts have commented on various inaccuracies. This is more a comment on an aspect of the film, which I saw many years ago in b/w, and got a greater insight into when seeing the Canadian commentator Elwy Yost's programmes on cinema history in the 1970's. How many viewers realise that the reason the heroine (the Filipino hero's wife) is cast as a Frenchwoman? This is not to make the story more romantic, or as a tribute to 'our gallant wartime allies' or even because the actress might be French, but because in those days to comply with the Hayes Code, the heroine, if she gets the white hero in the end (or vice versa!) has to be white!

This is a seldom referenced and very overlooked old movie, but Fritz Lang still shows what an amazing filmmaker he is here. The script is good (not great) but the direction and some surprisingly good acting turn this one into a real winner. Definitely worth watching.