The Threat

This little-known 'B' noir – tightly-paced and efficiently handled by journeyman Feist – provides Charles McGraw with one of his best roles as a vicious escaped criminal out to get the three people responsible for his conviction; clearly resourceful, he manages to kidnap all of them within the space of a few hours from his freedom (with the help of two other associates)! The film makes great use of confined spaces: in their attempt to escape detection on the way to crossing the border into Mexico, the gang exchanges their hide-out a number of times – a house, a moving van (conveniently concealing a police car inside it which, apart from carrying the hostages, allows McGraw to know the pursuing force's every move!) and finally a cabin in the desert.

As with other post-war examples of the genre, the violence is more pronounced – in particular the stunning sequence in which McGraw pins the hero to the floor (by stepping on the latter's outstretched arms) and breaks a chair over his face! The hero, however, is rather colorless and it's the young van driver (himself an unwilling captive) who offers the most resistance to McGraw and gang – though, in their final confrontation, the criminal is able to disarm him in the blink of an eye!

Ultimately, this proves to be yet another title which has so far been curiously overlooked for DVD release – indeed, it would make an ideal choice for the next instalment of Warners' much-anticipated "Film Noir Collection"...

It took about 10 minutes for me to get into the story, because I didn't recognize any of the actors at first and I wasn't sure who I was supposed to identify with; but this turned out to be a typically tough and snappy little crime caper (65 minutes long) from director Felix Feist.

Feist really knew how to use his small budgets wisely. He creates a tension-filled atmosphere, keeps things moving at a crisp pace, deftly establishes and stokes conflicts, and can usually be counted on for one "bravura" piece of camerawork in every film (here, it takes place at the climax in the desert shack). He was just a very sound and capable filmmaker.

What also seemed to stand out about his work was how single-mindedly sadistic and downright mean his bad guys were. Here, Charles McGraw plays an escaped convict whose thirst for revenge against the detective and D.A. who put him away, really fuels the film and keeps it on track. McGraw emerges as very controlled, coiled and menacingly methodical. It's a good part and a very fine performance - the guy just doesn't give an inch and you find yourself having to respect that.

Generally, when low budget crime movies fail it's because the bad guy is stupid or lets his guard down at a crucial moment - none of that here. McGraw is going out on a limb with his plan and he knows sooner or later that limb is probably going to snap, but the way he figures it it's well worth the risk.

When vicious killer Arnold Kluger (Charles McGraw) and his pals escape from Folsom Prison, they go after the detective (Michael O'Shea) and the DA (Frank Conroy) who put Kluger in prison in the fist place.

The two, plus a woman Kluger thinks ratted him out are holed up with the men in a desert shack where Kluger and his pals are to be picked up by another confederate, Anthony.

Michael O'Shea plays a police officer who, with is wife, is awaiting the birth of their child. He's not supposed to be out on the street but to his wife's chagrin, he runs out when he learns of Kluger's escape, only to be captured by him. At first, Kluger makes him call in as if all is well.

Virginia Grey is the woman Kluger thinks betrayed her, and she spends most of the movie screaming and crying to let her leave. Meanwhile the officer and DA are tied up in the next room after being taken to this out of the way cabin. Not looking good.

Charles McGraw is dynamite in this film, incredibly mean, without one drop of human kindness. As someone on the board pointed out, people like this exist, making the story scarier. He's absolutely frightening because he's capable of anything.

If you're a baby boomer, you'll recognize the voice of Inspector Henderson from Superman right away, Robert Shayne as Police Inspector Murphy. The man worked into his nineties but is probably best remembered as Henderson. The film was made in 1949, and most if not all of these actors wound up in television.

Michael O'Shea was always likable, and he's no different here, playing a police detective who keeps his cool. Married to Virginia Mayo, the two did a lot of theater together, and after he retired he became a plainclothes CIA operative.

Virginia Grey was a good actress and a lovely one, though this role called for her to be hysterical a good part of the time.

This is a short film that packs a wallop - a real wallop. Very hard- hitting.

Except for the light-hearted beginning and end, this is one hard-boiled cookie of a movie, (my apology to gourmets). Kluger (McGraw) may take hostages for criminal purposes, but the screenplay takes no prisoners. It's smart, tough, and efficient, another minor gem from RKO's golden post-war period. And who better to act out the gritty script than the jut-jawed McGraw, a role that fits him like a glove. And when he barks out orders to his underlings, I had to remind myself I wasn't included. If there were B-movie Oscars, which there should have been, he would be richly deserving.

Anyhow, the plot manages to turn the familiar prison break fugitive into an exciting chase across California, replete with a number of clever touches and a few surprises from an unflinching camera. I also like Virginia Grey (Carol) who specialized in sad-eyed, soulful parts as she does here. Still, I'm not sure the movie did O'Shea's (Ray) career much good since he's definitely second fiddle to the all-dominating Mc Graw. Too bad the movie's so obscure, since it shows in spades the vigor of the B-movie at its purest level.

CHARLES McGRAW is not the first name you think of when it comes to actors who specialized in good film noirs during the '40s and '50s, but in THE THREAT he shows why he was one of the best in this genre.

McGraw is an ex-convict who kidnaps a D.A. (FRANK CONROY), a policeman (MICHAEL O'SHEA) and a singer (VIRGINIA GREY) to get even with them, his revenge motive. Pretty JULIE BISHOP is O'Shea's worried wife.

There's not a wasted moment of running time in the brisk one hour and six minute film. It starts with the prison break, proceeds with the kidnapping and the suspense remains taut during the police investigation and chase. It was obviously filmed on a low budget, but the B&W photography is crisp and all the performances are first rate. RALPH BYRD as a thug and VIRGINIA GREY as the captive girlfriend do well in good supporting roles.

It's McGraw who makes the strongest impression as a steely-eyed killer, especially during the tense closing scenes with the captives held at gunpoint. Well worth watching.