Ton heure a sonné

When I saw that British TV was screening an unfamiliar 1948 Randolph Scott Western, I assumed it would be one of his less exciting films in black and white - it's his later efforts that are usually shown. In the event, I was pleasantly surprised; it was shot in good quality colour that showed the outdoor scenery to advantage and the plot was better than in most contemporary Westerns (though not up to that of Red River, released the same year). Several of its features bring to mind later, better known, films.

Scott looks thinner than we are accustomed to see him, almost haggard, which suits him in the role of a driven man seeking vengeance for the death (and presumed rape) of his woman; this reminds one of Rancho Notorious and Scott's own Ride Lonesome. He has a very violent fist fight with Forrest Tucker (less weather-beaten than in later films), with the two men viciously stamping on each other's gun hands - a forerunner of James Stewart's fate in The Man from Laramie. And when Marguerite Chapman overcomes her religious scruples to come to the aid of her man, one thinks of Grace Kelly doing the same in High Noon.

George Macready makes a sinister villain and Edgar Buchanan is in his familiar role as a half-good, half-bad guy - and he doesn't growl as much as usual.

There are some unconvincing touches. When Scott rides into his enemy's town the citizens stare after him in a weak attempt to suggest that they sense that nemesis has arrived; this was better done by Burt Lancaster in Lawman and by Clint Eastwood in many of his films. Yet minutes later this supposedly sinister stranger is entrusted with driving a drunken, attractive woman home. And it's not giving anything away in a Western of this (or almost any) era to say that the villain gets what he deserves, but his precise way of dying is unrealistic.

On the other hand we are spared the sight common in Scott's later Westerns of an actor in his fifties (Scott was born in 1898) romancing someone half his age; indeed the love interest throughout is very low key, with the emphasis being on Macready's failed marriage.

All in all it's a good, enjoyable film to watch.

"Coroner Creek" marked a departure for Randolph Scott in the character he plays. He usually played square-jawed righteous heros with a clear set of moral values. In this film he plays a character bent solely on revenge, even to the point of almost shooting the villain in the back as he tries to escape. He is driven by hate and has few if any redeeming qualities.

Scott is on the hunt for the person responsible for his fiance's death. He finally tracks him down in the town of Coroner Creek and sets out to force a final showdown. True to the Hollywood Production Code of the day, Scott's character sees the error of his ways at the end.

"Coroner Creek" boasts an excellent cast. George Macready plays the chief villain in a cold, cruel and calculating manner. Marquerite Chapman is the nominal heroine who tries to get Scott to change. Sally Eilers as a rancher and Barbara Read as Macready's alcoholic wife are the other female characters. Edgar Buchanan plays the spineless sheriff who eventually finds his courage and Wallace Ford plays Scott's only real friend and ally.

The rest of the cast is made up of many veterans of "dusters" both of the "A" and "B" variety. On the wrong side of the law are Forrest Tucker, Douglas Fowley and Joe Sawyer. On the right side of the law are Russell Simpson, William Bishop and Forrest Taylor. Charlie Stevens appears as (what else?) an Apache who provides Scott with information on the killer. And if you look close you'll see Joe DeRita (of the Three Stooges) and Dewey Robinson as bartenders.

"Coroner Creek" was a grim, realistic western for its time. Don't miss the brutal encounter between Scott and Tucker about half way through the film.

Stalwart western hero Randolph Scott is at his stalwart best in "Coroner Creek" - and it wasn't directed by the overrated Budd Boetticher. Scott is a man of action as he attempts to avenge the killing of his fiancée at the hands of George MacReady in one of his most villainous roles. As mentioned, the emphasis is on action; the exasperating Boetticher often put one of Hollywood's best cowboy stars in complex psychological situations while forgoing Scott's long suit.

In "Coroner Creek", Scott is surrounded by three women who manage to slow down the story by their presence; Marguerite Chapman as a moralizing hotel owner, Sally Eilers as a widowed ranch owner, and Barbara Read as Macready's dipso wife. But the storyline is so good that you can overlook these interruptions and await his next confrontation with baddies. There are gunfights and fistfights enough to satisfy the most avid action fan, including a left-handed fist fight with Forrest Tucker (you'll have to watch it for more info). I liked this one enough to rate it an eight.

Once again Randolph Scott is after the guy who killed his betrothed, and when you learn the culprit was tall, blonde, blue-eyed and has a scar on his cheek and the cast includes George Macready you know what's coming...

That Macready plays the main villain indicates the calibre of the cast producer Harry Joe Brown has assembled for this moody tale of revenge by Luke Short. The rest of the production shows evidence of equal care, including the costumes, production design and photography by Fred Jackman Jr., all of which extract the maximum visual impact from Cinecolor's limited palate; notably during the almost expressionist final shootout.

Director Enright is an unknown to me but he does a competent directing job in CORONER CREEK. Photography is above average, dialogue sharp, action believable and well edited, and the cherry on the cake is Randy Scott's performance, possibly his finest after RIDE THE HIGH COUNTRY, SEVEN MEN FROM NOW and RIDE LONESOME.

First class performances too from slightly deranged, wholly evil, top villain George Macready, laughing heavy Forrest Tucker and doting daddy Edgar Buchanan.

Great punch-up between Scott and Tucker, with head butts and revenge thrown in all in the same bout. Unfortunately, Scott delivers the first heavy punch with the damaged hand and only feels the pain with the second punch, thereafter he uses the other hand. That goof aside, it is a credible and well staged sequence.

CORONER CREEK is one of the most unassuming yet gripping Westerns I have ever watched. 8/10.