Le Réveil de la sorcière rouge

As other viewers have commented, I personally viewed this film when I only paid 35 cents for admission and it was well worth it. John Wayne was my idol and just the thought of going down under the water was extremely unimaginable and fighting all the horrible creatures we just read or heard about was never viewed on a big screen. (Radio was our only big entertainment and we had to use our IMAGINATION!) In 1948 the country had just gotten over WW II and Hollywood did not have all the special effects it has in 2000! I have viewed this film over and over again and still remember how it kept me on the edge of my seat. All future generations will do the very same thing and admire how much the film industry has advanced in their technology. This is a great John Wayne Classic and to find fault with it is uncalled for.

I enjoy most John Wayne films, notably his Westerns, and a long time ago read several books about him, but Wake of the Red Watch was all but unknown to me. (British TV frequently screens his better-known films butI can't recall "Wake" being shown before.)

It wasn't at all bad, if one overlooks some of the clichés and limited production values, and Wayne portrays a character more complex and less sympathetic than in any other of his films, even Red River and The Searchers.

Some of the plot twists were a bit hard to follow, and I'm still not sure about the relationship between Ralls and Sidneye - it seemed to mellow towards the end.

Before watching the film I hadn't bothered to note its date and, going on Wayne's youthful appearance and the unsophisticated aspects of filming and plotting, I guessed it was early 1940s. I was a little surprised to see that it was 1948, just as Wayne was about to film some of his greatest Westerns.

From one of the many novels written by Garland Roark comes this dramatic story which the Legendary John Wayne enhanced with his mere presence. Directed by Edward Ludwig the story is masterfully written and tells the naval tale of an adventurous sea Captain named Ralls (John Wayne) who's a courageous soldier of fortune. Created with duel personalities, Ralls is both blessed and cursed because of them. Instintivly knowledgeable of the sea and his ship with many skills having to do with caring about his cargo and his 18 sail masted schooner, he's a skilled navigator who instills confidence in all of his crew. This bears well with his boss Mayrant Ruysdaal Sideye (Luther Adler) who is always trying to out think his chosen Captain. To insure that Sideye gets his way, he designates a second in command trustworthy enough to get the task done. What the ship's owner plans is to insure his precious cargo is scuttled to the bottom of the sea, so's as to collect on the insurance. What those involved don't know is that Ralls has his own way of doing things and puts in danger the owners plans. It's a story of deception versus skill, which may put all those involved in jail or get them killed. To complicate matter there are several beautiful women who believe their men and the Island native who trust in their gods as well. All in all, it a good movie for Wayne and any audience member will be hard pressed to select whether Wayne is playing a Good Guy or not. It's hard. The great cast is there to insure the quality of the film which is superior. They include Gail Russell, Gig Young, Luther Adler, Henry Daniell, Paul Fix and Jeff Corey. If this is your first Wayne movie you'll realize why he became a great star. The movie is listed as a Classic and I agree. ****

After John Wayne starred in Cecil B. DeMille's answer to "Gone With the Wind," an epic called "Reap the Wild Wind," the Duke wanted to make a similar themed film but with more complex characters. John Wayne made "Wake of the Red Witch," a terrific follow-up that remakes elements of the original film but creates completely new situations and characters, and explores the dark side of people. Both films open with John Wayne as a 19th Century sea captain who's ship is scuttled for the rich cargo. In both films John Wayne fights a big octopus and is involved in a love triangle with a beautiful woman and his boss. The period, style, and sets are similar but there are differences in story. DeMille's story was set in the south and revolved around a southern belle who played with the affections of two men. The characters were somewhat one-dimensional (John Wayne the unquestionable good guy, Ray Milland the unquestionable rich playboy, Paulette Goddard the unquestionable flirt). "Wake of the Red Witch," set in the South Pacific, is much more complex. John Wayne's character is sometimes cruel and dishonest. He is driven by drunken rages to beat men and his performance is perhaps the best in his career. As the camera closes in on his face there is true madness in his eyes and the strength and anger he possesses is truly frightening. In one scene where he has just punched out his crew and jumped ship, running violently through the jungle toward the woman he loves (Gail Russell), he is a monster. The entire story is told by a member of John Wayne's crew (Gig Young) and we are first introduced to John Wayne as a heartless and corrupt captain. As the story unfolds we see a much more complex mystery involving the captain's rich nemesis who respects the captain as a hero and worthy opponent and has driven John Wayne to madness. The end plays out as a haunting romance as the love between the captain and the woman he adores (and who has married his enemy) conquers all amongst all the tragedy. I would suggest you see Cecil B' DeMille's "Reap the Wild Wind" first as it is much less satisfying and might be disappointing compared to the complexity of "Wake of the Red Witch," though both films are terrific entertainment and showcase John Wayne at his non-western best. Note: In the film, The Red Witch (a sailing ship) is owned by a company called Batjac, a name the Duke would use as the name of his own film company.

This is kind of out-of-way stuff for the duke, closest he got to again in "Reap the wild wind". It is basically a Wuthering Heights of the Southern Seas, with a very young and slim Wayne being pulled into a story of intrigue and lost love by the most beautiful Gail Russell. Great pity that her early death prevented her from rising to true stardom, but she truly holds her own next to the Duke in this strange, patchwork story of a true love. If you can hold of it, view it and enjoy it. And it once again convinces me, that John Wayne could pull off almost everything convincingly, giving tribute to him being a real quality actor after all.