Deux nigauds chez les tueurs

Fans of ABBOTT and COSTELLO should enjoy this entry, even if the title is a bit misleading--and even if BORIS KARLOFF doesn't get to be quite as menacing as you might want him to be. He does look distinguished in that turban as a Swami who tries to put Costello into a trance so he'll believe that he's the murderer, with negative results.

Most of the action takes place at a secluded hotel where a well-known lawyer has been found murdered. Suspicion points to bellboy COSTELLO, and in a script that has ABBOTT as a house detective, you can see that poor Lou is gonna have a hard time proving his innocence...especially when dead bodies keep popping up everywhere wherever he goes.

It's not as funny as WHO DONE IT? or HOLD THAT GHOST, but considerably better than some of the later stuff they did toward the end of their career.

Enjoyable enough nonsense for their fans.

Bud Abbott and Lou Costello star in this classic "who done it" movie. The team provides their usual funny pratfalls and mix-ups but along the way they manage to provide a classic theme to this movie. With Abbott and Costello, Karloff managing his way into the picture as the grueling possibility of the killer.

This may be Abbott and Costello's best attempt to provide some new material into their excellent routines. Costello's character, Phillips is mainly accused of murdering a well known lawyer after they have a public disagreement.

Phillips arrives at the lawyers hotel rooms to apologize but he finds that the lawyer has been murdered. Abbott goes far and above the the call of friendship to prove his friends innocents but who really did do it? Watch and see.

There is a comment about the title of this addition to the Abbott & Costello films that is a little unfair - but only a little. Entitled ABBOTT & COSTELLO MEET THE KILLER, BORIS KARLOFF, some purists sniff that as Karloff is not the killer in the film, the title is as misleading as the later ABBOTT & COSTELLO GO TO MARS (wherein they actually go to Venus). But the difference is that Karloff is a killer. Not only does he attempt to hypnotize Lou into committing suicide (which would enable the police to drop an investigation at a hotel where Karloff is stuck in), but he is also a former homicide case defendant who was acquitted thanks to his lawyer Amos Strickland (Nicholas Joy). No, Karloff is not the murderer of Joy, but he is a suspected murderer (the police feel that Karloff's acquittal was due to his lawyer, not to his not being the murderer). So the title is actually not a cheat.

Like WHO DONE IT? it is a murder mystery comedy, but here the suspicion against Lou (an incompetent bellhop) is more realistic than in the earlier film. Lou and Bud work at a resort hotel. Bud is the house detective. Lou is involved in an incident where he bungles badly while handling the luggage of lawyer Joy. The latter complains vociferously to the hotel manager (Alan Mowbray), who fires Costello. Lou, realizing what has caused his dismissal, actually makes a threatening statement to Joy. So when the latter is murdered, Lou is the leading suspect.

But it seems that Joy was on the verge of writing his memoirs, in which he might set the record straight about those acquittals he won. This would not be what Karloff, Roland Winters, and a few others would like - they are beginning to live down their murder trials. All of them happen to be at the resort too, so they are also suspects.

The film has some nice set pieces in it, mostly handled adroitly by Costello - such as a drag sequence where he attracts an admirer, and has to play cards with a corpse. He also, towards the conclusion, gives Abbott an unexpected scare suggesting Bud is the killer. But my two favorite pieces are when Karloff tries to hypnotize Lou, and almost gets knifed in the process, and when Lou discovers the benefits of being the chief suspect - being under house arrest in a luxury hotel has unexpected benefits through room service. After all, the state pays the bill!

Bud & Lou find themselves at the center of a murder mystery, the chief suspect? Why Lou Costello of course.

As a comedy, Meet The Killer offers nothing fresh to what we haven't seen before from the boys prior to this 1949 offering, not that the comedy doesn't deliver, because it does, very much so. Be it Freddie (Costello) being too stupid to be hypnotised by the shifty Swami (Boris Karloff), or a wonderful sequence of events down in the creepy caverns, it's fun and very diverting. However, the strength in "Meet The Killer" is that it works very well as a whodunit mystery, a ream of characters, all acting oddly, come and go to keep the viewer guessing right through to the cheery pay off. It's entertaining on two fronts and has a cast clearly having fun into the bargain. Super shadowy photography by Charles Van Enger as well. Enjoy!

Now, about that Tortoise? 7/10

Abbott and Costello are one of the best comedy duos on film, and there are some great entries of theirs, Abbott and Costello Meet Frankenstein being a contender for their best. Meet the Killer, Boris Karloff is not one their high-points, there are a few draggy spots, a rather standard story and while he is eerie and commanding Boris Karloff is underused(so much for the misleading title). The gags are well-timed and funny though, especially the dressing up in drag, Costello being hypnotised by Karloff and playing cards with a corpse. There is a very nice mix of zany comedy and suspenseful mystery elements, the dialogue is snappily written, the film looks good and is directed in a way that allows the stars to have fun and the story to breathe while not leaving things out of control. Abbott and Costello are still as funny as ever and their chemistry still sparkles even with contrasting personalities. The acting is solid enough from all, Karloff is still fine in his role, you just want to see more of him considering how great an actor he was and is. Overall, not among the greats with Abbott and Costello but makes for good fun regardless. 7/10 Bethany Cox