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La course au mari

Original title: Every Girl Should Be Married
  • 1948
  • Approved
  • 1h 25m
IMDb RATING
6.3/10
2.7K
YOUR RATING
Cary Grant and Betsy Drake in La course au mari (1948)
Watch Trailer
Play trailer2:29
1 Video
27 Photos
Romantic ComedyComedyDramaRomance

A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.

  • Director
    • Don Hartman
  • Writers
    • Don Hartman
    • Eleanor Harris
    • Stephen Morehouse Avery
  • Stars
    • Cary Grant
    • Betsy Drake
    • Franchot Tone
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    2.7K
    YOUR RATING
    • Director
      • Don Hartman
    • Writers
      • Don Hartman
      • Eleanor Harris
      • Stephen Morehouse Avery
    • Stars
      • Cary Grant
      • Betsy Drake
      • Franchot Tone
    • 48User reviews
    • 14Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win & 1 nomination total

    Videos1

    Trailer
    Trailer 2:29
    Trailer

    Photos27

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    Top cast48

    Edit
    Cary Grant
    Cary Grant
    • Dr. Madison Brown
    Betsy Drake
    Betsy Drake
    • Anabel Sims
    Franchot Tone
    Franchot Tone
    • Roger Sanford
    Diana Lynn
    Diana Lynn
    • Julie Howard
    Alan Mowbray
    Alan Mowbray
    • Mr. Spitzer
    Elisabeth Risdon
    Elisabeth Risdon
    • Mary Nolan
    Richard Gaines
    Richard Gaines
    • Sam McNutt
    Harry Hayden
    • Gogarty
    Chick Chandler
    Chick Chandler
    • Soda Clerk
    Leon Belasco
    Leon Belasco
    • Violinist
    Fred Essler
    Fred Essler
    • Pierre
    Anna Q. Nilsson
    Anna Q. Nilsson
    • Saleslady
    Eddie Albert
    Eddie Albert
    • Harry Proctor
    • (uncredited)
    • …
    Jean Andren
    • Customer
    • (uncredited)
    Chet Brandenburg
    Chet Brandenburg
    • Cafe Patron
    • (uncredited)
    Arnolda Brown
    • Customer
    • (uncredited)
    Helen Brown
    • Dignified Woman
    • (uncredited)
    Rosalie Coughenour
    • Model
    • (uncredited)
    • Director
      • Don Hartman
    • Writers
      • Don Hartman
      • Eleanor Harris
      • Stephen Morehouse Avery
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews48

    6.32.7K
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    Featured reviews

    6kenwest

    Not as sparkling as it could have been, but still well worth watching.

    Cary Grant, of course, is always worth watching (Father Goose notwithstanding). Betsy Drake has a great cadence to support her slightly ditsy intonation, and I did not tire of it, as some have said, any more than I do the affectations of July Holiday or Marilyn Monroe.

    The plot is not trivial, nor is it totally predictable.

    Where this film fails in comparison to others of its era and genre is in the writing. The comedy is amusing enough, and there are some good moments, but the lines do not propel the viewer with the rapid-fire bite that is expected with a setup like this one.

    I wanted it to be good enough for a 7, but I will stick with my 6 which in my metrics is still "definitely worth watching".

    To those PC reviewers who were "disturbed" by the "stalker" aspect, I say: loosen up, it is a COMEDY! We have all laughed at Lucy being sillier, more extreme and more persistent. Beside, the movie starts by laying out the very sensible premise that a woman should be able to pursue an attractive man in ways similar to a man going after a desirable woman.

    eg., Rough paraphrase of girl talk: "What would you do on a date?" "Take him on a drive in the country."

    "And run out of gas?" "If I wanted to".

    . . . and everything follows from that premise -- logical, consistent and, for me, engaging.

