L'amour a toujours raison

I saw this movie on Family Channel a few years ago and LOVED it! Anyone who likes Shirley temple, or just classic movies in general will love this sweet movie. I'm still waiting for Family Channel to run it again. The Bachelor and the Bobby-Soxer is another movie sort of like this one, with the same kind of happiness and fun.

With the failure Bonnie Prince Charlie to reestablish David Niven as a box office star, that began a period for several years where Niven was scrambling for work. It's why he appears essentially as a guest star in a big screen version of the Meet Corliss Archer radio series, A Kiss For Corliss.

Shirley Temple is the star and this is the second time she appears as the eternally innocent Brooklyn bobbysoxer, she did Kiss And Tell four years earlier. Fans of the radio show probably were disappointed.

Temple's father is Tom Tully who is a lawyer and representing the third wife of playboy David Niven in a divorce suit. His daughter is having her usual troubles with her boy next door boyfriend Darryl Hickman. In a Lucy Ricardo type scheme she fakes a diary where says she's involved with Niven. The 'diary' falls into the wrong hands and Niven almost winds up marry Temple. I suppose that was better than That Hagen Girl where Ronald Reagan actually does marry Shirley Temple.

This is a most unfunny comedy. Niven looks embarrassed to be appearing in this. But he was a recent widower with two small sons and declining box office. He appeared in a few films like this in secondary roles to support his family.

Shirley Temple would also quit the movies after A Kiss For Corliss. No one in this film comes out with any career enhancement.

Fawning teenager Corliss Archer (Shirley Temple) becomes infatuated with Kenneth Marquis (David Niven). He's getting divorced for the third time and her father is one of his attorneys. When her diary filled with an imaginary affair is discovered, it becomes a full blown scandal.

This is Shirley Temple's last film before quitting acting for about a decade. She just doesn't have it after being a child superstar. She's golly gee trying so hard that the humor isn't allowed to breathe. Her acting is old school. She's cute enough to lead but I don't think she has the ability to do more. The other issue is the paper thin backing for Corliss's romantic interest. One can put it down to a flighty teenager. She's just not a compelling character.

A Kiss for Corliss is a sequel to 1945's Kiss and Tell, but if you missed that one, you won't be lost. There's only one mention to the previous film, a few cast members were even replaced with no explanation, and the main crux of the first one was expected to be conveniently forgotten about by the audience. Still, Kiss and Tell is infinitely better than the sequel, so I recommend you watch that one instead.

Shirley Temple, a senior in high school, is still a troublemaker and enjoys manipulating her on-again, off-again boyfriend Darryl Hickman, who lives next door. Her father, Tom Tully, is a lawyer who's representing David Niven's soon-to-be third ex-wife. Shirley accidentally meets The Niv in her father's office and practically swoons, overwhelmed by his magnetism. Obviously; it is David Niven! In her diary, Shirley writes some incriminating fictitious romantic passages about Niven, hoping her boyfriend will read it and get jealous-but what happens when her parents read it instead?

It's a very hilarious set-up, but unfortunately, it winds up being very silly. Kiss and Tell was adorable and hilarious, but only a few scenes in A Kiss for Corliss were that way. It felt like Shirley had hurt feelings about her poor reviews of her adult acting chops, and the screenwriter wanted to further the downfall of her career. David Niven was hardly in the movie, and while his comic timing is always very good, it was a throwaway part that he easily walked through.

Plot-- A suburban teen causes a community uproar when she fakes a diary entry suggesting she spent a night with a much older man.

I didn't find the movie as bad as many other reviewers. Maybe it's because I don't hold comedy shtick to the same standard of plausibility as, say, crime drama. To me, the main standard of comedy is whether it's funny or not. This one's only mildly so, certainly not enough to fill out and hour and a half. Still, the madcap has its moments—Bobby Ellis as the officious teen newshound, Temple as a winsome 40's youngster, and Tully when he's blowing only half a gasket. And is Corliss's mom (Holden) really Dracula's Daughter (1936) who scared the pants off me many years ago!

Actually, the movie's a pretty good look at teen mores, circa 1949. I hadn't heard the phrase 'breech of promise' for decades, til this film, (deflowering a maiden on the promise of marriage and then reneging). There's also quite a bit of innuendo swirling around the misspent night—more than I would expect. But then that's half the draw, seeing the virginal Temple flirt with adult themes.

All things considered, it was probably wise for Shirley to exit the business since her movie image was so confining and not likely to change, as this 90-minutes shows. (For example, note how her "memory loss" personality mimics her moppet cuteness.) No, the movie's only memorable for being her last. But then, despite the general mediocrity, it does have its moments.