Un Yankee à la cour du roi Arthur
Original title: A Connecticut Yankee in King Arthur's Court
IMDb RATING
6.5/10
2.9K
YOUR RATING
A singing mechanic from 1912 finds himself in Arthurian Britain.A singing mechanic from 1912 finds himself in Arthurian Britain.A singing mechanic from 1912 finds himself in Arthurian Britain.
Cedric Hardwicke
- King Arthur
- (as Sir Cedric Hardwicke)
- …
Eric Alden
- Jailer
- (uncredited)
Fred Aldrich
- Peasant
- (uncredited)
Lucille Barkley
- Page Girl
- (uncredited)
Chet Brandenburg
- Peasant
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It is fortunate that this musical doesn't have too many songs, because they are generally quite forgettable if not outright boring.
Visually, however, this is a great Technicolor film full of interesting views and almost but not quite campy colors. I ignored the music and enjoyed the film for its visual gaiety and its take on the plot.
There are many films based on Mark Twain's novel, and a general feature is that they replace Twain's original framing in late 19th century Connecticut by a different one more suitable for film. The present film stays close to the original framing but develops it further and in a different direction:
Hank, the Connecticut Yankee, is a blacksmith like in the novel. He arrives as a tourist at Pendragon Castle rather than Warwick Castle. Unlike in the real world, Pendragon Castle is in good condition and has preserved a lot of artifacts from King Arthur's court, which of course in the novel and this film is real 6th century history rather than fictional. Hank disturbs a guided tour by knowing too much, then meets the castle's owner and tells him, rather than Mark Twain, his story.
Since Hank is played by Bing Crosby, he is smooth and polished, quite unlike the electrician Hank in the early talkie Le fils de l'oncle Sam chez nos aïeux (1931), who was played by Will Rogers. Also, he doesn't modernize Arthurian Britain so much as he uses a few modern inventions or practices for his own advantage. As a result, this is little more than another knight and sword film, though with a few nice twists and the time travel framing.
Overall, this is a nice family film but nothing special. If they hadn't made it a musical and had cast a comic or character actor for Hank, this could easily have been a 7, perhaps even an 8.
Visually, however, this is a great Technicolor film full of interesting views and almost but not quite campy colors. I ignored the music and enjoyed the film for its visual gaiety and its take on the plot.
There are many films based on Mark Twain's novel, and a general feature is that they replace Twain's original framing in late 19th century Connecticut by a different one more suitable for film. The present film stays close to the original framing but develops it further and in a different direction:
Hank, the Connecticut Yankee, is a blacksmith like in the novel. He arrives as a tourist at Pendragon Castle rather than Warwick Castle. Unlike in the real world, Pendragon Castle is in good condition and has preserved a lot of artifacts from King Arthur's court, which of course in the novel and this film is real 6th century history rather than fictional. Hank disturbs a guided tour by knowing too much, then meets the castle's owner and tells him, rather than Mark Twain, his story.
Since Hank is played by Bing Crosby, he is smooth and polished, quite unlike the electrician Hank in the early talkie Le fils de l'oncle Sam chez nos aïeux (1931), who was played by Will Rogers. Also, he doesn't modernize Arthurian Britain so much as he uses a few modern inventions or practices for his own advantage. As a result, this is little more than another knight and sword film, though with a few nice twists and the time travel framing.
Overall, this is a nice family film but nothing special. If they hadn't made it a musical and had cast a comic or character actor for Hank, this could easily have been a 7, perhaps even an 8.
I wouldn't call this an example of a great old classic, but as an adaptation of Mark Twain's story it's enjoyable enough. Bing Crosby brings a likable quality to the screen as "Sir Boss" (or Hank Martin) a Connecticut blacksmith in very early 20th century America who by some strange and unexplained phenomenon gets knocked cold after being thrown from a horse and awakens in King Arthur's England 1500 years earlier. Using marvels such as a magnifying glass and matches to start fires, he manages to convince the kingdom that he's a magnificent wizard even greater than Merlin (Murvyn Vye), which helps to save his life since he was originally going to be executed when discovered. Hank falls in love with "Sandy" (the king's niece, played by Rhonda Fleming) and has to do battle with Sir Lancelot (Henry Wilcoxon), to whom she was betrothed. Finally, Hank convinces Arthur (played by Sir Cecil Hardwicke) to disguise himself as a peasant and go out among his people to find out what they're really thinking about him and what their lives are like.
