Le Satellite mystérieux

Ironically, there is no irony in this review or in the movie. I bought this movie as part of a collection and didn't realize it was Japanese. The story is almost total nonsense, I would imagine that has a lot to do with it being re-dubbed in English for western audiences. The plot is typical of many "beings from a far away planet must save humanity from itself" movies, but it is almost completely lacking exposition. The humans and aliens act in an almost cryptic way, I was never quite sure of why they were doing anything they did. Had it not been for my watching the extra features on the re-release of THX-1138 I would be completely lost. For those who haven't seen THX-1138 there is an interview with George Lucas where he is explaining the style of THX. He says the Japanese don't explain anything in their movies, they just do it. Some odd little cultural aspect often comes off as a complete mystery to people not acquainted with eastern culture. This movie is one of those odd things. Imagine this... a samurai and a geisha drink tea, but go through a long and complex ritual of setting all the clocks in the house before sitting down for tea. Why the hell did they do that!?! Just drink the shizbangin' tea for God's sake! My son likes the starfish shaped aliens.

My family and I always watched this wacked out- one-of-a-kind treat when it came on WPIX SCI-FI THEATRE. There are these aliens, thier costumes are big baggy starfish outfits with a big cardboard eye duct-taped to the center. They waddle around a minimalist spacecraft and twiddle their thumbs. They need to comminicate with earth scientists about a planet on a runaway coarse about to collide with Earth. The film is silly, completely without logic.

What I sincerely love about this gem is the atmosphere. Night skies alive with darting flying saucers are quite beautiful, the sort of postcard-look of the advancing burning planet is rather neat, and the staggering heatwave that hits a seemingly doomed Earth gets rather discomforting. You'll giggle AT the film, but will be in awe WITH the film.

Giving us the Warning From Space are benevolent creatures from a planet on our sun's far side called Paira. The dominant creatures of that planet are these large human size creatures that walk upright and look like starfish with a big eye in the middle of the body. What they're warning us about is a rogue planet loose in space and about to collide with the earth. The starfish civilization has developed the technology to blow up the planet.

The cheap special effects and the fact that no one could take these funny looking aliens seriously flattens out a sincere message about universal brotherhood of humankind that Warning From Space delivers. It was nice to see that all Japanese science fiction doesn't revolve around giant prehistoric creatures destroying Tokyo.

If you can get past the funny looking aliens this is not too bad a film.

Well, I just viewed this Japanese film for the first time on the ALPHA VIDEO DVD release and was able to sit through it without being completely bored.

So, all is good with this film. But keep in mind: It's nowhere near as good as "THE MYSTERIONS" (Toho's alien film from the late fifties). There are NO GIANT MONSTERS IN THIS FILM.

I understand it's Japan's FIRST COLOR SCI-FI MOVIE; so that's something to keep in mind. The budget was quite high for this movie.

And here's an open letter to ALPHA VIDEO: What's with the video transfer that looks like it was copied from a VHS tape? It's not as bad as numerous generation dubs of some schlock I've seen because the audio and video are a bit noisy yet passable, but could your company not find a better master copy?? Just curious...

Anyways, the star creatures from some UFOs try to warn Earth that a planet is going to collide with the Earth (or something like that), and they try to help the Earthlings with this by sharing the news. The problem is that most people find human-sized Starfish to be quite shocking and won't be inviting any over for sushi anytime soon. So, the Star creatures realize that "sex sells" and decide to transform one of their own as Japan's version of Celine Dion (or Charro, depending on your preference) and this "woman" tries to warn Earth of what's happening.

If you're into this sort of thing, by all means check it out for its historical film merit.

This film, literally titled, "Aliens Appear in Tokyo," was the first COLOR sci-fi film made in Japan. ("RODAN" would be the first giant monster film). The first part of the film is similar to "Day The Earth Stood Still" as the Pairans try to warn a scientist using a new kind of explosive he has developed. One of the assumes human form (copying the image of a famous singer)and tries to communicate with the humans. Later, the same aliens discover that a planet is on a collision course with Earth--and the only thing that can save humanity is to use the very explosive that they warned against! This takes the idea from "When Worlds Collide" as the earth goes through disasters as "Planet R" comes closer and closer. Finally the scientist is rescued from the Yakuza, and the wayward planet is destroyed. The film is a charming look at Japan, coming into its own following the Occupation after World War II.