L'amour a toujours raison

Fawning teenager Corliss Archer (Shirley Temple) becomes infatuated with Kenneth Marquis (David Niven). He's getting divorced for the third time and her father is one of his attorneys. When her diary filled with an imaginary affair is discovered, it becomes a full blown scandal.

This is Shirley Temple's last film before quitting acting for about a decade. She just doesn't have it after being a child superstar. She's golly gee trying so hard that the humor isn't allowed to breathe. Her acting is old school. She's cute enough to lead but I don't think she has the ability to do more. The other issue is the paper thin backing for Corliss's romantic interest. One can put it down to a flighty teenager. She's just not a compelling character.

Shirley Temple tries to make her boyfriend angry by writing in her diary about her imaginary affair with David Niven. Later, when she's pretending to have amnesia, her father and David Niven find out and proceed to torture everyone.

It's a sequel to Miss Temple's 1945 vehicle, KISS AND TELL, in which she plays Corliss Archer, a fifteen-year-old girl created in a short story by F. Hugh Herbert. Miss Archer's sixteenth year of life lasted from 1943 through 1956 on the radio, and 1951, 1952, 1954 and 1955 on syndicated television. At least five actresses performed the role, plus however many did so in the stage play in 1943.

This was Miss Temple's last motion picture feature, and her most poorly received. It's episodic nature and idiotic plotting explain why. This was the period of time when America began to look upon teen-agers as a separate demographic, and all the old, stupid chestnuts were pulled out of the ashes for this one.

Innocuous comedy with Shirley, looking lovely, appealing as Corliss Archer, a sometimes savvy but often slightly addle-pated teen. She's surrounded by a competent cast, handed some nonsensical situations too work with but doing their best with what's given. David Niven in particular has a meaningless role that is little more than a cameo.

The fact that Shirley was a grown woman in a troubled first marriage with a child didn't deter the film makers from casting her as a high school student and at twenty one she could still pull it off. This cute, featherweight trifle marked the end of her time as a professional actress. After years of holding sway at the top of the world box office polls Shirley had the timidity to grow up and as she did her career slowed and ultimately after this trifling comedy she chose to throw in the towel. Never the strongest dramatic actress she did possess quite a skillful comic touch and had she chosen to continue acting she probably would have been able to sustain her career for several more years. She had already been announced for her next film, Career Girl- which was never made, when she decided not to continue. Initially retiring to raise her young children she eventually re-entered the public sphere in politics, using her fame perhaps more effectively than any other celebrity in positive manner.

The film is nothing that hasn't been done time and again but it does provide a nice farewell to a leading light of the screen.

While parts of this picture are mildly amusing, all in all it is a failure. The storyline is convoluted and occasionally plain weird and the characters (including Corliss Archer, played by Shirley Temple) are off-putting. By 1949, Temple had lost all her pre-adolescent charm and had failed to develop any redeeming qualities that she was able to bring to bear in this film. Everyone, including David Niven in his role as Kenneth Marquis, is horribly overacting (the sole exception is the dog that does a decent job as the family pet). I really cannot imagine what Richard Wallace as director and Howard Dimsdale and F. Hugh Herbert as writers were thinking when they concocted this mess.

Plot-- A suburban teen causes a community uproar when she fakes a diary entry suggesting she spent a night with a much older man.

I didn't find the movie as bad as many other reviewers. Maybe it's because I don't hold comedy shtick to the same standard of plausibility as, say, crime drama. To me, the main standard of comedy is whether it's funny or not. This one's only mildly so, certainly not enough to fill out and hour and a half. Still, the madcap has its moments—Bobby Ellis as the officious teen newshound, Temple as a winsome 40's youngster, and Tully when he's blowing only half a gasket. And is Corliss's mom (Holden) really Dracula's Daughter (1936) who scared the pants off me many years ago!

Actually, the movie's a pretty good look at teen mores, circa 1949. I hadn't heard the phrase 'breech of promise' for decades, til this film, (deflowering a maiden on the promise of marriage and then reneging). There's also quite a bit of innuendo swirling around the misspent night—more than I would expect. But then that's half the draw, seeing the virginal Temple flirt with adult themes.

All things considered, it was probably wise for Shirley to exit the business since her movie image was so confining and not likely to change, as this 90-minutes shows. (For example, note how her "memory loss" personality mimics her moppet cuteness.) No, the movie's only memorable for being her last. But then, despite the general mediocrity, it does have its moments.