It's quite an innocent fantasy, really. There are some amusing moments, and the whole thing, of course, has quite an unbelievable air about it, as befits fantasy. Most obviously, even if one can accept the idea of travelling back 1500 years in time, one then has to figure out how a 20th century American can speak so easily to 6th century Britons, who haven't yet developed anything even close to the modern English language! But that's to think about this too much. One should simply suspend thought with this and just enjoy the fantasy.
Since the movie stars Bing Crosby, it is of course a musical adaptation of Twain's story, and that (ironically perhaps since you'd think it would be Crosby's strong suit) was to me the weakest element of the movie. I just wasn't that taken with the songs. They're weren't really memorable, and I would have simply preferred to watch the story without the musical interruptions. (5/10)
It's quite an innocent fantasy, really. There are some amusing moments, and the whole thing, of course, has quite an unbelievable air about it, as befits fantasy. Most obviously, even if one can accept the idea of travelling back 1500 years in time, one then has to figure out how a 20th century American can speak so easily to 6th century Britons, who haven't yet developed anything even close to the modern English language! But that's to think about this too much. One should simply suspend thought with this and just enjoy the fantasy.
Since the movie stars Bing Crosby, it is of course a musical adaptation of Twain's story, and that (ironically perhaps since you'd think it would be Crosby's strong suit) was to me the weakest element of the movie. I just wasn't that taken with the songs. They're weren't really memorable, and I would have simply preferred to watch the story without the musical interruptions. (5/10)
"A Connecticut Yankee in King Arthur's Court" is a film that has a little something for everyone, and that is what makes it a winner. It has the right blend of humor, action, intrigue, music, fantasy and charisma. One of the few total straight-to-finish feel good movies, "Yankee" is great for everyone in the family. And of all the films I have ever seen, this is my favorite. A pretty good recommendation, and I can't make it any stronger!
Bing Crosby plays a regular Joe who is mystically taken to the realm of Camelot. Basically he bums around and goes on adventures, bringing his 20th century wit and know-how along. He teams up with spectacular William Bendix's Sir Sagramore and falls for the beautiful Rhonda Fleming. Battles, music, evil plots and laughs ensue.
At times it seems a little too self-serving to Bing Crosby, but it's understandable and at times actually enjoyable. Bing has his run of Camelot, singing and bringing mirth to everyone. The technicolor is a little cheesy at parts, but by no means does it ruin anything. It doesn't matter what you're looking for, this movie has it; "Connecticut Yankee" is the perfect movie for when you're looking for something that takes its joviality seriously.
Bing Crosby plays a regular Joe who is mystically taken to the realm of Camelot. Basically he bums around and goes on adventures, bringing his 20th century wit and know-how along. He teams up with spectacular William Bendix's Sir Sagramore and falls for the beautiful Rhonda Fleming. Battles, music, evil plots and laughs ensue.
At times it seems a little too self-serving to Bing Crosby, but it's understandable and at times actually enjoyable. Bing has his run of Camelot, singing and bringing mirth to everyone. The technicolor is a little cheesy at parts, but by no means does it ruin anything. It doesn't matter what you're looking for, this movie has it; "Connecticut Yankee" is the perfect movie for when you're looking for something that takes its joviality seriously.
I am a huge fan of Will Rogers' movies--and that's why I bought myself a gift set of his films for Christmas. Well, I bought them and then told my wife this would make a great gift for me! Regardless, his films were almost always wonderful. I say ALMOST because his film "A Connecticut Yankee" was an awful mess of a film. You really have to see it to believe how bad the movie is--particularly at the end. However, I can report that at least the Bing Crosby version from 1949 is much, much better. While I wouldn't consider it a great film, it is a pleasant time-passer.