    Lastly, I note that the best user ratings, as of this date, are by women of the age of Betsy Drake's character, and not by nostalgic curmudgeons like me.
    mikeswife1

    Enjoyable, light and fun

    As a Cary Grant fan, I enjoyed this movie tremendously. The humor was light hearted and the plot sweet, which can now be interpreted as sick, demented and freaky. A nice change from the ritzy movies of the 40s where everyone is wealthy in top hats and tails. This is a down to earth movie and should be taken with the girl meets boy girl gets boy idea in mind. As for the stalking, it seems to me she put a lot of work into getting her man so to speak in a nice way. Never once did I see it as "spook" movie or psycho thriller. However, if there was a remake in 2006, it most certainly would come out to be an R movie with a lot of gore and hype. Enjoy for the era.
    8calamitycrockett

    Ha Ha this movie's great!

    Ha ha this movie is great! I've never been a Cary Grant fan, but he won me over in this one. This movie is all around funny. Now of coarse the girl in the movie is kinda a stalker, but that's what makes it so great. Watch it, it's cute!
    tedg

    Audrey

    What a wonderfully flexible this thing is, cinema. Within it, one can structure all sorts of things that can reach us.

    Probably the two that are the most profound are how movies define fate and sometimes in the same breath, love.

    This is one that deals with both. And the love part has nothing to do with relationships but with the simple charm of a type of woman. This was a big success when new, but today isn't even worth putting on DVD.

    Odd, because for what it is, it is perfect. The goal is to parade an enticing woman, a real natural charmer.

    The girl in this case is Betsy Drake, playing against Cary Grant who does his usual thing. She is something between an Audrey Hepburn and Debbie Reynolds, both of whom did this sort of movie frequently.

    Her chin is narrow which gives the effect of an overly large and expressive mouth, used very theatrically. She also has a slight lisp. Combined with her exuberant manner and honest presentation, she is absolutely captivating.

    And so Grant thought as well because he moved in with her during this and married her shortly thereafter.

    How odd it is that someone could peak so in one film (this her first) and fade so quickly from importance.

    Ted's Evaluation -- 3 of 3: Worth watching.
    5utgard14

    "It's just the difference between G.I. Joe and General Eisenhower."

    Romantic comedy about a young woman (Betsy Drake) determined to snag a handsome doctor (Cary Grant) as her husband. Obviously its old-fashioned ideas will not sit will well with everybody today. Personally I didn't find anything offensive about it. Yes it's dated but I don't watch a movie from 1948 expecting it to appeal to modern sensibilities. Part of the enjoyment of watching older films, at least for me, is they are a window into the past.

    Probably not something Cary Grant would have signed on to do were he not trying to help out Betsy Drake, who he was dating at the time. He helped her get an RKO contract and this was her first movie. The two would marry the following year. Cary seems to be on autopilot with the unchallenging material. But a Cary Grant only half-trying is better than most stars giving it their best. Drake is likable despite her character being a stalker. Franchot Tone plays another guy who gets roped into Drake's scheme. All in all, it's a light bit of pleasant but forgettable fluff.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The only film in which Cary Grant and Betsy Drake appeared together before their marriage. They would make only one more film together: Cette sacrée famille (1952).
    • Goofs
      When the insurance man shows the new car to Anabel on the street, the pole of the microphone is reflected against a window behind the actors.
    • Quotes

      Dr. Madison Brown: How in the world did Eve ever get Adam when she had no other woman to help her with the subtle little touches?

    • Alternate versions
      Also available in a computer colorized version.
    • Connections
      Featured in The Screen Writer (1950)
    • Soundtracks
      La Mer
      Music by Charles Trenet

      Lyrics by Charles Trenet

      Played often throughout the picture

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    FAQ17

    • How long is Every Girl Should Be Married?Powered by Alexa

    Details

    Edit
    • Release date
      • March 3, 1950 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • French
    • Also known as
      • La course aux maris
    • Filming locations
      • Union Square, San Francisco, California, USA
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 25 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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    Cary Grant and Betsy Drake in La course au mari (1948)
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