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7.4/10
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Chicago reporter P.J. McNeal re-opens a decade-old murder case.Chicago reporter P.J. McNeal re-opens a decade-old murder case.Chicago reporter P.J. McNeal re-opens a decade-old murder case.
- Awards
- 4 wins & 2 nominations total
Joanne De Bergh
- Helen Wiecek
- (as Joanne de Bergh)
Robert Adler
- Taxicab Driver
- (uncredited)
Richard Bishop
- Warden of Stateville Prison
- (uncredited)
Larry J. Blake
- Police Photographic Technician
- (uncredited)
John Bleifer
- Jan Gruska
- (uncredited)
Truman Bradley
- Narrator
- (voice)
- (uncredited)
Dollie Caillet
- Secretary
- (uncredited)
Featured reviews
Call Northside 777 has James Stewart patiently trying to nail down enough facts to get Richard Conte a pardon from a murder for which he was falsely convicted. The tale is told in the documentary style that Henry Hathaway developed post World War II and that Darryl F. Zanuck used in several 20th Century Fox films.
On orders from editor Lee J. Cobb, Stewart checks out the source behind a small personal advertisement in the Chicago Sun-Times where he works. The ad is placed by Richard Conte's mother who works as a cleaning woman and saved enough money to offer a reward of $5000.00 for information clearing her son.
Back during the last days of Prohibition, Conte and another man were sent up for killing a Chicago policeman in a grocery store that fronted for a speakeasy. Conte was convicted mainly on the eyewitness testimony of the owner of the establishment Betty Garde.
Stewart gradually comes to believe in Conte's innocence and works tirelessly on his behalf. The best single performance in this film is by Betty Garde. A real portrait in evil that one is.
This has always been a film I've had an identity with. I had a similar situation in my former job with NYS Crime Victims Board. I had a case where a man sustained multiple injuries including the loss of a leg when a car drove up on a sidewalk and hit him. The report was never written up as any kind of crime, just an accident. The driver was given a summons and that was that.
I did a lot of work to prove the police were wrong in their action and it took two years, but I gathered enough evidence and my claimant was declared a crime victim and received the benefits from my former agency. The perpetrator was never charged with anything, but that was not in my mandate. Nevertheless I know exactly what Jimmy Stewart had to prove and how hard it is. The police even more than most of us do not like to admit they are wrong.
Call Northside 777 is a nicely done documentary style feature which is a great lesson in what a man with determination can accomplish.
On orders from editor Lee J. Cobb, Stewart checks out the source behind a small personal advertisement in the Chicago Sun-Times where he works. The ad is placed by Richard Conte's mother who works as a cleaning woman and saved enough money to offer a reward of $5000.00 for information clearing her son.
Back during the last days of Prohibition, Conte and another man were sent up for killing a Chicago policeman in a grocery store that fronted for a speakeasy. Conte was convicted mainly on the eyewitness testimony of the owner of the establishment Betty Garde.
Stewart gradually comes to believe in Conte's innocence and works tirelessly on his behalf. The best single performance in this film is by Betty Garde. A real portrait in evil that one is.
This has always been a film I've had an identity with. I had a similar situation in my former job with NYS Crime Victims Board. I had a case where a man sustained multiple injuries including the loss of a leg when a car drove up on a sidewalk and hit him. The report was never written up as any kind of crime, just an accident. The driver was given a summons and that was that.
I did a lot of work to prove the police were wrong in their action and it took two years, but I gathered enough evidence and my claimant was declared a crime victim and received the benefits from my former agency. The perpetrator was never charged with anything, but that was not in my mandate. Nevertheless I know exactly what Jimmy Stewart had to prove and how hard it is. The police even more than most of us do not like to admit they are wrong.
Call Northside 777 is a nicely done documentary style feature which is a great lesson in what a man with determination can accomplish.
In 1932 December, in Chicago, the Polish Wanda Skutnik (Betty Garde) runs a speakeasy during the Prohibition. When the policeman Bundy is murdered inside the illegal bar, Frank W. Wiecek (Richard Conte) and his friend Tomek Zaleska are arrested and sentenced to serve 99 years each in the Illinois State Penitentiary.
