La pêche au trésor

The Marx brothers shtik is on its last legs in this one. Some production trivia mentioned in the Turner Classic Movies airing suggest that 'Love Happy' was intended to be a Harpo vehicle, but the backers weren't going to unless Groucho and Chico were also in. A lot of the Marx vaudeville formula is evident and may seem a bit worn, but Harpo still gets me with his crazy mime and charades. He has a scene with Chico that is pretty comical. The REAL gem in 'Love Happy' is Vera-Ellen's Sadie Thompson dance number. Man, that chic could really move it on high-heels. Wow!

I disagree with the put downs of this film by some viewers, for a very simple reason: I enjoyed watching it and found it funny. Sure, the plot is a little weak, but who watches Marx Brothers films for the plot? Actually, the plot is stronger than in many of their movies.

Groucho's role is certainly weak, but this may be Harpo's finest film, which showcases his beautiful comic style. Chico does fine, too. And they both deliver some wonderful musical performances.

The scene near the end on the rooftop amid the Times Square advertising signs is delightful. There seems to be an obvious element of "product placement," though I don't know whether the filmmakers got paid for this, but that all adds to the peculiar humor of the scene.

It's been a very long time since I first saw the classic Marx Brothers films, at least as an adult who could appreciate them. Back then they were funny. But I can't say they crack me up these days, as the gags have gotten old.

So it was wonderful to find this Marx Brothers film I hadn't seen, and to laugh at them again. This is a funny film. Period.

It is a bit sad knowing this was their last film, also knowing the great young comedy writers who were about to get started in live television, including Mel Brooks and Woody Allen. If only their talent could have been turned to writing more scripts for the Marx Brothers. Instead, they wrote for Sid Caesar's television shows, which in some ways were the heirs to the Marx Brothers humor.

I think I will watch Love Happy again, soon. I want to watch Harpo's performance more closely. It seems to me he was the last of the silent film comedians, in the tradition of Chaplin and Buster Keaton, whose humor was all in their body language. And this was his last great work.

I've been a die-hard Marxist for several years now. After I watched their first seven films to the point where my tapes were in tatters, I sought out their later films, the lesser productions Room Service thru Night in Casablanca. After that, I still wanted more, so I finally gave in and watched the one film that I KNEW would be painful: Love Happy. Virtually every review has smeared this film and ripped into it with full claws, so I braced myself and bought the DVD.

Now let me tell you something: this movie is great. Of course it's not in the ballpark of the Paramounts, but it fits nicely with their later films, and is a real delight. So why the negative rap? Well, this movie was originally intended as a solo vehicle for Harpo Marx. Chico joined on when he needed money to get out of debt. Groucho was never supposed to be in this film, but the sponsors said that they wouldn't release it unless he was, so that they could bill it as a "Marx Brothers" picture. So footage of Groucho narrating parts of the story were shoehorned into the finished product. The result? Chico and Harpo are just as enchanting as ever, and Groucho--despite being displayed prominently on the movie posters--is relegated to a commentator. Since most Marx fans are Groucho fans first, Chico/Harpo fans second, this setup comes as a slap in the face, and the film gets trashed.

As such, if you watch the Marxes mainly to see Groucho's witty quips, this movie will bore you stiff. However, if you--like me--love the others just as much as Groucho (for me, Chico will ALWAYS be the funniest Marx Brother!) you'll be surprised at how good Love Happy really is. I'd go into the plot, but with a Marx movie, who really cares about the plot? It's our boys we're after. Chico plays an uproarious piano/violin duet, lusts after Ilona Massey, has some "tootsy-frootsy ice cream" and does some flawed mind-reading; Harpo tumbles through a washing machine, turns his fingers into candles, pulls a dog out of his coat and lusts after Ilona Massey. And Groucho narrates, searches, quips, ponders the situation, and...lusts after Ilona Massey. Oh!--and did I mention this film started the career of a young Marilyn Monroe?

In short, to a Chico/Harpo fan, this movie is as good as (and often better than) At the Circus or A Night in Casablanca. To a Groucho fan...well, that's why we have remote-controls.

"Final" Marx Bros. Film is mostly a vehicle for Harpo with musical numbers and romantic subplot featuring Vera-Ellen and Paul Valentine. Groucho narrates the whole thing as a detective. The film cuts away to him several times before he joins the main story late in the picture. He's funny as expected, although most of his stuff feels tacked-on. Chico has a smaller part but still gets a couple of funny bits including a piano scene. The brothers share no scenes together as a trio but Harpo gets short bits with each separately. Marilyn Monroe appears with Groucho in one memorable scene. It's an entertaining movie. Don't go into it with the expectation that it's going to be a proper Marx Bros. Movie like their 30s classics. Just take it on its own terms and you might enjoy it. Vera-Ellen has a great dance number, Ilona Massey has amazing cleavage, and the supporting cast includes several fun characters. By the way, I watched this on blu-ray and while the picture quality is amazing, HD does the brothers no favors in hiding their age.

Yes, this movie is sad; it's the end of an era. Bye bye, Marx Brothers; over half a century later, you still haven't been topped.

However, this movie is not sad in the sense of being pathetic. There's still some laughs here, and on balance, I think this is better than some of the previous Marx efforts ("A Night in Casablanca" and "At the Circus" in particular). Harpo is quite charming (who's not a Harpo fan?), and I remember finding the Central Park scene quite touching. The rooftop chase is a blast, too. Granted, those two scenes are standouts and the rest of the movie is weaker in comparison, but I never found it painfully weak.

Let's put it this way; even mediocre Marx is still okay by me.