Les Marins de l'Orgueilleux

In this film progress is overtaking the old and outdated: Captain Joy (L. Barrymore) is a stern old man set in his ways and his first mate (R. Widmark) is a modern man with modern ideas. Add to this a catalyst in the form of the Captain's grandson (Dean Stockwell) and tensions mount.

I love most sailing films and this is no exception. Good acting all around. Somewhat of a tearjerker, although that's not bad in this instance. Save the whales advocates may not care for this movie because it shows whales being taken and blubber removed to prepare oil. I wonder where they got the idea for the ship to hit an iceberg?---At least it didn't sink.

This movie may be hard to find in video format, but I've seen it aired a couple of times in the last few years.

I gave this one a 9 of 10 mostly because it was a good story with fine acting. Also the ship scenes were realistic and full of action.

A nice clean movie your whole family will enjoy even if it is in black & white.

Down to the Sea in Ships is a grand sea adventure in the tradition of Captains Courageous, Moby Dick, and Treasure Island, full of great actors playing interesting characters, with decent special effects for it's time, and an intelligent, sometimes profound, script. Lionel Barrymore plays Captain Joy, the Master of a whaling ship about to be retired. He wants his young grandson (Dean Stockwell) to carry on the family tradition and eventually become master of the ship. But the boy lacks the appropriate education and seems unable to learn. On his last voyage, Joy appoints the new first mate, Lunceford (Richard Widmark) - also his tentative replacement - to the job of educating his grandson. It takes Lunceford a while to win the boy's confidence, and when he finally does, the old Captain seems to become jealous. Then when a boat is lost in the fog with the boy aboard, Lunceford launches a second rescue boat against regulations, and the Captain must discipline him. This dilemma between duty and personal devotion develops a tense situation between the three of them, with dramatic impact that makes Down to the Sea In Ships one of the most poignant films of it's kind, fully in league with those mentioned above. I don't want to giving away any more of the plot, but rest assured that the tension carries through suspense-fully to a perilous climax. The great supporting cast includes Gene Lockhart, Cecil Kelloway, Harry Morgan, Harry Davenport, and Jay C. Flippen.

Aside from the theme of strong values held on to, the movie also offers rare real-life footage of bluenose schooners sailing the open sea, something none of us will ever see as these ships have all but disappeared (the Canadian government sails a reproduction as part of its sea and seamanship instruction. This alone made the movie worthwhile. Add solid performances by Widmark and Barrymore and the rest of the cast - and the able direction of Hathaway - and you have a very good film.

This is one of the all-time greats. Its brilliance is largely due to Lionel Barrymore. Usually seen in supporting roles (he & Frank Morgan being the two greatest character actors of the golden age), he carries this film as star. There are many electrifying scenes, especially his confrontation with Dean Stockwell, a worthy match for the star, not to mention murdering a whale. On shore, the leads sparkle in a high-stakes testing scene. It also documents an industry that is long gone. You can learn a lot about whaling here. (For example, the captain never speaks to the crew once the boat sails; all communication is through the first mate, who can, however, give a crewman permission to approach the captain.)

I know it's not the most winning title in the world, but wow: what a picture! I think it's safe to say it's a pretty obscure film - I know I'd never heard of it, and I think that it might have even slipped into the public domain. It has not much more than a stub on Wikipedia in spite of the high pedigree: released by 20th Century Fox, starring Lionel Barrymore, Dean Stockwell and Richard Widmark and directed by Henry Hathaway.

I figured I'd hang around for the first few minutes and then turn it off, but I found myself utterly hooked and on the edge of my seat by the really exciting and tense finale. It is just an excellent, compelling, really well-made (in spite of the obvious studio confines which tend to show up in all sea pictures of the era- rear projections and such) picture with unexpected acting honors going to Lionel Barrymore, an actor I've always been somewhat iffy on- I think some of his early work (esp. A Free Soul ) can be really hammy, but as he aged into a genuine old man (he played old way before his time) an endearing quality works its way into his performances- and I think the one he gave in this film was the best I've seen from him thus far.

I don't know if the film was a box office disappointment, but seriously: Barrymore deserved an Oscar nomination for Best Actor, especially since there were some really weak entries in the race that year, and frankly, I preferred Ships to most of the films nominated for Best Picture that year. It could not have been an easy picture to make, write, or act- but everyone pulls it off. I found it very touching and, quite frankly, I liked it better than Captain's Courageous (a film to which it does bear undeniable similarities.)