Eleven years later, the Chicago Times' editor Brian Kelly (Lee J. Cobb) is curious with an advertisement offering a US$ 5,000.00 reward for information about the identity of the killers of the policeman eleven years ago. He assigns the efficient reporter P.J. McNeal (James Stewart) to interview the person responsible for the ad. McNeal discovers that Frank's mother Tillie Wiecek (Kasia Orzazewski), who is a janitor, has saved her salary for eleven years to prove the innocence of her beloved son and now is offering the reward for additional information. McNeal is skeptical and believes that Frank is a cop killer, but his matter is successful and Kelly asks him to investigate further. Soon he changes his mind and realizes that Frank is a victim of the corrupt system.
"Call Northside 777" is an engaging movie about injustice and redemption based on a true story. The names were changed but most of the location is real. Movies of trial are usually attractive and James Stewart is one of the best actors of the cinema history. The result is a great movie directed by the also excellent Henry Hathaway. The only remark is the awful line of McNeal in the end of the movie: "Aw, look, Frank, it's a big thing when a sovereign state admits an error. But remember this: there aren't many governments in the world that would do it." Terrible way to admit an error that has cost eleven years of a man's life and made him lose his beloved wife and son. My vote is eight.
Title (Brazil): "Sublime Devoção" ("Sublime Devotion")
Eleven years later, the Chicago Times' editor Brian Kelly (Lee J. Cobb) is curious with an advertisement offering a US$ 5,000.00 reward for information about the identity of the killers of the policeman eleven years ago. He assigns the efficient reporter P.J. McNeal (James Stewart) to interview the person responsible for the ad. McNeal discovers that Frank's mother Tillie Wiecek (Kasia Orzazewski), who is a janitor, has saved her salary for eleven years to prove the innocence of her beloved son and now is offering the reward for additional information. McNeal is skeptical and believes that Frank is a cop killer, but his matter is successful and Kelly asks him to investigate further. Soon he changes his mind and realizes that Frank is a victim of the corrupt system.
"Call Northside 777" is an engaging movie about injustice and redemption based on a true story. The names were changed but most of the location is real. Movies of trial are usually attractive and James Stewart is one of the best actors of the cinema history. The result is a great movie directed by the also excellent Henry Hathaway. The only remark is the awful line of McNeal in the end of the movie: "Aw, look, Frank, it's a big thing when a sovereign state admits an error. But remember this: there aren't many governments in the world that would do it." Terrible way to admit an error that has cost eleven years of a man's life and made him lose his beloved wife and son. My vote is eight.
Title (Brazil): "Sublime Devoção" ("Sublime Devotion")
According to the narration and prologue, this was based on a true story. The film depicts the 1932 murder of a police officer in a speakeasy in Chicago. In 1933, two men were given life sentences for the murder. The action of Call Northside 777 starts out eleven years later, in 1944. Lee J. Cobb, editor of the Chicago Times, comes across a small ad in the classifieds offering $5,000 to whomever can offer information regarding the murderer of the police officer in 1932. Anyone with information is urged to call Northside 777. Cobb is intrigued that someone would be offering so much money for an eleven year old, solved murder, and why it is in such an inconspicuous ad? He has a hunch that there is a story in there and he assigns lead reporter, James Stewart, to the case.
Stewart is at first uninterested but as he thinks out loud and asks questions, Cobb urges him to investigate and see what he can come up with. Stewart starts with meeting the owner of the classifieds ad, who turns out to be the mother of one of the men put in prison for the murder. She is adamant that her son is innocent, and has scrubbed floors since his imprisonment to save up the reward money and pay for the ad.
As Stewart interviews more people investigated in the case, and reviews more news stories and documents related to the case, he realizes that the man in jail for this crime may really be innocent. Noir mainstay Richard Conte stars as the (allegedly) wrong-fully convicted man. Helen Walker has a small but effective role as Stewart's devoted wife whom he confides in when he's trying to figure out the case. They also work on a jigsaw puzzle together throughout the film, which very skillfully acts as a metaphor for what Stewart is trying to do in his work life.
