Je chante pour vous

Jolson Sings Again was a film that was almost demanded to be made by the general public. The Jolson Story had generated a comeback for Al Jolson and he was in the word of one of his hit songs, 'sitting on top of the world' in 1949.

He was going on all cylinders in 1949. Jolie hadn't commercially recorded since 1932. He had done a record of Swanee and April Showers in 1945 that went nowhere. But with the success of The Jolson Story, Decca signed him to a long term deal and he was prolifically recording all his old songs and new contemporary material besides. You should hear his Some Enchanted Evening from South Pacific, but not in Jolson Sings Again unfortunately.

Jolson had also replaced Bing Crosby after a couple of interim hosts as star of radio's Kraft Music Hall as Crosby changed sponsors first from Philco Radio to Chesterfield. They guested on each other's programs and those shows are priceless. In fact Bing is mentioned in Jolson Sings Again, but Harry Cohn couldn't get Paramount to part with him for an appearance.

Larry Parks continues his lipsynching to over a dozen Jolson standards and returning from the first film with him are William Demarest, Bill Goodwin, Ludwig Donath, and Tamara Shayne. And this one in bringing Jolson's life up to date stuck closer to the facts than The Jolson Story.

Barbara Hale plays Jolson's fourth wife Erle Galbraith renamed Ellen Clark for the film. I guess Harry Cohn figured he had to since he'd renamed Ruby Keeler, Julie Benson in the first film. It is true she was an army nurse and she met Jolie as a patient there when he collapsed on a USO tour during World War II.

If you liked the first film and Al Jolson in general, no reason you won't like this one.

Wonderful sequel to the 1946 film. Larry Parks, William Demarest and several others repeated their parts from the original.

The film picks up exactly where the original had ended. Disgusted with his life, Jolson (Parks) walks out on his show business career and for several years travels, dabbles with horses and lives a real care-free life.

With the death of his mother, (Tamara Shayne-who really doesn't look or act too Jewish at all), Jolson embarks on a tour for services until illness ends that.

There is a nice performance by Barbara Hale (the future Della Street) as the southern nurse that he marries. Hale has just the right Arkansas twang in her speech to carry it off.

When illness follows him, Jolson withdraws from entertaining fearing that his lung operation has affected his voice. He also feels that no one is really interested in him anymore. Unfortunately, the latter is true.

It is only when his life story is made into a motion picture that he makes a genuine come back.

Parks is absolutely amazing as Jolson. Though Al sang, Parks does a brilliant job of dubbing. His mannerisms are so easily identified as those of Al Jolson.

Ludwig Donath plays Jolson's cantor father. O my, a cantor eating in a non-kosher restaurant. What were the Hollywood writers thinking?

Just hearing Jolson belt out his usual great tunes is great in itself. Entertaining and wonderful to view.

As a rule, sequels don't usually measure up to the original. Of course there are exceptions and this is one of them. Once again, Larry Parks does an amazing job of mouthing the words to Jolson's singing voice and sings a number of great standards. This time the plot focuses on Jolson's disillusionment with show business after his wife leaves him. Prompted by his agent (William Demarest), he agrees to be an entertainer during World War II and on one of his tours he meets a pretty nurse (Barbara Hale) whom he marries. High quality script has Jolson coming to Hollywood for a bio on his life and meeting Larry Parks (courtesy of trick photography). Song-filled gem is a worthy sequel and proved it by winning three Oscar nominations for writing, cinematography and musical scoring. Hale looks great and her pleasant personality adds sparkle to the film, while Parks is once again quite convincing in his colorful role.

An oddly curious movie. "Jolson Sings Again" is the sequel to "The Jolson Story" (which I have not seen). Both of which star Larry Parks as Jolson) It doesn't matter if you've not seen the first, as the first part of Jolson's life is briefly touched upon, where this movie mainly concentrates on, yes, his later life. Here, he wonders how much his star has faded, and an old agent encourages him to go on USO tours around the world. Unfortunately, it's a bit too much for Al. and he winds up in the hospital. Fortunately for him, he meets a beautiful nurse and marries her. All the while, he wonders what's next for him, as some people in Hollywood have kicked him to the curb. Fortunately, a lucky booking at a benefit re-connects him to the guy who booked the USO tour, he's now a film producer, and he wants to produce... The Al Jolson Story! and here's the guy to play you.... Larry Parks! So yes, we get the ultra- amazing side screen effect of Larry Parks-As-Jolson meeting Younger- Larry-Parks! (Yes, Parks plays Parks). I don't think I've ever seen this technique used before in a biography. It's very startling. Anyways, Jolson gets a second life after the movie with a radio show, and that's when the show ends. There were little teasers towards the end that led me to beloeve they were setting up for a third one, but obviously that didn't happen. I dunno, you may have to REALLY love Jolson to like this (I myself, run hot and cold on him) and it's somewhat super glossy, but entertaining nevertheless.

Continuing where 'The Jolson Story' left off, this sequel explores a less exciting part of Al Jolson's life, however it is saved from dullness by a great gimmick in the final 25 minutes: depicting the making of 'The Jolson Story', which includes Jolson meeting Larry Parks. It is certainly inferior to the first film, but yet still entertaining whenever Parks performs one of Jolson's tunes…the songs are still great. Although he does not look or sound old enough, Parks still gives it his best too. The film definitely resurrects good memories of the original, without a strong yearning to see something better, which is a good thing. The characters, the acting, the originality, in fact, just about everything was better in 'The Jolson Story', however, even if not quite as involving or as well made, this still passes the test for an adequately amusing piece.