Marché de brutes

Dennis O'Keefe stars in this crackerjack noir film directed by Anthony Mann. O'Keefe plays a man who took a rap for gangster kingpin Raymond Burr and now he's thinking he's gotten the bad end of a Raw Deal. He wants out of prison and Burr arranges an escape hoping he'll be killed in the attempted breakout.

If you recognize the plot think back to Angels With Dirty Faces where James Cagney takes the rap for Humphrey Bogart and George Bancroft and now wants back in on the rackets they've built up and the other two don't want to cut him in. As dark as that classic was, Raw Deal is a good deal darker as O'Keefe's world is getting smaller and smaller due to the bad choices he made in life.

With cops and Burr looking for him, Dennis also has himself involved with two women, steady streetwise Claire Trevor and the secretary of his lawyer Marsha Hunt. Both are carrying a big torch for O'Keefe, but Trevor is the jealous sort.

Watching Raw Deal reminded me of a Eugene O'Neill play Strange Interlude where the characters voice over narration tells you their real feelings. That device is used for O'Keefe, Trevor, and Hunt as they express their emotions in the narration. And like any classic O'Neill play there is an inevitability about these people especially O'Keefe.

Before Anthony Mann moved on to westerns and bigger budgets he did some good noir work in the Forties and Raw Deal is a fine example.

Gripping film noir with Dennis O'Keefe as Joe Sullivan, a man who escapes from prison with help from Pat, the woman (Claire Trevor) who's loved him and stuck by him for years. But Joe's fallen in love with a sympathetic caseworker (Marsha Hunt) and forces her to accompany him and Pat as they flee. Meanwhile, Raymond Burr plays the man responsible for Joe being in prison. He owes Joe money and sends a hit-man to make sure Joe doesn't try to collect.

A great movie from Anthony Mann. Wonderful script and cast. O'Keefe has arguably the best role of his career here. Trevor's perfect as always. A truly gifted actress who doesn't get as much respect as some of her contemporaries. Marsha Hunt does well with the weakest part in the film. She looks beautiful, which doesn't hurt. Raymond Burr's a sadistic and nasty villain. He has one scene that's pretty shocking for the time and makes the famous coffee-throwing scene from The Big Heat look like a kiss on the cheek. A classic film noir that all fans of the genre should see.

Claire Trevor providing voice-over narration to the accompaniment of a Theramin! What an indelible effect this makes! In a way, it is not the usual sort of narration we find in film noir: Trevor is usually shown as her voice, with that spooky electronic instrument providing harmony, come through on the soundtrack. The standard for this was to have the protagonist (almost always a male) do this but without appearing as he spoke.

Trevor not only appears but indeed appears in a hat with a veil covering her face. This will stick in your memory for years after you've seen it! Trevor helps boyfriend Dennis O'Keefe break out of prison. But a good girl, Marsha Hunt, has also visited and shown interest in them. Which one will he chose: bad but loyal Trevor or goody-goody Hunt? These are both excellent actresses. Marsha Hunt underplays a little bit here. But she is superb.

The movie has a very solid, if somewhat standard plot. But all kinds of things are tossed into the mix -- all to the movie's benefit.

For example, when O'Keefe has settled into his first hide-out, a wife-murderer appears and demands to be given shelter. He's there for a few minutes of screen time but after that his story is dropped.

John Alton's cinematography is superb. Anthony Mann directed this Eagle Lion feature with expert hands. Some of the characters may be losers but the movie is a true winner.

Joe Sullivan is in jail having taken the rap for criminal Rick, who owes him $50,000 for it. Knowing he is looking to escape, Rick greases some wheels to help Joe's girlfriend Pat to organize an escape – all with the knowledge that once he is out he will be certainly caught in the resulting police dragnet and either killed or sent back to prison for even longer; either way he'll be out of Rick's hair.

I have watched a few noirs recently and the last couple in particular were a lot slower than I would have liked, so part of the appeal of Raw Deal was the short running time, which suggested that it wouldn't be taking too long over anything. This didn't mean it would be good of course, but it was a sign I wouldn't have the problems I'd had with the last few. As it turned out, although not as engaging as I had hoped, this is a solidly enjoyable crime thriller with a tough edge and a good pace to it that means the toughness has an urgency to it. The plot does have love interest within it but rather than be the distraction it can be, it provides a duality to the character of Joe since the two women he is traveling with sort of represent either side of his character and the battle between them.

O'Keefe does a good job in the lead, tough but not inhuman and is likable. Burr is not quite as good as the villain but I think this is more to do with me than him since I always struggle to see him outside of the Perry Mason roles. Both Hunt and Trevor play their roles well and there is a nice tension between them throughout the film. Direction is good – it is fluid and makes the most of each scene, never once being stagey or stiff as some of the recent films from the period I have seen have been.

Overall Raw Deal is not a brilliant film but it is a very effective one. It is short, punchy and has an enjoyably tough edge to all of it. The duality of the lead character is well played out and the violence is nicely stated.

Pat (Claire Trevor) narrates the story of her involvement with boyfriend Joe (Dennis O'Keefe) from the night that he escapes from prison until she is arrested. The story follows them on the run with Ann (Marsha Hunt). Who does Joe really love? It is obvious to all concerned...

This film has a dramatic tension created by two women fighting over one man while they all try and make an escape together. The cast are fine with a particular mention to Claire Trevor and Marsha Hunt who inject the emotion into the story as O'Keefe seems completely devoid of any. Raymond Burr who plays "Rick" and John Ireland who plays "Fantail" make a couple of good bad guys and there is one disturbing scene where Burr's character throws a dish which is on fire onto his girlfriend's face - we didn't really need that. It certainly is a raw deal for everyone in this film.

There are some nicely filmed scenes, eg, when Pat and Joe are on the boat minutes from departing to a new country and we focus on Pat's profile until she finally breaks the tension by calling out Ann's name. Overall, it's an entertaining film even if the outcome is obvious.