Betty Garde plays the eyewitness whose inconsistent ability to pick out the murderer in the lineup comes into question by Stewart. She is very bitter and uncooperative towards Stewart, and obviously afraid of something or someone unnamed, so he's forced to undermine her credibility and go without her assistance in clearing the man whom he feels was wrongfully convicted.
I thought Stewart was excellent in his role as the everyday man whose work could affect the lives of many people associated with the case. Lee J. Cobb was authentic in the role of Stewart's boss who urges him to keep going in his investigation. I do get the sense though that Cobb is just trying to increase readership in the newspaper, and that he couldn't care less about Conte's character. But Stewart is the one with a little more humanity who is more about solving the crime than increasing readership of his newspaper.
One thing I thought was interesting about this film was that the man who administers the lie detector test to Conte is the actual inventor of the lie detector test.
Stewart is at first uninterested but as he thinks out loud and asks questions, Cobb urges him to investigate and see what he can come up with. Stewart starts with meeting the owner of the classifieds ad, who turns out to be the mother of one of the men put in prison for the murder. She is adamant that her son is innocent, and has scrubbed floors since his imprisonment to save up the reward money and pay for the ad.
As Stewart interviews more people investigated in the case, and reviews more news stories and documents related to the case, he realizes that the man in jail for this crime may really be innocent. Noir mainstay Richard Conte stars as the (allegedly) wrong-fully convicted man. Helen Walker has a small but effective role as Stewart's devoted wife whom he confides in when he's trying to figure out the case. They also work on a jigsaw puzzle together throughout the film, which very skillfully acts as a metaphor for what Stewart is trying to do in his work life.
Betty Garde plays the eyewitness whose inconsistent ability to pick out the murderer in the lineup comes into question by Stewart. She is very bitter and uncooperative towards Stewart, and obviously afraid of something or someone unnamed, so he's forced to undermine her credibility and go without her assistance in clearing the man whom he feels was wrongfully convicted.
I thought Stewart was excellent in his role as the everyday man whose work could affect the lives of many people associated with the case. Lee J. Cobb was authentic in the role of Stewart's boss who urges him to keep going in his investigation. I do get the sense though that Cobb is just trying to increase readership in the newspaper, and that he couldn't care less about Conte's character. But Stewart is the one with a little more humanity who is more about solving the crime than increasing readership of his newspaper.
One thing I thought was interesting about this film was that the man who administers the lie detector test to Conte is the actual inventor of the lie detector test.
Documentary-style and intriguing film based on facts about an unjustly imprisoned man . Actually, this film was based on a true story. Some elements, especially characters names, were fictionalized out of necessity, such as some central figures to the story were still living at the time of production, and had not given permission for their names to be used . It deals with a hard-boiled Chicago reporter P.J. McNeal (James Stewart) assigned by his publisher (Lee J Cobb) to investigate a strange information . As the cunning reporter finds himself in the crux of an important investigation uncovers new new clues in Wiecek case and unravels police cover-ups and missing evidence pointing to an imprisoned man's innocence . As he ferreted around until he found out the truth about a 12-year-old killing case . The journalist follows up a newspaper as offering 50000 dollars for any information leading to the arrest and conviction of a police killer . MacNeal right up to the ending agonising attempts to prove the innocence of of the inmate sent down for a killing he didn't do . The unjustly imprisoned for 11 years in real life was Joseph Majczek. After being released from prison in 1945, he worked as an insurance agent in Chicago. For his wrongful imprisonment, the State of Illinois awarded him $24,000, which Majczek gave to his mother Tillie. Majczek eventually remarried his wife with whom he had divorced while he was in prison
Docudrama/thriller based on the actual facts about Joe Majczek and the Pulitzer Price winning reporter Jim McGuire who through a deep investigation , found enough evidence to have the case reopened . This is a thrilling picture , as you get completely absorbed in its vision , captivating every step of the way thanks to pacy filmmaking and awesome interpretations . Interesting as well as thought-provoking plot with an incident-filled script by Jerome Cady and Jay Dratler based on articles by James P. McGuire and Jack McPhaul . Very good acting by the great James Stewart as an obstinate journalist who slowly comes to realize that there was a miscarriage of justice . Secondary cast is frankly excellent such as Lee J Cobb , E. G. Marshall , Moroni Olsen , Charles Lane and Helen Walker as wife . First credited film role of John McIntire, who portrayed Sam Faxon and Thelma Ritter's role as the police captain's secretary was mostly deleted from the released print, but she can still briefly be seen and heard in one scene . And film debut of Kasia Orzazewski who portrayed Tillie Wiecek, mother of the second lead character of Frank W. Wiecek.
