A young girl stows away aboard a luxury liner which is full of musical stars--and which her father just happens to be the captain.A young girl stows away aboard a luxury liner which is full of musical stars--and which her father just happens to be the captain.A young girl stows away aboard a luxury liner which is full of musical stars--and which her father just happens to be the captain.
- Director
- Writers
- Stars
- Awards
- 2 wins & 1 nomination total
John Ridgely
- Chief Officer Carver
- (as John Ridgeley)
Aladdin
- Member of Cugat's Orchestra
- (uncredited)
Mary Bayless
- Ship Passenger
- (uncredited)
Margaret Bert
- Maid
- (uncredited)
Betty Blythe
- Miss Fenmoor
- (uncredited)
Lulu Mae Bohrman
- Ship Passenger
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you are a fan of Jane Powell, this is a must-watch.
She shows off all of her talents from her lovely soprano voice, gorgeous looks, charm and acting ability.
George Brent is very solid as her honorable captain father.
The writers play up a common theme in Powell's early pictures at MGM, showing her as a teenager who chases after or pursues/flirts with older men.
It is almost as if they made her grow up quicker. She got married the next year at the age of 20. Depending on when they filmed this movie, she was either 18 or 19.
Powell was very talented in the way she could show innocence but also the steely resolve of somebody who was the breadwinner for her Oregon family which came from humble roots.
I think a 6.5 would be a fair rating for this movie if one appreciates the talents of Powell, who was really a sensational talent who didn't really get a chance to show everything she may have been capable of on screen due to limited role choices.
Polly Bradford (Jane Powell) is getting left behind as her father Jeremy Bradford (George Brent) captains his ship to Rio. She leaves school and sneaks onboard. He puts her to work in the galley. She befriends heartbroken passenger Laura Dene (Frances Gifford) and is obsessed with fellow passengers opera performers Olaf and Zita. Jane Powell is doing her flighty sassy teenager role. I can do without the opera. Otherwise, it's light fun and light romantic adventures. It's all very light like a Love Boat episode.
10gkeith_1
Jane in beautiful voice. Melchior wonderful. Brent cute and funny. Miss Dean (Dene?) powerful, sweet and beautiful. The 'boy with funny faces' a laugh riot. Exterior shot of ship looking quite modern. I realized that 1948 was only 36 years after Titanic demise, and of course people were comfortable again in going by ship. By 1948, people were flying commercially, but big boats were still very popular. A plane flight, however, wouldn't have the time needed for story development, though. Miss Dean's fiancé was very handsome, I thought. I loved all the tons of flowers he sent her, that took up so much space in her stateroom. Jane scrubbing floors on her hands and knees: pretty hard on the knees. If going by liner, it might as well have been luxury, so good thing Jane got out of those scrubbing clothes and into better looking outfits. Jane was so outgoing and cheeky in trying to get an audience with Melchior. It is good that he was so nice to her, and so accommodating. It would be a dream come true for any singer.
The story may be schmaltzy, but this movie is so charming and refreshing I find it impossible not to like. It looks lovely, with evergreen cinematography, beautiful costumes and lovingly-rendered ship. And the music is like a treasure trove, just utterly amazing to listen to, The Peanut Vendor and Wintersturme are particularly wonderful. The movie runs 98 minutes or so, and for me it is a 98 minutes well spent, the film does move briskly and is full of charm, exuberance and freshness. The direction is able, as is the script. And yes I loved the performances, Jane Powell is just a gem in this film. She looks utterly gorgeous with a darling, beautiful face and she sings wonderfully. Her duets with Lauritz Melchoir are lovely, he may have the stronger voice but she blends pretty well with him. George Brent is more than a pretty face as well, he is funny and he is cute, and Lauritz Melchoir as Olaf Eriksen(aka. My Sinatra) is a sheer delight. Hardly surprising as here he has a homely and warm presence with a huge ringing voice, no wonder he was considered one of the greatest Wagnerian tenors of the twentieth century because his Wintersturme was really powerful. Overall, a real treasure with wonderful music and performances. 10/10 Bethany Cox
"Luxery Liner" was a showcase for young Jane Powell who had scored a box-office smash in her MGM debut film "Holiday in Mexico." It was pure Technicolor musical entertainment geared for the mass audience in the 1940's. "Pap" is a crude word and a choice for those trying to dismiss something they don't understand or want to enjoy. "Luxery Liner" wasn't meant to be Gone With the Wind, just the kind of entertainment audiences enjoyed. Jane Powell is charming and (at that young age) a very gifted singer. (Anyone remember another box-office bundle-of-talent named Deanna Durbin who Louis B. Mayer let slip through his fingers?). Like Miss Durbin, Jane Powell could handle a variety of selections (ballads, operettas, rhythm tunes). In "Luxery Liner" her rendition of "The Peanut Vendor", accompanied by Xavier Cugat's orchestra, is something to hear as she literally "glows with talent." Lauriz Melichor (who she refers to has "my Sinatra"), was discovered by movie audiences in "Thrill of a Romance" (more pap?) couldn't resist her either. At the film's conclusion he pick's her up, like a delicate flower, and glows as they sing and waltz till the end title appears. Some may consider "Luxery Liner" "pap" but, enjoyed for what it is, it's lovely pap. For the record both "Thrill of a Romance" and "Holiday in Mexico" are on Variety's list of all-time box-office rentals. All they did was make a pile of money for MGM and big stars of Esther Williams, Van Johnson and Jane Powell.
Did you know
- TriviaThis film was a success at the box office, earning MGM a profit of $428,000 (about $5.53M in 2024) according to studio records.
- GoofsIn the opening credits, the funnels of the inbound luxury liner Mayflower sport the white, green and red of the Italian Line. Once docked, the camera pan across the Mayflower's superstructure shows the forward funnel painted completely in red. On departure, the ship's livery is back to that of the Italian Line, and the Mayflower's bow bears the real-life name of a crack pre-war Italian liner, the Conte di Savoia.
- Quotes
Pierre: Don't look so unhappy, little girl. Things could be worse.
Polly Bradford: [Peeling potatoes in the ship's galley] How?
Pierre: Those might be onions.
- ConnectionsFeatured in Private Screenings: Jane Powell (1996)
- SoundtracksSpring Came Back to Vienna
(uncredited)
Written by Janice Torre, Fred Spielman and Fritz Rotter
Sung by Jane Powell and Chorus
Details
Box office
- Budget
- $2,178,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Aspect ratio
- 1.37 : 1
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