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Les reines du music-hall

Original title: Ladies of the Chorus
  • 1948
  • Approved
  • 1h 1m
IMDb RATING
6.1/10
1.7K
YOUR RATING
Marilyn Monroe, Rand Brooks, and Adele Jergens in Les reines du music-hall (1948)
MusicalRomance

A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.

  • Director
    • Phil Karlson
  • Writers
    • Harry Sauber
    • Joseph Carole
  • Stars
    • Adele Jergens
    • Marilyn Monroe
    • Rand Brooks
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    1.7K
    YOUR RATING
    • Director
      • Phil Karlson
    • Writers
      • Harry Sauber
      • Joseph Carole
    • Stars
      • Adele Jergens
      • Marilyn Monroe
      • Rand Brooks
    • 39User reviews
    • 10Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos64

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    Top cast42

    Edit
    Adele Jergens
    Adele Jergens
    • Mae Martin
    Marilyn Monroe
    Marilyn Monroe
    • Peggy Martin
    Rand Brooks
    Rand Brooks
    • Randy Carroll
    Nana Bryant
    Nana Bryant
    • Mrs. Adele Carroll
    Eddie Garr
    Eddie Garr
    • Billy Mackay
    Steven Geray
    Steven Geray
    • Salisbury
    The Bobby True Trio
    • Trio Musicians
    Dave Barry
    Dave Barry
    • Ripple the Decorator
    • (uncredited)
    Gladys Blake
    Gladys Blake
    • Flower Shop Girl
    • (uncredited)
    Chet Brandenburg
    Chet Brandenburg
    • Audience Member
    • (uncredited)
    Paul E. Burns
    Paul E. Burns
    • Mr. Craig - Stage Doorman
    • (uncredited)
    Robert Clarke
    Robert Clarke
    • Peter Winthrop
    • (uncredited)
    James Conaty
    • Party Guest
    • (uncredited)
    Oliver Cross
    • Party Guest
    • (uncredited)
    Jay Eaton
    Jay Eaton
    • Party Guest
    • (uncredited)
    Bill Edwards
    • Alan Wakely - Mae's Ex-husband
    • (uncredited)
    Ella Ethridge
    • Party Guest
    • (uncredited)
    Adolph Faylauer
    Adolph Faylauer
    • Burlesque Show Spectator
    • (uncredited)
    • Director
      • Phil Karlson
    • Writers
      • Harry Sauber
      • Joseph Carole
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews39

    6.11.6K
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    Featured reviews

    6planktonrules

    Surprisingly good...and not quite the film you might expect based on who stars in it.

    Back in her earlier days in Hollywood, Marilyn Monroe did what most aspiring actresses did...she played bit parts and supporting roles. While "Ladies of the Chorus" offers her a bit more, she's not the lead nor was she ever intended to be. After all, it was 1948 and she was still a couple years from stardom. However, the studio did what I've seen many times with Monroe....after she become famous, they re-cut the movie (adding a title screen that shows Monroe in the lead) and re-released it! I watched this version. I've also seen many DVDs of Monroe and her bit roles with covers blazoned with her face....as if she was the star...so this re-issuing isn't any surprise to me.

    The actual star of this film is Adele Jurgens, a gorgeous blonde who did quite a bit of television in the 50s. Sadly, her career worked out but not nearly enough to offer her many more starring roles. On the positive side, she lived a very long and full life aside from acting.

    As far as Jurgens, despite being the star, the casting of Monroe as her daughter (despite only being nine years older) must have been painful to her. Jurgens plays Mae Martin, a chorus girl who works with her daughter, Peggy (Monroe). But when Peggy falls in love and the man asks her to marry her, Mae is worried. After all, Mae's husband came from a good family, just like this man, and she is worried that love won't be enough to keep Peggy's marriage going strong. After all, 'good families' don't want ex-chorus girls marrying into their family...and Mae's husband just couldn't cut it. What will come of Peggy and her new man?

    In addition to this plot, there is lots of singing and dancing...especially by Jurgens and Monroe. Considering the film is made by Lippert Studios, it's surprisingly good...as I usually expect very little from their productions. The best part is how all this worked out in the film....something that makes it all worth seeing.
    HarlowMGM

    Lovely Young Marilyn Monroe in Her First Starring Film

    LADIES OF THE CHORUS is a fairly rare "B" movie from 1948 of interest because it's Marilyn Monroe's very first starring film but beyond that it's a quite well-made little musical. Marilyn was a complete unknown at the time with only a little extra work and one credited bit part under her belt when she was cast in this movie and yet she's quite wonderful and a total pro.

    Marilyn stars as Peggy, a very young burlesque chorus girl who works in the chorus alongside her fortyish mother Mae (Adele Jergens). When the obnoxious "star" of the show walks out, Peggy steps into her part and becomes a sensation, earning the interest of various back door johnnies, in particular wealthy heir Randy (Rand Brooks). Peggy and Randy fall in love and he proposes but Mae is wary that Peggy will never be accepted in his social circles from her own past experience with her own annulled marriage to a socially prominent young man decades ago. Mae makes Randy promise to tell his mother (Nana Bryant) that Peggy is a burlesque queen in advance of their visit to the family's Cleveland estate, which he fails to do.

