Les chevaliers du Texas

Not as bad as one IMDb critic found it, nor as bad as the "Time Out" review suggests. The opening shot was a bit amateurish, with the usually excellent Victor Jory emerging from behind a flaming torch, laughing manically and chucking it through a window. His character's name, Cottrell, and behaviour brings to mind Quantrell and his raiders, but Jory is mainly on the Union side, something not appreciated by one Union officer when Jory and his henchmen swagger into a saloon. Alexis Smith as the saloon girl Rouge did a lot of grimacing, and, rather more effectively, Bob Steele did a lot of glowering,.

The ending was a bit contrived, and everything works out as one might have predicted, though I'm not sure that McCrea got the best girl.

This western is one of the best of the late forties, and I would say the forties, even without Randolph Scott as the lead. And once more in Ray Enright's westerns, it evokes the Civil War and once more for this decade, Victor Jory is the villain of the story. It is splendid though predictable, without real surprise. But the best elements are elsewhere, in the music, atmosphere, fast pace and above all characters symphony. But, after all, yes, you have a surprise. Zachary Scott is not a villain, the bad guy, but the hero's friend. Joel McCrea is terrific here. I think it was an iconic western in the past, for moviegoers, but unfortunately thos late forties period is not the best known. It's such a shame. This western should be more released, for young audiences.

They stick together and separate occasionally, taking opposite stands, sometimes with the confederates and sometimes with the unionists, but in spite of wide gulfs of differences they always end up together again, Joel McCrea, Zachary Scott and Douglas Kennedy, they are bound together by a ranch which they share called "Three Bells", and that's why they attach small bells to their spurs to make them tinkle more distinctly wherever they go. Two dames are also involved, the lovely and adorable Dorothy Malone, who is marrying Joel McCrea, and Alexis Smith as a saloon entertainer, singing occasionally and sticking her fingers into their business occasionally. She is the best acting performance here, with great nuances making her character the most intriguing, occasionally (when no one sees it) wiping off a tear or two. There is a great villain also, Victor Jory at his most unpleasant, a thoroughly vicious sadist who likes to burn ranches, kill people and steal any kind of loot. The frame of the drama is the civil war and how it affects Texas, being torn apart by unionists and confederates and ultimately in the hands of the Texas Rangers, and the political shifts of the drama add to its interest. Joel McCrea never gets his Dorothy Malone as another gets her instead, but he finds someone else, or perhaps she is the one who finds him, after having looked for him throughout the film.

Joel McCrea, Zachary Scott, and Douglas Kennedy were three friends who tried to ranch together, and dorothy Malone was the good girl they all loved. Then came the Civil War, and now in its closing days, their ranch is destroyed, so they turn to arms smuggling. But cracks show in their friendship, and when the War ends, will it mean the start of their battle?

Warner Brothers had been putting Erroll Flynn in handsome westerns for some time, and this looks like it was intended as another. It's handsome, engaging, has a fine cast, including Alan Hale as a politician, Alexis Smith as the bad girl with a heart of gold, and Bob Steele as the mean henchman. But despite Karl Freund's typically fine camerawork, it all seems like a b western writ large. Perhaps it's because the villain of the piece is Victor Jory as Quantrell, but they were afraid of a lawsuit, so they called his 'Cotrell'. There are no obvious errors, just a feeling it has too many moving parts that never quite mesh.

Lot of different things going on in this enjoyable civil war type western. The plot is set in motion in the opening frames when a ruthless raider named Luke Contrell (I guess he's the union version of William Quantrill) burns out the Three Bells ranch in Texas. The Three Bells is run by 3 friends, Joel McCrea, Zachary Scott and Douglas Kennedy (I hope you don't mind my convention of referring to the characters by the actor's names, it's just easier and apart from Contrell, the names don't mean much) who set of for Brownsville to get even. Contrell carries out his raiding under the protection of the union army, which prevents our hero, Joel McCrea, from doing much more than beating him up and telling him to leave town.

Our three heros -- it's weird seeing Zachary Scott as a hero -- are now kind of shiftless and looking for what to do next. Kennedy decides to join the Confederation and fight in the open. This is kind of different, the movie is set during the Civil War and one of the hero's decides to join the confederation and doesn't feel the need to talk about protecting his way of life. The union army might protect Contrell, but they don't like him much, and the commander offers to buy McCrea a drink after he beats up Contrell -- but McCrea don't drink with Yankees. McCrea and Scott get mixed up in gun running and take to the trade, blockade running guns from Mexico to the confederates.

The romantic sub-plot is that a saloon singer played by Alexis Smith has set her cap for McCrea and McCrea's gal, Dorothy Malone, has followed Kennedy into fighting the good fight as a nurse (the film just never really gets into the nitty gritty of the politics of the civil war). I found the romantic business, usually something of a drag in the avg McCrea feature, to be pretty interesting and not quite so ham handed as is often done.

The production values are not bad, the acting is pretty good, the story interesting and a little different. If you love westerns, and I presume you do if you've read this far, you could do a lot worse that this movie. I enjoyed it quite a bit.