Evocative cinematography in black and white by Joseph MacDonald .This film was photographed in the State of Illinois using wherever possible, the actual locales associated with the story. "Call Northside 777 ¨ (1948) was actually the very first Hollywood produced feature film to be shot entirely on location in Chicago . Many famous landmarks, such as the Chicago Merchandise Mart, Holy Trinity Polish Mission, and the Wrigley Building on North Michigan Avenue, can be seen throughout the film. Emotive as well as atmospheric musical score by the classical Alfred Newman . The motion picture was stunningly directed by Henry Hathaway . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨From Hell to Texas¨, ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . Hathaway also directed Noir genre as ¨Kiss of Death¨, ¨The House on 92nd Street¨ , ¨Niagara¨, ¨23 Paces to Baker Street¨ , adventures as ¨The last safari¨ , ¨Prince valiant¨ , ¨White rose¨ , ¨White Witch Doctor¨ and other kind of genres .
Docudrama/thriller based on the actual facts about Joe Majczek and the Pulitzer Price winning reporter Jim McGuire who through a deep investigation , found enough evidence to have the case reopened . This is a thrilling picture , as you get completely absorbed in its vision , captivating every step of the way thanks to pacy filmmaking and awesome interpretations . Interesting as well as thought-provoking plot with an incident-filled script by Jerome Cady and Jay Dratler based on articles by James P. McGuire and Jack McPhaul . Very good acting by the great James Stewart as an obstinate journalist who slowly comes to realize that there was a miscarriage of justice . Secondary cast is frankly excellent such as Lee J Cobb , E. G. Marshall , Moroni Olsen , Charles Lane and Helen Walker as wife . First credited film role of John McIntire, who portrayed Sam Faxon and Thelma Ritter's role as the police captain's secretary was mostly deleted from the released print, but she can still briefly be seen and heard in one scene . And film debut of Kasia Orzazewski who portrayed Tillie Wiecek, mother of the second lead character of Frank W. Wiecek.
Evocative cinematography in black and white by Joseph MacDonald .This film was photographed in the State of Illinois using wherever possible, the actual locales associated with the story. "Call Northside 777 ¨ (1948) was actually the very first Hollywood produced feature film to be shot entirely on location in Chicago . Many famous landmarks, such as the Chicago Merchandise Mart, Holy Trinity Polish Mission, and the Wrigley Building on North Michigan Avenue, can be seen throughout the film. Emotive as well as atmospheric musical score by the classical Alfred Newman . The motion picture was stunningly directed by Henry Hathaway . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨From Hell to Texas¨, ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . Hathaway also directed Noir genre as ¨Kiss of Death¨, ¨The House on 92nd Street¨ , ¨Niagara¨, ¨23 Paces to Baker Street¨ , adventures as ¨The last safari¨ , ¨Prince valiant¨ , ¨White rose¨ , ¨White Witch Doctor¨ and other kind of genres .
When a patrol cop is shot and killed, small time crook Frank Wiecek is tried for the crime and promptly sentenced to life imprisonment. Some 11 years on, tough cookie reporter P.J. McNeal gets involved with the case, the further he delves, the more he believes that Wiecek is innocent, but can he find evidence to back up his belief?
