Deux nigauds légionnaires

Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid.

The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.

The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.

Two wrestling promoters from Brooklyn go to Algeria, after their main wrestler quits. They want to convince him to get back in order to avoid paying back the money. The duo gets attacked by Arabs after being mistaken to be spies, leading to them getting tricked into joining the Foreign Legion, to serve for 5 years. As they struggle with their training and Arabs still seeking to kill them, the duo need to team up with a gorgeous spy and find their wrestler, to escape. The humorous situations they create during these shenanigans forms rest of the story.

The comedy lines were pretty dated, some clicked and most didn't. What worked however is Lou Costello's physical comedy. Though the humor itself was not hilarious with Bud Abbott taking the backseat a bit more than usual, letting Lou Costello to drive the film, there were scenes especially the mirage one that delivered. Patricia Medina looked gorgeous throughout and her scenes with Lou got me to chuckle a couple of times. The ending jeep chase however was too generic and barely serviceable.

This movie is pretty much a combination of Abbott and Costello meet the Invisible Man and Lost in Alaska. A sheik/professional wrestler leaves the camp of Bud and Lou to return to his native Africa. Bud and Lou, on the verge of losing $5,000, follow him to try and bring him back. They get duped into joining the French foreign legion in the area and deal with a french spy and a traitor in the legion. For a former long time pro wrestling fanatic like me, this movie makes me laugh, mostly because I used to take wrestling so seriously. The intro is great, especially Bud Abbott, who shows passion that he would only show periodically in the team's later years. The chemistry is good in the scenes in Africa until the boys join the legion when the movie stalls slightly. There is a funny bit with Costello manning a machine gun and a hilarious miscounting scene that is the best bit in the film. Some great pro wrestling nonsense and a chaotic ending finish the film. This is one of the Abbott and Costello flicks that I missed seeing in my youth. Other then the wrestling bits and some really beautiful women, Abbott and Costello and their routines carry this one.

Okayish piece of nonsense wherein Bud and Lou are on the case of a wrestler in Algiers. Not their greatest work (or their worst). Some laughs, some groans but hey, did anyone ever have the pathos of poor old Lou?

Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!

Next please!

Abbott and Costello get tricked into joining the Foreign Legion; all they want is to get a brawny wrestler out of Algeria. Some good, hearty laughs in this A&C feature--their 26th film--which has surprisingly good production values, but feels a little rushed and has sloppy overdubbing. The wrestlers (William 'Wee Willie' Davis and Ed Wood's favorite actor Tor Johnson) are an added treat, and Costello as usual steals all his scenes. True, by this time the comedy duo were just relying on their proved shtick, but the movie is fast-paced and is much funnier and more tolerable than the Lewis and Martin pictures from this era. **1/2 from ****