La dernière charge

A bleak, remote setting is the background for this Foreign Legion tale of adventure which moves along steadily with few dull moments, at least for me.

I thoroughly enjoyed seeing Akim Tamiroff in his role as Lieutenant Glysko. He certainly excels as a character actor, breathing new life into whatever role he takes on. There's quite an exciting battle scene midway and some fierce racing horses as a battle unfolds.

George Raft and Marie Windsor were seldom at the top of my charts yet they are well suited in this film and meld nicely in the romantic episodes. I'd regard this one as standard entertainment, no frills.

Let me start by saying this was not a "Beau Geste" by any means - it was set in Morocco and the locations looked very good, but that is the end of the "penny section!" I had always found George Raft to be completely wooden, and he proved it again in this one, but he did show me he was a very good dancer (clearly the highlight for him in this epic!). And well into his 50's when this was made took away any believability for him to be a romantic hero. The role, had it not been made on a shoe string, needed a Tyrone Power or a Errol Flynn to make it worthwhile. Marie Windsor looked like she wanted to be somewhere else, while Akim Tamiroff was clearly the best performer in the cast. Seeing Raft "act" makes me so glad to rejected the leads in "High Sierra" and "The Maltese Falcon" - had he not done so, they would not be genuine movie classics.

A fading George Raft nearing the end of his studio career finds himself wooing Arab chief's daughter Marie Windsor in a backlot Moroccan outpost in this very ordinary adventure movie. Fortunately Akim Tamiroff is on hand to inject some life into proceedings. The downbeat ending comes as something of a shock coming after all the routine that came before it.

So far, now in 2024, and as a movie buff since fifty years now, I can consider this movie as one of the best movies ever made about French Foreign Legion, just after William Wellman's BEAU GESTE - and not its TV remake. And I still research since forty years Charles Marquis Warren's DESERT HELL, also about French Foreign Legion, but I still can't find it. And I guess I am not the only one. So, back to this one, yes, it is a solid film, pulled by a solid cast, direction and story too. Jawdropping action scenes, mindblowing for such a film. George Raft is excellent in this role for which he was not too used too, if you consider his filmography. Also among of the best roles for Marie Windsor. One of my favorite from director Robert Florey. The story itself is not that interesting though, I prefer BEAU GESTE of course, but that's on another scale.

This is an odd film from the onset due to the odd casting choices. First, having an older (and decidedly lazier) George Raft in the romantic lead seemed silly, though most of his manly roles at this point his his career seemed to think he was 10-15 years younger. Second, and this is the most serious, who would have thought that Marie Windsor could look like the Emir's daughter?! She looks about as North African as Zsa Zsa Gabor and sounded like a débutante! The film begins with Raft being asked to go on a special mission to escort the sultry Ms. Windsor to her father at his fortress. Why was Raft chosen? Well, according to the film he is some sort of super-stud ladies' man and the Commanding Officer wanted Raft to romance Windsor and get her "on our side"!! Really. I'm not making this up, folks! George Raft is a major stud in this film(!). Naturally, at first they don't get along but then later they are quite snuggly (a standard cliché in such films). When she discovers that her Daddy, the Emir, is a nasty jerk, she helps Raft. What a dame. Well, more like what an anachronistic dame--one who acts like no woman in her situation would have acted like.

After the romantic stuff, the film becomes a movie about French Foreign Legion troops being besieged in the desert--like BEAU GESTE, ABBOTT AND COSTELLO IN THE FOREIGN LEGION, BEAU HUNKS and a dozen other films. NO surprises here and it looks almost like a slow motion and dull version of the standard "White man in the desert" film.