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Nous avons gagné ce soir

Original title: The Set-Up
  • 1949
  • Tous publics
  • 1h 13m
IMDb RATING
7.8/10
11K
YOUR RATING
Robert Ryan and Audrey Totter in Nous avons gagné ce soir (1949)
BoxingFilm NoirGangsterTragedyActionCrimeSport

Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.

  • Director
    • Robert Wise
  • Writers
    • Art Cohn
    • Joseph Moncure March
  • Stars
    • Robert Ryan
    • Audrey Totter
    • George Tobias
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    11K
    YOUR RATING
    • Director
      • Robert Wise
    • Writers
      • Art Cohn
      • Joseph Moncure March
    • Stars
      • Robert Ryan
      • Audrey Totter
      • George Tobias
    • 107User reviews
    • 55Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Nominated for 1 BAFTA Award
      • 2 wins & 2 nominations total

    Photos88

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    Top cast85

    Edit
    Robert Ryan
    Robert Ryan
    • Bill 'Stoker' Thompson
    Audrey Totter
    Audrey Totter
    • Julie Thompson
    George Tobias
    George Tobias
    • Tiny
    Alan Baxter
    Alan Baxter
    • Little Boy
    Wallace Ford
    Wallace Ford
    • Gus
    Percy Helton
    Percy Helton
    • Red
    Hal Baylor
    Hal Baylor
    • Tiger Nelson
    • (as Hal Fieberling)
    Darryl Hickman
    Darryl Hickman
    • Shanley
    Kevin O'Morrison
    Kevin O'Morrison
    • Moore
    • (as Kenny O'Morrison)
    James Edwards
    James Edwards
    • Luther Hawkins
    David Clarke
    David Clarke
    • Gunboat Johnson
    Phillip Pine
    Phillip Pine
    • Tony Sousa
    Edwin Max
    Edwin Max
    • Danny
    Herbert Anderson
    Herbert Anderson
    • Husband
    • (uncredited)
    Larry Anzalone
    • Mexican Fighter
    • (uncredited)
    Arthur Berkeley
    • Cafe Patron
    • (uncredited)
    Phil Bloom
    Phil Bloom
    • Minor Role
    • (uncredited)
    Burman Bodel
    Burman Bodel
    • Man
    • (uncredited)
    • Director
      • Robert Wise
    • Writers
      • Art Cohn
      • Joseph Moncure March
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews107

    7.810.7K
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    Featured reviews

    8bkoganbing

    Running On Pride

    If your taste runs to happy endings and beautiful people than stay away from The Set-Up. But if gritty and realistic drama is your taste you can't do better than this noir classic about the world of boxing. The Set-Up anticipated Rod Serling's Requiem For a Heavyweight by a decade as it deals with the same issues about a boxer at the end of his career.

    Anthony Quinn might very well have seen Robert Ryan in The Set-Up when he played Mountain Rivera in Requiem For A Heavyweight. Rod Serling must have seen it as well. Both films deal with a boxer at the end of his career, but who has a lot of pride. Manager George Tobias and trainer Percy Helton get an offer from gambler Alan Baxter who is backing an up and coming heavyweight contender Hal Baylor. Ryan is just another step up the ladder, a ladder when Ryan was younger he was climbing. Tobias and Helton agree to take a dive, but no one can broach the subject to Ryan.

    Which sets it all up for the final match and the aftermath where Ryan betrayed by all hangs in on nerve and pride alone. What happens afterward is for you to view, but don't expect the same kind of resolution that Requiem For A Heavyweight gave.

    A really big surprise here are George Tobias and Percy Helton who normally play comic parts are quite serious here as a pair of fight game characters. The performances are so atypical of the work you've come to expect from both.

    Ryan's amateur boxing career no doubt stood him in good stead for this role. He makes a rugged looking boxer who's been through the ring wars over and over again. That helps him in this latest encounter.

    The sets are gritty and realistic, in fact I've never seen an urban area done so well until Otto Preminger's The Man With The Golden Arm debuted six years later. Preminger also might have been influenced by The Set-Up when he made his classic.

    Although unnoticed at first, The Set-Up has slowly built a reputation as one of the great noir films out of RKO and one of the best boxing films ever made. For myself it certainly influenced a lot of people.
    8ccthemovieman-1

    'Rocky' Before There Was A "Rocky'

    Fight scenes-wise, this was "Rocky" almost 30 years before there ever was a "Rocky." It was the same kind of unrelenting (and unrealistic in that no matter how bad the beating the good guy was getting, the good guy couldn't lose) boxing action that Sylvester Stallone likes so much.

