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and superb acting in this wartime story. Jayne Meadows as the cold, manipulative sister is terrific as is Gigi Perreau in a small but very effective role as a child. David Niven is a delight and more intense than he usually is. Great yarn, good acting, delightful music and highly atmospheric. Glad I caught it.

'Enchantment' is a wonderful-odd-unknown film. Or maybe to me at least it is unknown. I am a fan of Rumer Godden novels.I have seen two other excellent films of them--'The River' and too 'Black Narcissus'. 'Enchantment' is like those also in the fact that it deals with awakenings or things which awaken us. It is about an unrequited love affair OR nearly. The sister and wicked head-of-the-family tries to keep David Niven and his step sister(by circumstance)from being together.Niven plays a soldier on- leave during WW2, most of it is told from his memory. He remembers when he is visited by the daughter of the Girl he could of had as his love--He warns her to not make the same mistake that he did. A great movie about Love!

....What a wonderful film......Technically superior.

.........The slow dissolves from past to present.....done so slowly was refreshing to see especially when compared to the rapid jerky crap that we see today.

.........and the narrowing of the spot on the key being held by Jayne Meadows....indicating the compression of her character into the key in the door being opened by Evelyn Keyes indicating the opening of the relationship between Keyes and Farley Granger was SPECTACULAR!!!!

What a wonderful way to express character and story.

Wish we could see techniques like this today.....

Gigi Perreau's scene in which she makes her lower chin quiver when brought into her new home at the beginning of the film was very moving........have only seen Hepburn, Brabara Rush and Marisa Haggarty of CSI Special Victims able to do this on the screen....an incredible acting accomplishment.......

Krdement's user comment I concur with when it made the point about the fatal lack of communication between Lark and Rollo.A girl in love would always listen to her beau face to face, rather than believe the spiteful talk of sister Selena.Why then oh why did not Lark await Rollo's return instead of running away out of the house, while Rollo tried to delay his trip to Afganistan with his regiment; so he and Lark could be married first?This was the basic weakness of the story, otherwise I rated the story excellent.Both my wife and I enjoyed it as 63 and 61 year olds.I always know when she is enjoying a film when she violently tells me to "shush" if I dare to speak and she misses some of the dialogue! It was fascinating following the parallel stories of the different generations in the same rooms over 70 years."A room is never empty".I rated it 7/10.

The 1940s seemed to be the decade of the romantic "women's films" featuring stars like Bette Davis, Merle Oberon, Olivia de Havilland and others. And Samuel Goldwyn had the good taste to hire the best script writers, the best cinematographers, the best musicians, and the best available actors to play in all of his films.

None was more romantic than ENCHANTMENT and it has a warm glow about it, despite being a tale of unrequited love whereby an elderly man (DAVID NIVEN in convincing age make-up) recalls his younger days and his sweetheart (TERESA WRIGHT) who leaves him because of a misunderstanding caused by his neurotic sister (JAYNE MEADOWS).

When a young woman ambulance driver (EVELYN KEYES), who happens to be his niece, comes to stay in the grand old house during the London blitz of World War II, he advises her not to make the same mistake he did in following his true love. Result: a happy ending for Keyes and her pilot lover FARLEY GRANGER when she goes rushing after him during an air raid.

The tale is told in a clever use of flashbacks from one generation to the other, and all of it is photographed in crisp B&W splendor by Gregg Toland with a quietly effective musical score by Hugo Friedhofer. It's a handsomely mounted production, tastefully done without overdoing the sentimentality of the tale. LEO G. CARROLL is excellent as Niven's servant, realistically aged for the part of the tale that takes place in the present.

Highly recommended as a quality picture of its kind.

It's also a sad reminder of the fact that after leaving Samuel Goldwyn under the contract system, TERESA WRIGHT's screen career floundered and she soon found that she had to work for lesser salaries in films not worthy of her presence. She became a free agent but admitted that it turned out to be a huge mistake.