L'île au complot

This is a fasinating example of film noir elements grafted on to an ordenary crime thriller, there is also romance between Robert Taylor and Ava Gardner, but thats a weaker part of the story. Taylor is to wooden in his role as a federal agent, Robert Mitchum would have been more suitable for this kind of film. But there are som nice noir caracters in the supporting roles, and director Robert Z Leonard contrasts effectivly the down at the heel feeling, with the surface glitter of the big town criminals who move trough it, giving the film a glossy look that at the same time is filled with an atmosphere of moral corruption. Ava Gardner is very beatiful in this early role, and she makes the most of it, Charles Laughton is very good as the sly henchman, oily and treacherous, he creats a fasinating character of a small role, a sort of unshaven Quasimodo, who sweats a lot and have trouble with sour feets. He is both human, weak and repulsive at the same time. Vincent Price is the suave villain, his playboy sportsman is both naive and evil but more icy than most of his roles of this kind, and he gives a fine performance. John Hodiak is a broken down ex-pilot, with alcoholic problems, a small role but well played. All these supporting players give the film a definite noir feeling, as well as Joseph Ruttenbergs moody graphics and Miklos Rozas score, also telling the story in flashback with Taylor narrating while recovering from beeing druged, gives the story a feeling of defeat and betrayal. The settings are dirty and seedy and the climate steamy, and the usual glossy high MGM production values, gives the footage a feeling of tropical heat. The story is a little slow moving, but the final shot-out between Taylor and villain Price during a carnival, is stylish and intersting as the element of death and joy are effectivley juxtaposed.

If you like a full cast of great veteran actors, this B&W film is perfect to entertain you from beginning to the very end. Robert Taylor,(Rigby) is a Government Agent assigned to investigate the misuse of Government surplus from World War II and mostly airplane engines that were being smuggled out of Central America and sold to other countries. Rigby is given some information to lead him in the right direction to find out just who is involved in this operation. Ava Gardner, Elizabeth Hintten, is married to John Hodiak,(Tug Hintten) and Rigby gets very involved with this couple and especially Tug's wife. There is a creepy, dirty fat looking guy, played by Charles Laughton,(J.J. Bealer) who follows Rigby like his own shadow. Vincent Price,(Carwood) met Rigby on the airplane going to Central America and met him once again for a fishing trip to catch a swordfish and Carwood gets confused and throws the boat's engine into reverse and causes all kinds of problems. If you like veteran actors giving outstanding performances, this is the film for you.

Federal agent Rigby (Robert Taylor) is sent to South America to stop a group smuggling aircraft engines, but falls for an alluring singer (Ava Gardner), who just happens to be the wife of one of the main suspects.

After reading not very positive reviews of this, I went into The Bribe with low expectations. It's got a great cast though: Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price and John Hodiak.

I was pleasantly surprised. Being an MGM film, the set design, costumes and cinematography were top notch. The overwrought script and silly narration bog the film down a bit.

Taylor is his usual stolid self, Gardner was quite appealing (and beautiful as ever), while Price was good as the main baddie. However, the best actor is easily Charles Laughton. He gives an excellent performance as a henchman constantly complaining about his bad feet.

There's some good action sequences, especially the finale (directed by Vincente Minnelli!), involving a chase through a fireworks display. Good fun.

Robert Taylor is an FBI man looking into a racket south of the border of black marketeers stealing and selling war surplus material, in this case airplane motors.

The story takes him to Central America where he meets up with a debonair sportsman, Vincent Price, a rather seedy character with sore and sweaty feet, Charles Laughton and a husband and wife John Hodiak and Ava Gardner stranded in the tropics.

They're all suspects, but Taylor is quite ready to forget his job with Ava Gardner around. He wouldn't be the first guy to think with his hormones where she's concerned. That's what I'm talking about when I say more than one kind of bribe.

The story is pretty slow moving though. Taylor seems to have the evidence he needs or where to get it. But the plot does drag on. The film seems to rely on the attractiveness of the leads to keep the audience interested.

There are two good scenes, one where Taylor almost becomes a shark's lunch and the climax where the chief villain meets a pyrotechnical end.

If you like the cast involved, The Bribe is probably time well spent.

The reflective voice-over narration was a staple of film noir, but here it boasts the conceit of Robert Taylor addressing it to himself in the second person ("You..."). That curious choice informs the first half of The Bribe, told in flashback; midway, we catch up to the present and the droning ceases. Starting as a routine foreign-intrigue drama -- something about surplus airplane motors, but who cares -- set in an island off Central America called Carlota (or sometimes Carlotta; the film can't quite decide), the film boasts a top-notch cast: Taylor, Ava Gardner, John Hodiak, Vincent Price and Charles Laughton, who could be either the most actorly of hams or the hammiest of actors but here opts for the latter. Most of the way through it's not bad, but in its second half the tone darkens noticeably, when director Leonard decides to treat us to some stylistic flourishes. The over-the-top, Wellsian-Hitchcockian climax is (literally) pyrotechnic, and actually stands as one of the more memorable sound-and-light shows in the whole noir cycle.