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I saw this movie when it was first released in 1948. Now 50 years later I watch it again. The comedy holds up remarkably well. Say what you like about the Hollywood studios of the forties but they could turn out these pleasant entertainments seemingly without effort. The perils of buying and building a house have not changed (although the prices certainly have!)It's a delight to watch three seasoned professionals (Grant,Loy and Douglas)play against each other so well. All the minor characters are well cast. The touches of sentiment are never over done. A movie well worth seeing more than once.

This movie is a little unusual in that it's got a very slim plot and the movie itself is done at a very slow and leisurely pace. While this makes it pretty different from the average Grant film, it is still highly watchable and entertaining. It's sort of like someone said "let's just follow Cary around and watch as he gets perturbed at all the little problems that come up when you are having a house rehabbed". Considering what a fun actor he is in the film and the great support he gets from Myrna Loy and Melvin Douglas, the film works very well. While the film has pretty modest pretensions, it makes the most of the material. It's a great film for Cary Grant fans or for the whole family.

Anyone who has ever embarked on a construction project, from a tree-house to a skyscraper, will identify with the beleaguered Mr. Blandings. His simple vision of an idyllic life in the suburbs encounters the harsh reality of recalcitrant geology, feuding contractors, exploding costs, and other complications -- all to hilarious effect.

The script has a perfect ear, the director's timing is impeccable, and the sophisticated style of the stars gives the entire production a polished sheen. Cary Grant, Myrna Loy and Melvyn Douglas are all brilliant, but this is much more than a star vehicle. It's one of the best sophisticated comedies Hollywood ever committed to celluloid. And even 60 years later, the story is all too true.

This is a pretty good comedy, with several good screwball-type sequences, and yet its silliness also contains some commentary, sometimes pointed, and much of it still pertinent. Cary Grant and Myrna Loy are well-suited to this kind of material, and the script provides good dialogue and some amusing situations for them and the rest of the cast to work with.

This is certainly of particular interest to anyone who has ever faced either the kind of home-buying experience that the Blandings family goes through, or one of the many other similar experiences that life offers. The whole picture of having to deal with a bewildering assortment of contractors, workmen, lawyers, and who knows what else, is a very familiar feature of modern life, even for those who do not buy their own homes. The movie helps to point out some of the basic absurdities all of this, while providing some good humor.

The two sub-plots - the one with Melvyn Douglas and the other with Grant looking for the new slogan - are worked in rather resourcefully, so as to parallel some of the basic themes of the main story about the house, while also providing comic complications in the main plot.

Grant has the knack of making the wildest situations seem believable at the time, and even somewhat sophisticated. Loy's charm and elegance make her a very good complement to Grant's character. It's a good combination overall.

Manhattan apartment dwellers have to put up with all kinds of inconveniences. The worst one is the lack of closet space! Some people who eat out all the time use their ranges and dishwashers as storage places because the closets are already full!

Melvin Frank and Norman Panama, a great comedy writing team from that era, saw the potential in Eric Hodgins novel, whose hero, Jim Blandings, can't stand the cramped apartment where he and his wife Muriel, and two daughters, must share.

Jim Blandings, a Madison Ave. executive, has had it! When he sees an ad for Connecticut living, he decides to take a look. Obviously, a first time owner, Jim is duped by the real estate man into buying the dilapidated house he is taken to inspect by an unscrupulous agent. This is only the beginning of his problems.

Whatever could be wrong, goes wrong. The architect is asked to come out with a plan that doesn't work for the new house, after the original one is razed. As one problem leads to another, more money is necessary, and whatever was going to be the original cost, ends up in an inflated price that Jim could not really afford.

The film is fun because of the three principals in it. Cary Grant was an actor who clearly understood the character he was playing and makes the most out of Jim Blandings. Myrna Loy, was a delightful actress who was always effective playing opposite Mr. Grant. The third character, Bill Cole, an old boyfriend of Myrna, turned lawyer for the Blandings, is suave and debonair, the way Melvin Douglas portrayed him. One of the Blandings girls, Joan, is played by Sharyn Moffett, who bore an uncanny resemblance to Eva Marie Saint. The great Louise Beavers plays Gussie, but doesn't have much to do.

The film is lovingly photographed by James Wong Howe, who clearly knew what to do to make this film appear much better. The direction of H.C. Potter is light and he succeeded in this film that will delight fans of classic comedies.