Deux nigauds légionnaires

Okayish piece of nonsense wherein Bud and Lou are on the case of a wrestler in Algiers. Not their greatest work (or their worst). Some laughs, some groans but hey, did anyone ever have the pathos of poor old Lou?

Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!

Next please!

In Abbott and Costello in the Foreign Legion, Bud and Lou head to Algieria to find a wrestler named Abdullah who left them high and dry and owing a mobster quite a bit of money. Once there, the boys get mixed up with Sheik Hamud El Khalid (Douglas Dumbrille) and draw his ire at a slave auction. In their attempt to escape, Bud and Lou inadvertently sign-up for the French Foreign Legion. Things only get worse when they learn that their Sergeant is in cahoots with the Sheik. Now how are they going to get back to Brooklyn?

As a general rule, I'm a fan of A&C. Some of their movies (like Who Done It?, Hold that Ghost, and A&C Meet Frankenstein) I consider to be true classics. Unfortunately, by the time the boys made A&C in the Foreign Legion, much of their comedy had started to get tired and old. The movie has a "been there, done that" feel to a lot of it. For example, the "Oui vs. We" bit reminds me of several of A&C's more classic routines. Or take a look at the scene with the fish and the false teeth. To me, it shows how desperate the boys were. It's completely ridiculous and not in the least bit funny. A solid cast, however, almost makes this movie worthwhile. Douglas Dumbrille and Patricia Medina are a lot of fun. However, even though I think Dumbrille makes for a perfect villain, he's about as Algerian as I am (which is none).

Finally, one thing I really enjoyed about A&C in the Foreign Legion was the chance to see some classic, old-school wrestlers. Wee Willie Davis vs. Tor Johnson! How cool is that?

This movie is pretty much a combination of Abbott and Costello meet the Invisible Man and Lost in Alaska. A sheik/professional wrestler leaves the camp of Bud and Lou to return to his native Africa. Bud and Lou, on the verge of losing $5,000, follow him to try and bring him back. They get duped into joining the French foreign legion in the area and deal with a french spy and a traitor in the legion. For a former long time pro wrestling fanatic like me, this movie makes me laugh, mostly because I used to take wrestling so seriously. The intro is great, especially Bud Abbott, who shows passion that he would only show periodically in the team's later years. The chemistry is good in the scenes in Africa until the boys join the legion when the movie stalls slightly. There is a funny bit with Costello manning a machine gun and a hilarious miscounting scene that is the best bit in the film. Some great pro wrestling nonsense and a chaotic ending finish the film. This is one of the Abbott and Costello flicks that I missed seeing in my youth. Other then the wrestling bits and some really beautiful women, Abbott and Costello and their routines carry this one.

"Abbott and Costello in the Foreign Legion" never quite manages to approach the level of "brilliant", but at least it manages to stay fairly consistently on the level of "mildly funny". The best bits include the opening sequence (kind of surprising to see a 1950 movie so openly admitting that pro-wrestling is scripted), the mirages in the desert, and the "Oui" - "We" puns (the French lady: "O-U-I means Yes". Lou: "What does I-O-U mean? No?"). And, thankfully, there are no unnecessary songs to bog down the action. I would describe the film as a pleasant time-passer, but there is one troubling aspect: too many people (Legionnaires as well as Arabs) get killed - not graphically, of course, and mostly off-screen, but still....(**1/2)

Sep 23, 2011 In this movie Bud and Lou get there first taste of being outside the U.S., it's comical to see what in these days wasn't politically correct. The are looking for a wrestler who broke his contract and left New York in Algiers for his home country. Comedy is there, but not like some other films.