IMDb RATING
7.0/10
6.1K
YOUR RATING
A young woman who has raised a giant gorilla from an infant brings him to Hollywood years later seeking her fortune.A young woman who has raised a giant gorilla from an infant brings him to Hollywood years later seeking her fortune.A young woman who has raised a giant gorilla from an infant brings him to Hollywood years later seeking her fortune.
- Director
- Writers
- Stars
- Won 1 Oscar
- 1 win & 3 nominations total
Mary Gordon
- Old Woman
- (unconfirmed)
Iris Adrian
- Gloria
- (uncredited)
Bobby Barber
- Diner Patron
- (uncredited)
Pat Barton
- Cigarette Girl
- (uncredited)
Ian Batchelor
- Strongman
- (uncredited)
Sharon Bell
- Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Of all the great ape films, this one made by the same folks that brought us King Kong and Son of Kong has to be the most charming. The story is simple enough about a young girl that raises a gorilla from infancy in the wilds of Africa to be wooed and wowed by an American showman looking for acts in Africa. The showman sees her gorilla and the way she can make it listen and do tricks...and soon both beast and beauty are off to the US to star in a night club act of all things. Terry Moore is a real cutie portraying the girl. The showman is played by...well who else but the same man responsible for bringing King Kong to New York City 16 years earlier...Robert Armstrong. The rest of the cast is adequate with Nestor Paiva in a small but crucial role standing out. The real star, however, is the ape itself and the special effects centered around it. This gorilla is brutish yet humane. He is playful and yet serious and somber at times. Willis O'Brien has done it again with the effects and his stop motion animation, with a great deal of improvement since Kong. The best thing about this movie is its heart, and the heart shown between the young girl and her pet/child. Some scenes are very striking in the film. One that stands out the most is the introduction of Mighty Joe Young in the night club with Terry Moore playing the piano. It looks like Busby Berkley choreographed it. Another very powerful scene involves Joe with an orphanage on fire. The scene is tremendous and even tinted red. Very impressive for its release. A True Classic!
MIGHTY JOE YOUNG is essentially a smaller, pared-down re-run of KING KONG, with everything taking place on a smaller scale and perhaps a slightly younger audience in mind. It's nevertheless an extremely watchable and at times powerful piece, one that's at its best when depicting the worst of human nature; namely Joe's transformation from king of the jungle to a side-show freak.
Such films are inevitably dated now, presenting a view of a world long forgotten. Despite this, MIGHTY JOE YOUNG is gripping and exhilarating in equal measure. The opening sequences are slightly twee, but once the action shifts to Hollywood it gets better and better, especially the extended "will they make it?" climax. The scene with the burning building is an incredibly complex set-piece and one which is executed beautifully.
KING KONG guru Willis O'Brien was the guy headlining this production, but by all accounts stop-motion king Ray Harryhausen did most of the work, and Joe is one of his best creations; not only is he a realistic monster, but like the best of the stop-motion beasties, he's a recognisable character too, and one you empathise with. The rest of the production is well-paced and well-made, with a level of finesse raising it above the level of the competition.
Such films are inevitably dated now, presenting a view of a world long forgotten. Despite this, MIGHTY JOE YOUNG is gripping and exhilarating in equal measure. The opening sequences are slightly twee, but once the action shifts to Hollywood it gets better and better, especially the extended "will they make it?" climax. The scene with the burning building is an incredibly complex set-piece and one which is executed beautifully.
KING KONG guru Willis O'Brien was the guy headlining this production, but by all accounts stop-motion king Ray Harryhausen did most of the work, and Joe is one of his best creations; not only is he a realistic monster, but like the best of the stop-motion beasties, he's a recognisable character too, and one you empathise with. The rest of the production is well-paced and well-made, with a level of finesse raising it above the level of the competition.
RKO managed to put out a sweet movie, even with the cheesy backdrops (the African scenes) and special effects (they obviously used toy vehicles in one scene). You'll root for the good guys and laugh at the rougish character played by Robert Armstrong as he schemes to get Joe back home. Look for Irene Ryan (who later played "Granny" on the Beverly Hillbillies) in a quick scene in the nightclub.
A wonderfully entertaining slant on "King Kong" by Kong's creators, Cooper and Schoedsack (along with John Ford). Much better than Kong's 1934 sequel, "Son of Kong", which was hurriedly made. The creators put a lot of thought and effort into this worthy follow-up and it shows. More superb special effects from Willis O'Brien as technical director, featuring the budding talents of protege, Ray Harryhausen.
Thanksgiving just can't be Thanksgiving without Mighty Joe Young. From as far back as I can remember, until about 10 years ago, WOR, channel 9 in New York City, played a King Kong festival on Thanksgiving day, and then a Godzilla festival on Friday, dubbing it "Monster Weekend." Of the 3 "ape movies" played back-to-back (King Kong, Son of Kong, and Mighty Joe Young), this was far and away the best. There were several reasons for it. (1) Mighty Joe Young has the best special effects of all the ape movies (and, truth be known, far better than those of most of the Godzillas -- which were filmed 10-20 years later!). (2) Mighty Joe Young has the best story. It's about a little girl who adopts a young gorilla in Africa on her family's plantation, and she grows up with it. The gorilla turns out to be the largest in the world (but nowhere near the size of Kong). Joe is affectionate with his "sister", and very protective of her, and the animators gave him a wonderful range of facial expressions and emotions. (3) Mighty Joe Young has the best climax, and the best ending.
All told, Mighty Joe Young is a terriffic movie. It was light years ahead of its time in so many ways, including special effects. It is well worth the time to see it.
My score: 8/10
All told, Mighty Joe Young is a terriffic movie. It was light years ahead of its time in so many ways, including special effects. It is well worth the time to see it.
My score: 8/10
Did you know
- TriviaThis was the first feature film to which Ray Harryhausen contributed stop-motion animation effects.
- GoofsJoe's size varies immensely throughout film.
- Crazy creditsOpening credits cast list: "AND Mr. Joseph Young As Himself"
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Deux Minets pour Juliette (1966)
Details
- Release date
- Country of origin
- Languages
- Also known as
- El gran gorila
- Filming locations
- Thousand Oaks, California, USA(nightclub sequence with lions)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,800,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content