Filmed in semi-documentary style by director Henry Hathaway, this James Stewart led noir thriller oozes realism from start to finish. It's actually the lack of gloss and glamour that is the film's trump card. Based on the real story of the Joe Majczek case in 1933, it's filmed perfectly on location in Chicago {where the actual events happened}, gloriously mood emphasised by Joe MacDonald's superb black & white cinematography, and scored with tonal adroitness by Alfred Newman. As intrepid Chicago Times reporter McNeal {based on real reporter Jim McGuire who was a Pulitzer Prize winner for his investigative efforts on this case}, James Stewart lays down a marker for the more edgier character roles that would follow for him in the 50s. Here he plays it perfect as McNeal shifts from mere cynical newsman to an outright crusader of justice; and it's riding along with McNeal that this human interest piece lifts itself to great crime thriller heights. Along the way we find problems are encountered and police procedural techniques are scrutinised. All may not be as it first seemed, and this mysterious element ices what was already a delightful docu-drama based cake.
There is not much else to say, it's a film I personally highly recommend, a fascinating story that is given top care and attention from all involved, mean, moody and yes, magnificent. 8/10
Filmed in semi-documentary style by director Henry Hathaway, this James Stewart led noir thriller oozes realism from start to finish. It's actually the lack of gloss and glamour that is the film's trump card. Based on the real story of the Joe Majczek case in 1933, it's filmed perfectly on location in Chicago {where the actual events happened}, gloriously mood emphasised by Joe MacDonald's superb black & white cinematography, and scored with tonal adroitness by Alfred Newman. As intrepid Chicago Times reporter McNeal {based on real reporter Jim McGuire who was a Pulitzer Prize winner for his investigative efforts on this case}, James Stewart lays down a marker for the more edgier character roles that would follow for him in the 50s. Here he plays it perfect as McNeal shifts from mere cynical newsman to an outright crusader of justice; and it's riding along with McNeal that this human interest piece lifts itself to great crime thriller heights. Along the way we find problems are encountered and police procedural techniques are scrutinised. All may not be as it first seemed, and this mysterious element ices what was already a delightful docu-drama based cake.
There is not much else to say, it's a film I personally highly recommend, a fascinating story that is given top care and attention from all involved, mean, moody and yes, magnificent. 8/10
Did you know
- TriviaThe man administering the polygraph test to convict Richard Conte was the inventor of the polygraph or lie detector machine, Leonarde Keeler. He played himself in the movie.
- GoofsWhen McNeal is interviewing Helen Wiecek Rayska, prior to the arrival home of Mr. Rayska, Helen indicates that she only divorced Frank Wiecek AFTER Mr. Rayska had met and began loving her and her son, Frank Jr. However, when Mr. Rayska and Frank Jr. arrive home after that point in the interview, Mr. Rayska tells McNeal with certainty that he never even met Helen and Frank Jr. until after the divorce was finalized, and that he could provide proof of that.
Frank's ex-wife says that Frank asked her to divorce him for over a year. In the next sentence she says then she met her new husband which can be interpreted as after she finally acted and got the divorce. Her story and her new husband's agree.
- Quotes
[McNeal is trying to get Zaleska to name his real partner in the crime and get a chance at parole]
P.J. McNeal: What have you got to lose? You're in for life now. C'mon, tell us the truth.
Tomek Zaleska: Sure, I could say I did it. Then maybe have a chance of getting out, like you say. But if I confessed, who would I name as my partner, Joe Doakes? I couldn't make it stick for one minute. That's the trouble with being innocent. You don't know what really happened. I didn't do it. Me and Frank had nothin' to do with it.
- Crazy creditsOpening credits are printed on the pages of a book; it is also stated that this is a true story.
- ConnectionsEdited from L'incendie de Chicago (1938)
- SoundtracksChicago (That Toddlin' Town)
(1922) (uncredited)
Music by Fred Fisher
Played during the Prohibition montage
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- Joanne de Bergh---When did she sign for "Northside"?
- Helen Walker---When was she signed for "Northside"?
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Yo creo en ti
- Filming locations
- Stateville Correctional Center - 16830 South Broadway Street, Joliet, Illinois, USA(Illinois State Penitentiary: panopticon & cells interiors; entrance exteriors)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.33 : 1
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