Un caprice de Vénus

Ava was never more beautiful. Robert Walker is at his lucky best. Dick Haymes was never in better voice. And, oh, that beautiful Kurt Weill-Ogden Nash score. Not only is "Speak Low" offered, but, the musical scene in Central Park as well, so masterfully handled and performed, will have you gliding and falling in love with the thought of falling in love.

This was a little recognized gem.

Those who love the Broadway show will be disappointed by the screen adaptation of One Touch of Venus, with less than half the score being retained being one reason. Judging the film on its own merits, One Touch of Venus has a lot of nice things and is a lovely film on the whole.

Some of the direction is a little heavy-footed and dreary at times, and some of the story is both flimsy and convoluted, that would have been solved if the film was longer. While the film is crying out for the use of colour, the production values still look decent. The sets while not opulent is never what you call cheap either, the costumes(especially Gardner's) are tailored beautifully and the camera clearly loves Gardner, judging by how lovingly shot the whole film is. Unfortunately, less than half of the show's score is here in the film but what is retained here are breaths of fresh air and very well-placed. The highlight is the sublime Speak Low, which is elevated by Dick Haymes' magical rendition of it(it's repeated again by Eileen Wilson dubbing Gardner, but I prefer Haymes), one of Kurt Weill's most beautiful ever songs and now a popular jazz standard. The incidental score has many pleasant and characterful moments.

Choreographically, One Touch of Venus is never extraordinary but it's dependable and has enthusiasm, with the Central Park scene coming off best. The witty script with its smart comedy and sweet sentiment(didn't think it was that soap-opera-ish actually personally) serves the film very well, and while the story is not the most exceptionally executed stories for a film on the most part the infectious charm, heart-warming whimsy, exuberance, likability and heart more than make up for the occasional heaviness and convolution. The characters engage at least, and the stellar cast all give strong performances. There was the initial worry on my part that Robert Walker would be too intense(he went on to play one of the greatest screen villains in Hitchcock's Strangers on a Train) for a role where a light touch is necessary, but he actually is very earnest and likable and his comic timing is nimble.

Dick Haymes is very charming, Tom Conway is effortlessly suave(though on a side note few actors beat Conway's brother George Sanders in the 'suave' factor) and Olga San Juan plays plenty of energy and feistiness. The two best performances come from Eve Arden and Ava Gardner. Arden is a true scene-stealer and a breath of fresh air, she has some of the film's best lines and she is hilariously acerbic. Gardner is also fabulous, not only does she look absolutely wonderful but she plays Venus with a genuine warmth, alluring sexiness and womanly charm, she also handles the comic timing well if not ingeniously.

In summary, a lovely film and well worth giving a chance. Gardner, Arden and the song Speak Low are the high-points. This said, lighter direction, a longer length, the use of colour and more songs from the show may likely in my view have made things better. 7.5/10 Bethany Cox

One Touch Of Venus, touched my heart as a young girl who lived for the Black & White fantasy world that movie makers created. All the casting was perfection. The continuity of the movie was flawless.

Robert Walker's portrayal of a young man muddling through life suddenly & totally captivated by the spell of love produced by the visage of the statue of Venus. Ava Gardner's classic beauty along with her very talented acting and voice. She was utter feminine charm encased in an absolutely beautiful body. She was a Goddess, she was 'The' Goddess that brings to mind the poetic line: She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes:A Poem by Lord Byron. (No actor today can capture the abilities of yesterday's greats.)

Eve Arden's acerbic wit, which no one else since has ever done better (& believe me many have tried). Tom Conway as the suave womanizing store owner with the sexy voice. Dick Haymes was perfect as the backstabbing 'best' friend. This movie could possibly make a believer out of a cynic.

A very short and sweet version of the Kurt Weill musical play, omitting most of the songs. Ava Gardner plays the statue which comes to life after being kissed by window dresser Robert Walker, and crooner Dick Haymes is also in the cast, at least adding his pleasant voice to the proceedings.

Gardner is a lot of fun in this and certainly looks the part, although I have seen many reviews where she has been really slated. She gives ‘Venus' a healthy dose of playful charm as she leads Walker astray and threatens his position within the firm. Walker himself is a little uncomfortable in this – later roles would give him more range and opportunity to make an impression on the viewer.

Not all bad but the musical sequences seem heavy-handed in places, and with some voices dubbed and others not it just makes the songs sound a bit odd. Directed by William A Seiter, who had done musical comedies for RKO more than a decade earlier.

...who always adds spice and biting wit to any film, be it comedy or drama. I just had to mention her because I think she is so overlooked and underrated.

Eddie Hatch (Robert Walker) is a verbally abused unappreciated and underpaid display dresser at Savory's department store. His girlfriend Gloria, also an employee at the store, wants to marry him. However, it seems she is more interested in starting her own personal post-war baby boom than she is interested in Eddie himself. One night, while dressing the display for store owner Whitfield Savory's new two hundred thousand dollar statue of Venus, Eddie kisses the statue on a whim and it comes to life (Ava Gardner). Venus is instantly smitten with Eddie, and causes him all kinds of trouble, starting with the fact that she won't get back on her pedestal. This brings Eddie under suspicion of stealing the statue, and anybody who heard the truth of the matter would either think he's lying or crazy. All kinds of comedic and romantic complications ensue.

This film is based on a musical play, thus the three or so odd musical numbers that, to me, didn't seem to fit with the rest of the film and are actually a distraction, but not an awful one. With Tom Conway as the suave lady's man owner of the department store, Eve Arden as his efficient secretary who also carries a torch for the guy, and James Flannigan as a bumbling cop who is no match for Venus's wit or magical powers, it certainly is unique. I'd recommend it.