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Billy Wilder's story 'From A-Z' which had already been filmed in 1941 as the excellent 'Ball of Fire' with Gary Cooper and Barbara Stanwyck gets a musical makeover in this 1948 remake of a group of professors writing an Encyclopedia of music and a gangster's moll hiding out in their foundation.

Danny Kaye, Virginia Mayo and Steve Cochran are reunited yet again after appearing together in 1945's 'Wonder Man' and 1946's 'The Kid from Brooklyn' and this was the fourth and final pairing of Kaye and Mayo, (the other being 1947's 'The Secret Life of Walter Mitty). However, Kaye is no Gary Cooper, Mayo is no Barbara Stanwyck and Cochran is no Dana Andrews.

The main screenplay for the most part remains unaltered and is basically a word for word copy, except of course in this movie the professors are writing a musical Encyclopedia and not one on general knowledge so these aspects have been changed to fit this change.

Sadly this version lacks the spark that made the original so great and instead of a ball of fire, we get a hot water bottle at best.

However, we are treated to some great 1940's swing, big band and Jazz talent in the form of Benny Goodman, Tommy Dorsey, Louis Armstrong, Mel Powell, Charlie Barnet and Lionel Hampton, all masters of their craft and it's these musical interludes that are the ONLY reasons to watch this instead of the 1941 version as they are brilliant and fun to watch and will have your toes a'tappin.

Mayo's singing voice was dubbed by the ultra talented, yet sadly uncredited Jeni Sullavan and some Sullavan's other vocal recordings are well worth checking out.

However, Kaye doesn't have a single song in the movie, which is sad given that comedy songs and zany musical numbers were his main stock in trade. This was because he had recently split from his wife Sylvia Fine who was also the composer of all of his songs and she refused to write write for him and he didn't want anyone else composing for him. Thankfully, the split was only temporary and they reconciled soon after.

Howard Hawks who had directed the original returns to direct here, but he found this version difficult and disliked the finish product. Mary Field is the only returning performer from 'Ball of Fire' as the socialite Miss Totten , the same role she had played seven years before.

Not a bad film, but If you're in it for the plot and plot alone, watch the original. However, if you have a penchant for 1940's jazz and swing music, then give this one a try, those parts will give you a thrill at least even if nothing else does.

Enjoy!

This movie (a remake of 1941's "Ball of Fire") is an entertaining movie. But if you like swing or JAZZ, you have got to see this! Most Danny Kaye movies have good musical scores, but this one has Benny Goodman, Louis Armstrong and a number of other greats performing. Not as good a movie as "The Five Pennies", but well worth seeing for the music and for Danny Kaye. Recommended to anyone who likes Jazz and/or Swing.

"A Song is Born" was made in 1948. This was a remake of 1941's "Ball of Fire" with Gary Cooper and Barbara Stanwyck.

A group of dull music professors are studying the history of music. Two window cleaners urge Danny Kaye, a music professor, to go out and hear music around him.

In Damon Runyan-like atmosphere, he accidentally gets involved with gangsters and their moll-Virginia Mayo.

She hides out by Kaye and his other professors as she is wanted for questioning regarding a murder that her guy-Steve Cochran-may have committed. Remember Cochran and Mayo two years earlier in the Oscar-winning "The Best Years of Our Lives?"

When she hides out, she brings an assortment of musicians with her to join the professors and all belt out music. Thanks to Louis Armstrong and Tommy Dorsey, the music shines. Benny Goodman is unrecognizable as one of the corny music professors.

The hostage situation at film's end is hilarious at best.

A musical treat; funny and memorable when Kaye pops the question. Lots of good fun.

While there is a decent plot and Danny Kaye does a good job, the best parts are the music scenes with Benny Goodman, Lionel Hampton, Louis Armstrong, Tommy Dorsey and many others. It is a great collection of popular artists of the 40's and earlier.

There are surprises in the plot, especially if you don't recognize some of the actors until they perform.

Danny Kaye's form of humor is not fully appreciated now, but in his time he drew a large following. This movie is a good example of his artistry. His best movie was probably "Hans Christian Anderson." I watched it as a kid and I can still remember the song "Beautiful, Beautiful Copenhagen."

Where else can you see a jam session with Louie Armstrong on trumpet, Charlie Barnet on saxophone, Benny Goodman on clarinet, and Tommy Dorsey on trombone? Four major swing band leaders jamming out, and they do it more than once on this film. The movie is sufficiently entertaining to watch, but the real treat is the music jam sessions. Some of you may not know Charlie Barnet. Barnet was from a wealthy family, and his bands were more freewheeling than most traditional swing bands. He was the first white band leader to integrate his bands, and he gave Lena Horne her first gig with a major orchestra.

The true big band aficionado will recognize some of the other musicians, but I will not list them here as I might spoil someone's fun.