Far-West 89

Figured this film was going to be your typical Western film and very soon I found out this was a great 1948 Classic Western with Randolph Scott, (Marshall Vance Cordell) who is about to retire and marry a woman he loves who also has a child from a previous marriage. However, their plans had to be canceled because their town of Paxton Oklahoma was invaded by a gang of famous outlaws called the Dalton Gang, Sundance Kid, Billy the Kid and Wild Bill Doolin. There was also a young gal named Cheyenne, (Anne Jeffreys) who was a female outlaw with this gang and added a different interest to this Western Story. Marshall Cordell became involved with Cheyenne and she falls in love with him and also the gal he intends to marry which adds some romance to this shoot E'M kill E'm Film

Two things really distinguish this otherwise typical Scott/Hayes western - Unbelievable cinematography - I cannot believe how lovingly and lushly this film was photographed - amazing evidence of how much impact cinematography alone can have on an otherwise average motion picture.

The other thing is a gleefully ruthless performance by a young Robert Ryan playing The Sundance Kid as one mean, ornery sonuvabee. To say that he put a different spin on the character than Robert Redford did is putting it mildly. Robert Ryan is one of my favorite actors and there is clear evidence here that he had the goods from the very beginning. Just don't turn your back on him.

This film is available as part of the Warner Archive collection and a solid addition to any Western film library.

This movie surprised me. I don't care for Randolph Scott, and reading the description of the movie to include Billie the Kid, Youngers, Sundance Kid, and the Daltons, etc. This seemed like a joke. Clearly a bad movie to waste time on, but I couldn't resist watching it start to see all these headliner bad guys in one gang. I expected to rate the movie no higher than 3.....if I even made it past the first 30 minutes.

Turns out, the movie caught me off guard. In the context of a B Western, it actually works. Seeing Gabby in a 'non-side-kick' role wasn't the disappointment I expected. Seeing them "throw" bullets out of the guns (the classic snap the gun down and fire in one motion), and taking about 2 seconds from pistol blast till the bullet strikes the rock in front of the bad guy, was ok, cause that's classic B Western stuff, and after all this was B Western in the 1940's.

If you're looking for a good old B Western that doesn't have the Duke in it, try this out. I gave it a 7 in spite of myself.

The reviewer "krorie" from Van Buren, Arkansas, goes to great length to point out how historically Return of the Badmen were, listing the dates the different real life outlaws, depicted in the film, were living and when they died. While your research is to be commended, you missed the whole point of the movie. It was made for entertainment not enlightenment. Most of the westerns made by Hollywood took liberties with the facts and were presented in a fashion that audiences could accept. The Return of the Badmen, like its predecessor "Badmen Territory" used the combined villainy of real life western outlaws to add appeal to the western. While both films were made in the late Forties, and television had not yet made an effect on the movie going public, the genre was slowly being burned out. Everything possible had been tried in order to boost box office appeal. Actually, the B western was already suffering from postwar production costs, and ticket prices in those years right before television. Many families, particularly those with small children, did not have the money for a babysitter and so spent the evenings at home listening to radio. The movie westerns did their best box office at the Saturday afternoon matinées when parents dropped off their children at the theater so they could go shopping. While Randolph Scott made many westerns, these two westerns, particularly Return of the Badmen, must have made an impression on producer Mel Brooks because he uses Randolph Scott's name as an in-joke in his 1974 comedy Blazing Saddles. The townspeople are reluctant to help their new sheriff, who happens to be black, combat the outlaw hoards which is coming to their town. One person speaks up in defense of the sheriff by saying "You would help Randolph Scott" whereupon the people reverently repeat Scott's name as they take off their hats and are bathed in a heavenly light which shines from above.

Randolph Scott had scored a pretty good success dealing with a whole bunch of name outlaws in Badman's Territory a few years back. Small wonder that RKO decided to repeat the same formula. Though Return of the Badmen is by no means a sequel to the original film.

Return of the Badmen finds Randolph Scott as a retired Texas Ranger looking to settle in the newly opened Oklahoma Territory. But formerly the territory known as the Indian nations was patrolled by the army with visits from occasional federal peace officers like Rooster Cogburn if John Wayne fans will remember True Grit.

A summit of outlawry has been called by Bill Doolin as played by Robert Armstrong. He brings in the Daltons, the Youngers, Billy the Kid, and the meanest of them all, the Sundance Kid as played by Robert Ryan. This is not the same guy who partnered with Paul Newman. He's a mean cuss and he's the guy that Randolph Scott eventually squares off with for reasons you'll have to see the film for.

Repeating the same formula that RKO used for Scott in Abilene Town, he's got two girls pursuing him. One is Jacqueline White who is banker Gabby Hayes's daughter who is the widow of a peace officer herself with a small son in Gary Gray. The other is a Calamity Jane type outlaw named Cheyenne played by Anne Jeffreys who is Armstrong's niece. Again you'll have to see Return of the Bad Men to figure out who Scott gets.

In true cowboy hero fashion, old peace officer Randolph Scott answers the call of the citizenry for law and order. Though Return of the Bad Men doesn't cover any new ground, it's a good western for Randolph Scott.

Or as Mel Brooks would have it, RANDOLPH SCOTT.