Devil's Cargo

A man called 'Lucky' is murdered, proving that nicknames are often misleading. Paul Marion visits John Calvert, who's playing the Falcon in this flick, gives him $500 and a key to give to his lawyer if he's not found not guilty of murdering Lucky, before he turns himself in for killing him. Complications ensue.

It starts out looking like a 1930s movie, with performers like Rochelle Hudson, Tom Kennedy, Lyle Talbot, Theodore von Eltz and Roscoe Karns in the supporting cast. Calvert plays the Falcon with a pencil-thin mustache, a Ronald Colman imitation that comes and goes, and sleight of hand magic tricks. He entered the movies as a magician, doing hand doubles for actors like Gable, and here was his shot at a lead, albeit in an independent movie.

The script is a pretty good one, but Calvert demonstrates that it takes more than a pencil-thin mustache to be a movie star. He made two more Falcon movies within a year, then a couple more supporting roles. By 1956, he was gone from the movies, back to being a stage magician.

If Calvert's career in the movies didn't last, Calvert himself did. He died in 2013 at the age of 102.

This is the first of the three low budget Falcon mysteries after RKO had ditched the character. Here he comes in a different guise played by the career magician John Calvert. He has a cute dog called Brains Trust. The funniest Brains Trust moment is when the docile dog has been tied to a chair by an intruder to the Falcon's apartment.

Other bizarre moments include a skull ornament that chatters. Obviously the Falcon has learned magic skills to operate the skull to do this. I like the poster for this film that shows the skull wearing a magician's top hat. It's an attractive piece of film poster art that helped to attract my attention to this movie in the first place.

The mystery begins when a character named Delgado visits the Falcon for help to get him off on a crime of passion crime-alleviation charge with the police. He says he has killed a man for fooling with his wife. But is he being straight? The plot becomes more involved as suspicion passes from one character to another.

I reckon that this is a well disguised whodunit. Only a twist at the very end causes the real murderer to be revealed.

This is the 14th Falcon film, and the first of three starring John Calvert as a detective based on Michael Arlen's character the Falcon. After these three, the Falcon films ended. In my review of the final one, I shall give a chronological list of all 16. The title of this film has no relevance to the film whatever, as there is no devil and no cargo. Nor is the film anything to do with ships and the sea, as 'cargo' might imply. (There was a silent film in 1925 called THE DEVIL'S CARGO, but it is apparently lost, no surviving person appears to have seen it, and it can have had no connection with this one.) This film is a pastiche, very badly acted, extremely low budget, and should not really have been called a Falcon film. The producers presumably paid something for the right to use the name, but there all resemblances end. John Calvert appears to have some admirers, and I would not wish to depress them too much, but let's put it like this: there are two kinds of charm, natural charm and practised charm. George Sanders and Tom Conway (real-life brothers) had the former and John Calvert makes an attempt at the latter. Those of us who like the real thing can only be annoyed. However, he does his best, and really tries, so let us be merciful and not turn it off. The film does have about a dozen instances of snappy dialogue, such as this exchange: Falcon: 'Are you going somewhere?' Dame: 'My maid let the canary out and I'm going looking for it.' Not the highest calibre gags, but some are amusing and witty. As for the mystery story, it has some excellent twists and shows creative planning. Undemanding viewers of old mystery movies will probably enjoy this one. The idea of the mysterious key to a locker containing a bomb which explodes and kills the inquisitive enquirer who opens it is a new angle. (Were there Taliban in 1948?) And it genuinely is difficult in this film to guess whodunit, since the man who confesses at the beginning of the film is not guilty of killing the stiff. Also, the means of delivering a fatal poison to a man in a jail cell is novel and ingenious. I must remember that the next time my psychopathic neighbour is arrested, or perhaps when a certain crooked accountant finally gets locked up. When one thinks about it, there are so many candidates! Just joking. It so quaint that one man when questioned by the police in this film is asked why he carried a revolver to meet the murdered man (but didn't use it), he says as casually and nonchalantly as can be: 'I always carry a revolver.' And he is not challenged further. That was then and this is now. Ah, those were the days when a bulge in a pocket really did not mean one was pleased to see Mae West. There is a pathetic attempt to liven this film up by giving John Calvert a dog called Brains Trust (the real dog who plays the dog had the same name, funny that). But John Calvert is no William Powell, as Lloyd Bentsen might have said, and Brains Trust only knows how to bark, pant, and shake hands. That's it. Well, two more to go.

They probably should have stopped making Falcon movies when George Sanders and Tom Conway had finished their runs with the franchise. Hard to watch the Falcon become a shell of his old self. Spending more time with his dog than the ladies, and driving a Studebaker. The script may be okay, but it has a low-budget B Movie feel to it.

First of three post war Falcon films is very different than the Tom Conway/George Saunders series. Certainly the character is unrelated being named Michael Waring as opposed to Gay or Tom Lawrence. This is an extremely poverty stricken film that looks more like the shot on film TV series from a few years later. Still it manages to score points for being its own little engine of entertainment.

The plot has Waring, played by John Calvert as a wise talking, magic doing, detective given 500 dollars by a client to hold on to a key for him. He is to give the key to his attorney when he asks for it. The client it seems has just committed a well publicized murder which he thinks he won't be tried for. Not long after the client is taken into custody Waring begins to be tailed, some one wants the key. Someone also wants his client dead and he somehow murdered in his jail cell.

While not the Falcon most of us know, this is a good little mystery. The plot takes a few unexpected turns which coupled with Waring's magic and attitude makes this one to watch despite its cheapness. This is one to find and watch with a big bag of popcorn.