IMDb RATING
6.1/10
1.7K
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A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.A chorus girl falls in love with a wealthy young man, but their relationship is jeopardized by her mother's fears about the reaction of his family.
Dave Barry
- Ripple the Decorator
- (uncredited)
Gladys Blake
- Flower Shop Girl
- (uncredited)
Chet Brandenburg
- Audience Member
- (uncredited)
Paul E. Burns
- Mr. Craig - Stage Doorman
- (uncredited)
Robert Clarke
- Peter Winthrop
- (uncredited)
James Conaty
- Party Guest
- (uncredited)
Oliver Cross
- Party Guest
- (uncredited)
Jay Eaton
- Party Guest
- (uncredited)
Bill Edwards
- Alan Wakely - Mae's Ex-husband
- (uncredited)
Ella Ethridge
- Party Guest
- (uncredited)
Adolph Faylauer
- Burlesque Show Spectator
- (uncredited)
Featured reviews
For Marilyn Monroe fans this is a real treat. Before she hit the BIG time, Monroe made this 1 hour B movie at Columbia and puts in a relatively assured performance despite this being so early in her career.
Sure, her performance wasn't going to win an Oscar but she is self-assured and natural in front of the camera. Leaving aside a couple of duff line deliveries Monroe sparkles in this movie and brightens it up somewhat.
Although relatively light-weight and inconsequential, this cheapo is actually pretty well produced and looks and feels of higher quality than most quickie filler films.
At the end of the day, this is really going to appeal only to fans of Marilyn Monroe wanting to see her in an early role, but is enjoyable nevertheless and a pleasant way to waste an hour.
Sure, her performance wasn't going to win an Oscar but she is self-assured and natural in front of the camera. Leaving aside a couple of duff line deliveries Monroe sparkles in this movie and brightens it up somewhat.
Although relatively light-weight and inconsequential, this cheapo is actually pretty well produced and looks and feels of higher quality than most quickie filler films.
At the end of the day, this is really going to appeal only to fans of Marilyn Monroe wanting to see her in an early role, but is enjoyable nevertheless and a pleasant way to waste an hour.
The plot explores the idea of being accepted as a chorus girl. Will the upper class set acknowledge such a lowlife species? The story is trivial but holds an interest as Marilyn Monroe (Peggy) carries herself well in one of her early entries. Thankfully, we see her deliver her lines without that irritating baby-talk that became her trademark. She talks properly in this film! So, it's a treasure if only for that.
There is a good segment where Adele Jurgens (Mae) shows off some dance moves – probably the best moment of the film. The music is OK, Marilyn Monroe sings a couple of songs, but nothing too special.
The flimsy story wraps itself up over the course of an hour, but we watch it for Marilyn Monroe.
There is a good segment where Adele Jurgens (Mae) shows off some dance moves – probably the best moment of the film. The music is OK, Marilyn Monroe sings a couple of songs, but nothing too special.
The flimsy story wraps itself up over the course of an hour, but we watch it for Marilyn Monroe.
Like most folks I tuned in to catch Monroe in her first featured role. Being a Columbia quickie (filmed in 10-days), I wasn't expecting much outside of the luscious blonde. So I was rather happily surprised that the 60-minutes turned out better than I expected. The first part features nicely staged burlesque bits, along with good snappy backstage dialog. The second part has Monroe and fiancé (Brooks) having to confront his family's apparent uptown snobbery. After all, Monroe does play a burly-que queen, not exactly the Manhattan Social Register. I like the way the ending's surprisingly finessed.
It's a fine cast with scrappy Jergens doing well considering she has to play Monroe's mother, of all things. Kudos too to Bryant as Brooks's uptown mom, though actor Brooks seems pretty colorless which maybe he was supposed to be. Anyway, the famously skittish Monroe appears utterly relaxed and glowing in her role. Musical numbers, I think, always brought out the best in her. Also, this is before super- stardom began to weigh her down. Should also note that director Karlson shows his versatility here since his specialty otherwise was tough, tight crime dramas.