    But, don't get me wrong, I liked this film. It was good stuff. 'Rocky" was drama, romance while this was film-noir.....and solid film-noir, too.

    Robert Ryan, playing a 35-year-old aging rank fighter, gives it his all against an up-and-coming kid, not knowing that he supposed to take a dive. He finally finds this out (his manager didn't tell him) and by then, he was not going give up trying against his opponent.

    There are so many punches thrown in this four-round bout it will make your head swim. The best part of this film, to me, was the cinematography, which was outstanding. Kudos to director Robert Wise for the photography. There are a lot of nice facial closeups in here, all of which look sharp on the recent DVD transfer.

    Humor is thrown into this film-noir as we see a variety of boxing fans, from the bloodthirsty woman to a fat man always eating to another guy acting out the action while in his ringside seat. They provide some much- needed respite from the grim story. Ryan, as he usually was, is interesting to watch. The ending of the film is a tough one and, I found tough to watch at times.

    Note: the film was done in "real time" - a 72-minute period in the life of the boxer Ryan portrays.
    8planktonrules

    gritty and well-acted

    I love Robert Ryan films. Whether playing a scum bag or a hero, his gritty and realistic performances have always impressed me. One of his better films is this boxing flick. Ryan is an old washed-up boxer who is expected to take a dive. Through much of the film, you really don't know what he will do--throw the fight or try to salvage some of his dignity. And, I gotta say that the boxing scenes are brutal and realistic--it really HURTS to watch the fight. If you like the films THE HARDER THEY FALL or REQUIEM TO A HEAVYWEIGHT, then is this movie for you! In fact, try watching all three to get a look at the less glamorous and seedy side of boxing.
    9secondtake

    Inside a gritty world of boxing, and inside one boxer's head. Amazing!

    The Set-Up (1949)

    This might be the best boxing movie ever made. It's kind of the opposite of "Rocky," of course (this one is about the small points, and not about becoming champion). But it's also the opposite of the two other classics that come to mind: "Raging Bull" and "Body and Soul."

    Director Robert Wise made sure that everything here felt authentic and gritty--almost too authentic and gritty. You marvel at all the types in the crowds, inside and outside the ring. You notice the small rooms, the ordinary props, the lack of glamour. If you aren't afraid of the word mise-en-scene, this has created it perfectly. It's transporting.

    And moving. Robert Ryan in the lead pulls out some of his best, subtle reactions. He's sometimes prone to strained expressions that may not always fit his character, but here he is thoughtful and determined and showing signs of being the old wise man in the crowd as the younger boxers act cocky or scared.

    Then there's the plot drawn out of the title. It's a good thing this doesn't dominate the movie, at least not until the end, because the real plot has to do with a man coming to grips with the end of his career. And with a woman who loves him truly. It's great stuff.
    mcdamsten

    Still Packs A Punch

    Overshadowed by the more heralded The Champion in 1949, I like this movie better. Maybe the grittiness of this one with its unrelentingly seedy environment and no obvious feel good outcome made it less popular at the time. After seeing it for years on cable, a most welcome sight on DVD. Certainly an Oscar caliber performance by Ryan. The direction and cinematograpy also Oscar worthy. The boxing match itself is a classic, convincingly choreographed. The whole cast down to the smallest part is uniformly fine, with many memorable faces. The sense of anxiety we feel for Stoker mixed with hope and fleeting elation makes quite a compelling story. The movie is 71 minutes and is in `real time` ****1/2 out of *****

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The clock on the square at the beginning shows 9:05 PM, and the same clock at the end shows 10:16 PM. The movie takes place in real time.
    • Goofs
      After the big fight, when Stoker is in the locker room, he opens his locker and takes out his clothes and shoes. In two subsequent shots his shoes are back in the locker, and then in a fourth shot he removes his shoes from the locker a second time.
    • Quotes

      Stoker: Well, that's the way it is. You're a fighter, you gotta fight.

    • Connections
      Featured in Film Review: Robert Wise (1967)
    • Soundtracks
      A Touch of Texas
      (1942) (uncredited)

      Music by Jimmy McHugh

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    FAQ17

    • How long is The Set-Up?Powered by Alexa

    Details

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    • Release date
      • October 14, 1949 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • El luchador
    • Filming locations
      • The Hill Street Tunnels at 1st, Bunker Hill, Downtown, Los Angeles, California, USA(Staircase over tunnel scenes, the overlook where Julie contemplates suicide as train passes. Location was the Hill Street Tunnels, including the pedestrian staircase leading to overlook. Location was just north on Hill Street from 1st Street. Erected in 1913 and demolished in 1954 to make way for Los Angeles County Courthouse and Hall of Administration.)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 13m(73 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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