The film begins with Crosby visiting a castle in 1912 and meeting with the lord of the manor. He notices that the man looks very similar to King Arthur and so he regales the guy with a story--a story of how he somehow time traveled back to the time of King Arthur. What follows is filled with a bazillion anachronisms--though considering that Arthur is an entirely fictional character, I can put up with all the silliness. During the course of the story, Crosby's character falls in love with a woman--a woman he unfortunately left behind.
This film works mostly because Bing Crosby is very pleasant in the lead. He makes less sarcastic quips than Rogers did and sings a couple tunes in his easy-going manner. Not a film to rush to see, but very nice viewing.
The film begins with Crosby visiting a castle in 1912 and meeting with the lord of the manor. He notices that the man looks very similar to King Arthur and so he regales the guy with a story--a story of how he somehow time traveled back to the time of King Arthur. What follows is filled with a bazillion anachronisms--though considering that Arthur is an entirely fictional character, I can put up with all the silliness. During the course of the story, Crosby's character falls in love with a woman--a woman he unfortunately left behind.
This film works mostly because Bing Crosby is very pleasant in the lead. He makes less sarcastic quips than Rogers did and sings a couple tunes in his easy-going manner. Not a film to rush to see, but very nice viewing.
"A Connecticut Yankee in King Arthur's Court" has become my favorite movie of all time because it is a movie that has it all and works at a level where you feel relaxed and happy the whole time you're watching it. Most movies nowadays try to involve multiple elements in their plots but none of them come close to what "Connecticut Yankee" accomplishes. It has action, it has romance, it has good comedy, it has fantasy, it has intrigue, it has music and all of them weave into each other well. Extraordinarily well to the point where it becomes a joy to watch.
Of course, modern audiences might shrug off this movie as just another piece of fuddy old Bing Crosby fluff, which it is, in the sense that Bing seems to have absolute control over every situation and basically plays himself in a light-hearted movie. It's not deep, but sometimes that's not what we look for when we watch movies. This is a good "sit down with a loved one and a bowl of popcorn and just enjoy yourselves" film, one of the best in my opinion. Ok, the garish technicolor does get annoying, but it's the only downside to a great great film. Enrich your life! Please see this film!
Of course, modern audiences might shrug off this movie as just another piece of fuddy old Bing Crosby fluff, which it is, in the sense that Bing seems to have absolute control over every situation and basically plays himself in a light-hearted movie. It's not deep, but sometimes that's not what we look for when we watch movies. This is a good "sit down with a loved one and a bowl of popcorn and just enjoy yourselves" film, one of the best in my opinion. Ok, the garish technicolor does get annoying, but it's the only downside to a great great film. Enrich your life! Please see this film!
Did you know
- TriviaMark Twain got his idea for Hank Martin to use the eclipse for his benefit from Christopher Columbus who used an eclipse knowingly to perhaps alter history. Stranded in Jamaica in 1503, on his fourth voyage, Columbus and his crew were wearing out their welcome with the natives who were feeding them. Columbus knew a lunar eclipse was coming, so he "predicted" the moon's disappearance. The natives begged him to bring it back and, of course, he did in due time.
- GoofsWhen Hank, Lady Alisande, King Arthur, and Sir Sagramore are in the slave pen, Sir Sagramore grabs a guard and pulls him back against the bars. One of the heavy bars visibly flexes and then springs back, showing that it is made of rubber.
- Quotes
Alisande La Carteloise: Pardon, my lord, but the monster seemeth a gentle soul.
King Arthur: Gentle?
Alisande La Carteloise: He has nice eyes.
- ConnectionsFeatured in Time Travel: Fact, Fiction and Fantasy (1985)
- SoundtracksIf You Stub Your Toe on the Moon
(uncredited)
Music by Jimmy Van Heusen (as James Van Heusen)
Lyrics by Johnny Burke
Performed by Bing Crosby and child chorus
- How long is A Connecticut Yankee in King Arthur's Court?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- El yanqui cortesano
- Filming locations
- Pasadena, California, USA(Busch Gardens)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Aspect ratio
- 1.37 : 1
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