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6.3/10
338
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A small town man inherits a significant fortune and takes his family to New York City. Urban culture shock takes the form of strange ways and oddball characters Based on Ring Lardner 's nove... Read allA small town man inherits a significant fortune and takes his family to New York City. Urban culture shock takes the form of strange ways and oddball characters Based on Ring Lardner 's novel "The Big Town."A small town man inherits a significant fortune and takes his family to New York City. Urban culture shock takes the form of strange ways and oddball characters Based on Ring Lardner 's novel "The Big Town."
- Director
- Writers
- Stars
Jessie Arnold
- Hotel Cleaning Woman in Montage
- (uncredited)
Phil Arnold
- New York Cabbie
- (uncredited)
John Barton
- Train Passenger
- (uncredited)
Mary Bayless
- Theatre Patron
- (uncredited)
Phil Bloom
- Train Passenger
- (uncredited)
Tom Coleman
- Race Track Spectator
- (uncredited)
- Director
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- All cast & crew
- Production, box office & more at IMDbPro
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Filmed in B&W. I saw this movie while I was still in my teens in 1948. It remains in my memory as one of the funniest movies I've ever seen. It used some clever techniques for the time, such as "stop action" with voice-over commentary. The movie chronicles the mis-adventures of a man who is dragged to NY, unwillingly, by his wife and her sister, who have delusions of grandeur. It is set in the late 1920s or early 1930s. They are taken advantage of by three broadly-drawn characters, played by Jerome Cowan (a con man), Leo Gorcey (a jockey), and Rudy Vallee (a rich, but flawed, man). I laugh again just thinking about it. I don't know that it has ever been shown on television, but it should be.
8tavm
When I accidentally discovered that Leo Gorcey was one of the players in this movie on the Blu-ray box, I had to seek this one out. I've been watching lots of movies made in the '40s in chronological order recently so it was a nice surprise to also find out Bill Goodwin, Hugh Herbert, Rudy Vallee, and Jerome Cowan are also in this one. Anyway, radio comedian Henry Morgan plays the husband of Virginia Grey whose sister Dona Drake is single and since they've just inherited some money, they all go to New York to experience the high life though Morgan does so reluctantly. There are many cynically funny lines and the characters played by many of the players I mentioned bring great atmosphere to the proceedings. Henry Morgan, himself, may not have been much of an actor but he's surrounded by some of the best here like Arnold Stang-who often worked with him on radio-doing a hilarious take on a Western Union clerk. So on that note, I highly recommend So This Is New York. P.S. Since I like to cite when people associated with my favorite movie-It's a Wonderful Life-is involved in something else I review here, I have to note that the score here is done by Dimitri Tiomkin who was also involved in IAWL. As an aside, I also should note the use of a freeze-frame when a voice-over is heard being as effective here as in that Frank Capra masterpiece. Also, Dick Elliot, who said in that film "Youth is wasted on the wrong people!" after asking James Stewart why he doesn't kiss Donna Reed instead of talking her to death, plays a very funny heckler here when viewing a play starring Ms. Drake and Goodwin. Oh, and it's funny to me when the Goodwin character mentions giving jokes to Al Jolson (the film takes place just after World War I ended) since he was just in The Jolson Story a year or two previous.
When sisters Virginia Grey and Dona Drake inherit $60,000, they drag Virginia's husband Henry Morgan from his comfortable life in South Bend, Indiana to Manhattan to find Dona a wealthy husband.
Set during the 1920s, this seems a bit heavy-handed satire, with Henry Morgan's constant ironic commentary inappropriate for a movie -- although given his popularity on radio, that was undoubtedly thought an asset. The movie is based on a novel by Ring Lardner, produced by Stanley Kramer, and Carl Foreman did the screenplay. Richard Fleischer directed; this might seem an odd choice, considering he was about to make his reputation with a series of film noir. However, he was coming off the FLICKER FLASHBACK series, in which they took a silent short, projected it at the wrong speed, and made funny comments. The fourth segment, in which the sisters sink all their money into a play, looks like one of those with Morgan's voice over.
This was undoubtedly conceived as one of the nostalgic movies that were popular in the era. With its sardonic viewpoint and heavy-handed humor, it didn't do the talent any good. Morgan's screen career never took off, although he continued to do well on radio and would move comfortably into television. Kramer, Foreman and Fleischer would also eschew comedy, to their profit.
Set during the 1920s, this seems a bit heavy-handed satire, with Henry Morgan's constant ironic commentary inappropriate for a movie -- although given his popularity on radio, that was undoubtedly thought an asset. The movie is based on a novel by Ring Lardner, produced by Stanley Kramer, and Carl Foreman did the screenplay. Richard Fleischer directed; this might seem an odd choice, considering he was about to make his reputation with a series of film noir. However, he was coming off the FLICKER FLASHBACK series, in which they took a silent short, projected it at the wrong speed, and made funny comments. The fourth segment, in which the sisters sink all their money into a play, looks like one of those with Morgan's voice over.
This was undoubtedly conceived as one of the nostalgic movies that were popular in the era. With its sardonic viewpoint and heavy-handed humor, it didn't do the talent any good. Morgan's screen career never took off, although he continued to do well on radio and would move comfortably into television. Kramer, Foreman and Fleischer would also eschew comedy, to their profit.
one of my favorite films, first seen when i was twelve, in 1948. in my opinion, it was the signature film of all those in it...henry morgan, leo gorcey, rudy vallee, bill goodwin, dona drake, virginia grey, jerome cowan. i'm tempted to say that goodwin's jimmy ralston character was the best; but then, all the performances were so great. i spotted it on tv some ten years ago, on a weak station and taped it. so, bad copy and all, i do watch it a few times a year.
A funny funny film! Definitely a "missing" gem. The play performed within the film ("Bridget Sees a Ghost") makes "Springtime for Hitler" look like Shakespeare! Morgan's voice overs are marvelous and the use of Rossini's "Barber of Seville Overture" to punctuate the closing moments of each act is masterful. Clever and innovative in its photography with outstanding performances by Henry Morgan and Leo Gorcey. The rest of the cast certainly holds its own in this lunatic story about a family's visit to New York City. This should definitely be released on DVD. It was shown on television years ago, but seems to have vanished from the airwaves. Definitely worth watching - if it ever reappears.
Did you know
- TriviaThe movie is based on the novel "The Big Town" by Ring Lardner.
- ConnectionsReferences Perdus au Pôle (1928)
- How long is So This Is New York?Powered by Alexa
Details
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.37 : 1
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