All in all, the little flick can be enjoyed on its own merits or as an early peek at perhaps Hollywood's most legendary actress.
It's a fine cast with scrappy Jergens doing well considering she has to play Monroe's mother, of all things. Kudos too to Bryant as Brooks's uptown mom, though actor Brooks seems pretty colorless which maybe he was supposed to be. Anyway, the famously skittish Monroe appears utterly relaxed and glowing in her role. Musical numbers, I think, always brought out the best in her. Also, this is before super- stardom began to weigh her down. Should also note that director Karlson shows his versatility here since his specialty otherwise was tough, tight crime dramas.
All in all, the little flick can be enjoyed on its own merits or as an early peek at perhaps Hollywood's most legendary actress.
Peggy Martin (Marilyn Monroe) and her mother Mae (Adele Jergens) are both burlesque chorus girls. Bubbles LaRue keeps pushing Peggy to go out with clients but Mae forbids it. Peggy is tired of her mother's protectiveness but when Bubbles comes at Mae, Peggy is the one punching back. Bubbles quits. Mae is asked to do the solo dance but she gives it to Peggy. A new star is born. In the audience, Randy Carroll is taken with her.
This is early Monroe. She was still a relative nobody at the time. I doubt that she got top billing during its initial run even if she's the nominal lead. It's fascinating to see her before her sex goddess persona. She is still an ingénue. She has her overpowering beauty but her pouty sex goddess is still under construction. In that light, Randy is not good enough. It's hard to cast a suitor for a future legend. All I know is that Randy is not good enough. I don't see enough heat in the relationship and that drags down the film. It's still fascinating to watch a pre-goddess Monroe.
This is early Monroe. She was still a relative nobody at the time. I doubt that she got top billing during its initial run even if she's the nominal lead. It's fascinating to see her before her sex goddess persona. She is still an ingénue. She has her overpowering beauty but her pouty sex goddess is still under construction. In that light, Randy is not good enough. It's hard to cast a suitor for a future legend. All I know is that Randy is not good enough. I don't see enough heat in the relationship and that drags down the film. It's still fascinating to watch a pre-goddess Monroe.
I don't know about you, but I'm a big MM fan. Not a overly huge or fanatical one mind you, but I have seen all her major pictures several times and have seen most of her smaller ones. For a long time Ladies of the Chorus was off of my radar screen. It's not seen often, video stores in my area don't have it. I missed the airings on cable or where ever. For years, I heard that this was a B picture, and one of her first pictures and not a special MM movie. So I figured this was another one of those small chances to see Marilyn similar to her early Fox appearances like "We're not Married" I was wrong, the critics were wrong, and people talking about the movie were wrong. MM is a featured player here in this B picture, it was great fun to see, she does some musical numbers (even if it wasn't her singing I didn't really notice) it was fun to see and I'm glad I made the effort to track down this movie and buy a copy.
Did you know
- TriviaWhen the film was re-released in November 1952, Columbia redesigned the opening title credits with the name of Marilyn Monroe over the title, and the name of Adele Jergens, who originally had top billing, moved to the head of the supporting cast; this is the version that was shown on Turner Classic Movies.
- GoofsIn a flashback that takes place more than twenty years earlier, the women's hairstyles and clothes are those of 1948.
- Quotes
Chorus Girl #3: He says to me, "I'd like to see your show, baby, how about a couple of passes?"
Chorus Girl #2: The nerve!
Chorus Girl #1: And the guys I go out with don't want passes. They just make 'em.
Chorus Girl #3: Speaking of passes, I've been knocking down so many lately, I feel like an All-American.
- ConnectionsEdited into Okinawa (1952)
- How long is Ladies of the Chorus?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Ladies of the Chorus
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 1m(61 min)
- Color
- Aspect ratio
- 1.37 : 1
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