    Marilyn is just adorable in this film and sings two surprisingly good songs for a "B" movie, "Anyone Can See I Love You" and "Every Baby Needs a Da Da Daddy", the latter a sexy little number that foreshadows her classic "Diamonds are a Girl's Best Friend" in sexiness and philosophy, right down to a reference to Tiffanys. Columbia's resident B queen of the era Adele Jergens is negated to a subordinate role as her mother, as still shapely middle-aged dancer who hides her gray hair under a blonde wig. Adele does very well at suggesting a slightly tired woman a decade or so older than her actual age and also gives a very good performance. (Adele was top billed in the original 1948 release but it appears only copies from the 1952 reissue exist where Marilyn was given that spot).

    Rand Brooks (best known as Scarlett O'Hara's first husband in GONE WITH THE WIND) is quite pleasant as Marilyn's romantic suitor (they have a lovely scene together parked in a car that is an endearing ode to wholesome young love) and character actress Nana Bryant gives a pleasant performance as his mother, complete with a musical number of her own, the memorable "You're Never Too Old". Standing out in good comic unbilled bits are Gladys Blake as a gossipy sales girl and Dave Barry as a garbled-speaking decorator.

    Running just a minute over an hour, the movie moves so quickly there's really no time for dull spots. This movie was reissued in 1952 by Columbia at the dawn of Marilyn's stardom but was virtually unseen for decades thereafter (likely because it was too short for most television movie programming slots); it reemerged in 1994 on video and a few years later had a handful of showings on cable television. Today your best bet in seeing it would probably be in buying a used copy of the out-of-print VHS tape or, if your DVD player can handle it, the region 2 DVD release from the United Kingdom in a Marilyn Monroe boxed set.
    7MonroeFan

    Cute film showcases young Monroe's voice, stunning beauty

    A very young Marilyn Monroe in her first lead role made an impression on critics with her performance in this light film about a young burlesque queen whose mother disapproves of her engagement to a wealthy man.

    Monroe's sweet singing voice is showcased for the first time in this film, and it is a real treat. She had not yet adopted the "Marilyn Monroe" persona, but even without the breathy baby-doll voice she is the image of innocent seduction.

    Although the plot is rather formulaic and simplistic, this film does offer something of a twist at the end. All in all a cute film and opportunity to see Monroe as a young fresh-faced beauty who, as always, lights up the screen.
    6SnoopyStyle

    pre-goddess Monroe

    Peggy Martin (Marilyn Monroe) and her mother Mae (Adele Jergens) are both burlesque chorus girls. Bubbles LaRue keeps pushing Peggy to go out with clients but Mae forbids it. Peggy is tired of her mother's protectiveness but when Bubbles comes at Mae, Peggy is the one punching back. Bubbles quits. Mae is asked to do the solo dance but she gives it to Peggy. A new star is born. In the audience, Randy Carroll is taken with her.

    This is early Monroe. She was still a relative nobody at the time. I doubt that she got top billing during its initial run even if she's the nominal lead. It's fascinating to see her before her sex goddess persona. She is still an ingénue. She has her overpowering beauty but her pouty sex goddess is still under construction. In that light, Randy is not good enough. It's hard to cast a suitor for a future legend. All I know is that Randy is not good enough. I don't see enough heat in the relationship and that drags down the film. It's still fascinating to watch a pre-goddess Monroe.
    dougdoepke

    Better Than Expected

    Like most folks I tuned in to catch Monroe in her first featured role. Being a Columbia quickie (filmed in 10-days), I wasn't expecting much outside of the luscious blonde. So I was rather happily surprised that the 60-minutes turned out better than I expected. The first part features nicely staged burlesque bits, along with good snappy backstage dialog. The second part has Monroe and fiancé (Brooks) having to confront his family's apparent uptown snobbery. After all, Monroe does play a burly-que queen, not exactly the Manhattan Social Register. I like the way the ending's surprisingly finessed.

    It's a fine cast with scrappy Jergens doing well considering she has to play Monroe's mother, of all things. Kudos too to Bryant as Brooks's uptown mom, though actor Brooks seems pretty colorless which maybe he was supposed to be. Anyway, the famously skittish Monroe appears utterly relaxed and glowing in her role. Musical numbers, I think, always brought out the best in her. Also, this is before super- stardom began to weigh her down. Should also note that director Karlson shows his versatility here since his specialty otherwise was tough, tight crime dramas.

    All in all, the little flick can be enjoyed on its own merits or as an early peek at perhaps Hollywood's most legendary actress.

    Related interests

    Julie Andrews in La Mélodie du bonheur (1965)
    Musical
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When the film was re-released in November 1952, Columbia redesigned the opening title credits with the name of Marilyn Monroe over the title, and the name of Adele Jergens, who originally had top billing, moved to the head of the supporting cast; this is the version that was shown on Turner Classic Movies.
    • Goofs
      In a flashback that takes place more than twenty years earlier, the women's hairstyles and clothes are those of 1948.
    • Quotes

      Chorus Girl #3: He says to me, "I'd like to see your show, baby, how about a couple of passes?"

      Chorus Girl #2: The nerve!

      Chorus Girl #1: And the guys I go out with don't want passes. They just make 'em.

      Chorus Girl #3: Speaking of passes, I've been knocking down so many lately, I feel like an All-American.

    • Connections
      Edited into Okinawa (1952)
    • Soundtracks
      Ubangi Love Song
      Written by Buck Ram

      Performed by The Bobby True Trio

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    FAQ14

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    Details

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    • Release date
      • February 10, 1949 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Ladies of the Chorus
    • Filming locations
      • Stage 9, Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA
    • Production company
      • Columbia Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 1m(61 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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