Brass Monkey

The logic is not quite watertight here. We all know who the murderer is throughout the film, and then in the end it proves that he isn't, instead it is the least probable of all the actors. So it is better to disregard this for its criminal credits to instead appreciate it for its brilliant entertainment value. The comedy enters with Avril Angers, the distracted secretary of the lead Carroll Lewis, who instead of being the lead is actually reduced to a supporting part. To avoid problems at the customs, Max Taylor, a weird type, gives over a brass monkey he has stolen to his fiancée Carole Landis, who carelessly puts in her purse to later give it to her manager Lewis, who entrusts it with his distracted secretary, who places it at a safe place which she later can't remember. Then people start murdering each other for this small insignificant brass statue, and it's impossible for anyone to get the head and tail of anything. The confusion in this monkey business is considerably magnified by the show having to get started, the best scene is the one in Lewis' office where everyone is waiting for him to give them a chance, including Terry-Thomas, who makes a formidable entry and practically steals the show. The finale of the film is the entire show staged for a radio broadcast, with brilliant performances by Avril Angers and other music hall artists, during which the police manage to sort things out. The mystery of the murders is resolved but hardly to any satisfaction to anyone.

Ernest Thesiger wants an antique brass monkey from Japan, but it's stolen by a ring of do-badders which include Herbert Lom. To smuggle it through customs, it's given as a gift to Carole Landis, who gives it to radio personality Carroll Levis, who's playing radio personality Carroll Levis; he had a popular amateur hour show on the BBC in this period. The monkey becomes misplaced, and we get to witness a lot of amateur hour acts, including Terry-Thomas doing two of his routines.

It looks like it's going to turn into film noir -- how could it not, with Lom and Thesiger involved? -- but it never quite gets there. Instead the plot is dropped, and we get a show business story, with a girl contortionist, scatter-brained secretaries, and so forth, in Thornton Freeland's next-to-last time in the director's chair. Miss Landis committed suicide soon after appearing here. It was her last movie released in the United States, not making it into the theaters until 1951.

Over the years I have always admired everything that Carole Landis performed in on the Silver Screen. This was her last film before her untimely death and a friend loaned me the tape which I have always wanted to see. I was not disappointed in the story or the acting, however, Carole Landis was simply beautiful and very sexy in her final role and was able to keep this film from completely falling a part. I simply cannot understand why this film is not shown on our regular TV stations in America, it is truly a great Landis Film. However, a real great film that Carole Landis performed in was, "I Wake Up Screaming", along with many other great veteran actors. If you love her films, try and view this last Swan Song for Carole.

THE BRASS MONKEY is a bizarre cross-genre mix of thriller and variety show, of real-life and make-believe. In fact it's one of the oddest films I've seen of the 1940s, as it comes across as an attempt to tack a half-hearted murder mystery/thriller style plot onto some very dated 'talent show' stagings which certainly haven't stood the test of time.

The film features real-life Canadian radio star Carroll Levis, who visits England and becomes embroiled in the hunt for a stolen brass ornament that's being pursued by a wealthy collector (THE BRIDE OF FRANKENSTEIN's Ernest Thesiger). A shady Herbert Lom hangs around and looks, well, shady, while the lovely and tragic Carole Landis (who would take her own life shortly after this film was made) brings plenty of glamour to her central part.

There are a couple of murders to enliven things and some plodding police procedural stuff to drag them down again. The last third of the film is given over to a variety show where real-life entertainers play themselves; a pianist called Hutch, a comedienne by the name of Avril Angers, and finally Terry-Thomas himself, constantly mugging. There's a surprising plot twist at the end, but I have to admit this dated talent show stuff left me cold and reminded me of the glut of reality TV plaguing our screens in the modern age. Thus THE BRASS MONKEY is a film I can hardly say I enjoyed, although fans of any of the main participants (are there still any?) will no doubt want to see it.

Minor mystery notable mostly as the final film of Carole Landis before her suicide. The mystery is average but what makes this stand out is that approximately the final third of the picture shoves the main plot aside to present a variety show since the main male lead Carroll Levis, a well known radio personality of the time, could not act and to spare him and the audience they had him emcee this concoction containing some good musical performances and some weak comedy bits. Avril Angers, a noted comedienne, is saddled with a character that is supposed to be charmingly daffy but comes across as idiotic. As for Carole Landis the Ping Girl performs her part professionally although its obvious that the quality of her films was declining if this cheapie was the best that was being offered. If you aren't familiar with her she looks well, slim and well put together but once you realize that she was only 29 years old when this was made her appearance becomes shocking. She is dangerously thin and looks at least five to ten years older at times, plagued by the aftereffects of malaria and other diseases she had incurred while entertaining the troops during WWII plus a very messy private life the strain was obviously beginning to take its toll.