Bastogne

Before "Band of Brothers" came out, I considered this the best, most accurate depiction of an infantry unit in action ever, and I still think it has an edge over "Saving Private Ryan" and "Patton" as the greatest World War II movie(not mini-series) yet made.

The entire cast is not only fun to watch, but very believable in their individual roles, and as a veteran, I can attest to the fact that the swings between humor and deep thoughts in their conversations are dead on accurate. Anybody who's ever served in an infantry unit will tell you that for all the bickering back and forth, members of a squad, platoon, or company will always look out for each other. "Battleground" captures this perfectly.

One of the saddest things for me about this movie is how few people know of it. Except for the occasional airing on AMC or TCM, it rarely shows up on TV and that's a shame. It's well worth the time and effort to find this one.

"Battleground" is a curious film that came out of Hollywood in 1949. WWII had been over, so the public was not wishing for more war films at the time. Yet, MGM went ahead with this project and gave it to William Wellman, a veteran director who knew his craft. The film was written by Robert Pirosh.

The movie is a curiosity also because it was shot in Culver City, yet, at times, it gives the impression of having been shot on location in the Ardennes. The casting of some of the best acting talents MGM had under contract at the time contributes to give the film another dimension, as the viewer becomes involved with these men that are trying to survive during the worst possible conditions.

In spite of some of the criticism in this forum, the film has a real feeling because it stresses the dependency among the men that are caught in the conflict. Their every day lives back home is at the center of the conversation one hears the men talk about. Wives, children, sweethearts, parents, and even popular figures of the pop culture, like Bette Grable, are the basis of communication as the men idle away waiting to be called to fight the enemy.

Van Johnson, John Hodiak, Ricardo Montalban, George Murphy, Marshall Thompson, Don Taylor, Leon Ames, and a wonderful James Whitmore, are seen as the soldiers around Bastogne. Denise Darcel is seen as the kind French woman who befriends the soldiers.

Ultimately, "Battleground" is William Wellman's tribute to the men in uniform.

I watched this movie all the time with my Grandpa growing up. He was a vet of the US Army in the Pacific and he told me that this was the only movie where a M-1 rifle and artillery actually sounded real. That is because both were the real sounds they made. The artillery was actually recorded during the war and used in the film.

The characters you can connect with. The circumstances were anything but ideal to fight a war in. You see Layton grow into a vet before your eyes. You see men scared, terrified, and there for each other. Until "Band of Brothers" came out this was my favorite flick about WWII, and it's definitely the best of the "old school" war movies.

This is not a large scale multi-million dollar epic of World War Two. No thousands of extras, no wide panoramic sweep of battle scenes. This says more about The Battle of the Bulge than the movie of the same name. It's just an ordinary black and white M.G.M. production. What it lacks in size and scope it makes up for in impact.A simple story very well told, of a squad of GI's of the 101st Airborne Division, thrown into the maelstrom that was the German offensive in the Ardennes in December of 1944 against the Allied ground forces.

It's hard to believe that this film was not shot on location; but on a Metro sound stage. And Metro's Culver City was turned into the only outdoor location for the snow-covered, rubble-strewn town of Bastogne under siege, which was tenaciously held by the 101st, under the command of Brig. General Anthony McAuliffe.

With the exception of Van Johnson as Pvt. Holly who was high profile on the Metro lot in his time, and George Murphy as Pvt. Stazak, the rest of the cast were character-type actors who filled their roles perfectly. James Whitmore as Sgt. Kinnie is drilling the squad in the opening scenes.

The squad members talk of an enjoyable furlough in Paris which is suddenly cut short by the German breakthrough in the Ardenne. Ptv. Stazak hopes of going home are dashed because his authorised documents have not come through before the squad moves up front. Douglas Fowley as Pvt. Kippton seems to be the best in the squad at bellyaching.Maybe it's his dentures that make him a sourpuss. But Fowley's dentures turn into a class act; clicking away to the old song, "I Surrender Dear," through the courtesy of a German propaganda broadcast heard over the radio in a Sherman tank. Denise Darcel comes as a welcome relief of feminine pleasure; not out of place in the town of Bastogne itself. In an indoor scene, Pvt. Holly's eyeballs go into left-to-right overdrive as he stares at Denise's buxom rear end descending a flight of stairs. Then there's Holly again, nursing stolen newly-laid eggs, as valuable as gold nuggets. He's about to scramble them over a fire when the squad is told to saddle up and move out. Not for the first time does Johnson (Pvt. Holly) yell, "oh no!" A expression he's used in past movies also. The broken eggs in his upturned helmet are now a problem. In the end it's disaster. The German artillery scramble the eggs for Holly. Problem solved!

On a three man patrol, Holly, Hodiak as Janness, Montalban as Rodriguez, intercept and force a jeep carrying a Major and two sergeants to stop and identify themselves. The knowledge that Germans are infiltrating in GI uniforms has made the patrol suspicious so the Major is asked how the Dodgers made out in 1944. The Major hesitates,but the Sergeant in the rear seat asks Holly who Betty Grable is married to. Montalban shouts back, "Cesar Romero". The Major says Romero is out. "Betty Grable is married to Harry James". The tense atmosphere relaxes. The patrol is convinced they're friendly.

What is displayed authentically on this studio sound stage is the icy, bone-chilling atmosphere of the battlefield. The men hunkered down; the deeper the better, in their foxholes. Throughout nearly all this movie there is the constant rise and fall in the background of continuous artillery fire, like a rolling thunder. It never seems to cease. Sometimes it's close, sometimes distant. That, along with the freezing fog hanging like a thick whitish-grey blanket in the air, enveloping everything, gives off an atmosphere of crisis; a feeling of fearful tension. The men endeavour to dispel the fear with humour. Waiting and wondering when the enemy will appear ghost-like out of the mist-shrouded forest.

Near the end of the movie, Leon Ames gives a good performance as a Army Chaplain. Trying to explain the reason for this necessary trip to Europe, to kill off a murderous political system that has already killed off millions. Before the end, the tables turn in the Allies favour. Sergeant Kinnie notices his shadow against the snow. The sun is breaking through and the mist rises. Allied tactical air power is back in business again with a vengeance.

Veteran director William Wellman was not found wanting when he directed this movie. He had already proved himself with, "The Story of GI Joe", in 1945. Antiwar film? Any war film well made and convincing can be antiwar, and you do not need blood all over the silver screen to prove it. Antiwar or not, World War Two was a "popular" war. The reasons stuck out a mile. The Army Chaplain said so in so many words.

The Ardennes offensive caught the Allies unawares, in short, too cocksure. By late 1944, battered the German forces may have been. But they still had a few nasty shots in their locker to scare the living daylights out of the Allied Command. The allies paid the penalty in lost ground and casualties for General Eisenhower's insistence for a broad front advance. We thought the Germans had run out of fighting steam, but old Field Marshal Karl Rudolf Gerd Von Rundstedt thought different!

There's not much I can add to all the comments I've already seen. Clearly, no one disliked the movie who bothered to comment. The cast, the direction, the battles--all top notch.

I think the only thing I can add to the praise is how this movie gets better the more war movies you see. As a kid, I didn't think too much about this this one. In fact, I'd easily have voted the "Battle of The Bulge" as a favorite and this one much further down. Now, using what (I hope) is a more critical eye. "Battle of the Bulge" is a stinker I hope never to sit through again and "Battleground" sits at or near the top.