IMDb RATING
6.8/10
1.2K
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A middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.A middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.A middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.
- Director
- Writers
- Stars
Byron Amidon
- Minor Role
- (uncredited)
Margaret Bert
- Nurse
- (uncredited)
Nesdon Booth
- Pool Room Proprietor
- (uncredited)
Lovyss Bradley
- Department Store Customer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I first saw this film about 20 years ago on Turner Classic Movies and I was far from impressed--so much so that I long resisted seeing it again. However, on a lark, I decided to see it again--especially because I barely remembered the film--just that I didn't particularly like it. In hindsight, I am thrilled that I saw it again since it was far better than I'd remembered plus there were some truly wonderful moments.
The film begins with a very rich and successful James Cagney announcing to his board of directors that he was taking an extended leave of absence and wouldn't tell them why. It turns out that 20 years earlier, Cagney had fathered a child out of wedlock and he was trying to reconnect with this lost child. Naturally the adoption agency was not about to just give him this information and eventually Cagney unleashes lawyers and exerts his influences to try to force the issue.
At the same time, there is a plot involving a nice young girl who Cagney meets who is also pregnant and without resources, so it looks like she'll need to give up her baby. Considering the very obvious parallel, it's not at all surprising where this all leads, but it is still very emotionally satisfying to watch. In addition, there is a great scene at a bowling alley that is full of depth and emotion you often don't find in a Cagney film.
A highly unusual and soap opera-like film that still manages to satisfy despite a bit of predictability. It was well worth a look--I'm glad I did again.
The film begins with a very rich and successful James Cagney announcing to his board of directors that he was taking an extended leave of absence and wouldn't tell them why. It turns out that 20 years earlier, Cagney had fathered a child out of wedlock and he was trying to reconnect with this lost child. Naturally the adoption agency was not about to just give him this information and eventually Cagney unleashes lawyers and exerts his influences to try to force the issue.
At the same time, there is a plot involving a nice young girl who Cagney meets who is also pregnant and without resources, so it looks like she'll need to give up her baby. Considering the very obvious parallel, it's not at all surprising where this all leads, but it is still very emotionally satisfying to watch. In addition, there is a great scene at a bowling alley that is full of depth and emotion you often don't find in a Cagney film.
A highly unusual and soap opera-like film that still manages to satisfy despite a bit of predictability. It was well worth a look--I'm glad I did again.
A nice change of pace for Cagney. It's basically a soap opera with Cagney looking for his 20 year old adopted son, the mother is dead and he goes to an orphanage run by Barbara Stanwyck to find out where he is. James Cagney is great and so is Barbara Stanwyck. Walter Pidgeon doesn't have much to do as Cagney's lawyer. Watch it.
Not quite a weeper, These Wilder Years is one of those small-scale, thoughtful dramas that rarely if ever are made nowadays. It's about a steel tycoon (James Cagney) who, in mid-life crisis, tries to find the son he abandoned, along with the mother, twenty years earlier. Used to getting his own way by means of money and mouthpieces, he runs into the head of a home for what once were called "wayward girls" (Barbara Stanwyck). She refuses to bend to his charm, his money, or, finally, his legal talent (Walter Pidgeon).
The story -- possibly more resonant today than when it was released -- takes some unexpected (not to say far-fetched) turns; it's sentimental, all right, but stays on the dry side of mawkish. Its main problem is one of audience expectations. Starring two of the most powerful actors in the history of movies -- Stanwyck and Cagney -- it keeps them at half-throttle throughout. Of course they acquit themselves admirably: they're both seasoned troupers with a wide range. But the confrontational fireworks we hope for and expect never quite come. Nonetheless, These Wilder Years remains a solid and fairly credible film.
The story -- possibly more resonant today than when it was released -- takes some unexpected (not to say far-fetched) turns; it's sentimental, all right, but stays on the dry side of mawkish. Its main problem is one of audience expectations. Starring two of the most powerful actors in the history of movies -- Stanwyck and Cagney -- it keeps them at half-throttle throughout. Of course they acquit themselves admirably: they're both seasoned troupers with a wide range. But the confrontational fireworks we hope for and expect never quite come. Nonetheless, These Wilder Years remains a solid and fairly credible film.
Maltin calls this a soap opera. That's what I expected it to be, but I feel that it's better than that, largely due to Cagney's performance. He's quite believable as a middle aged man who regrets the mistakes of his youth. Barbara Stanwyck is a woman struggling with an emotional and legal conflict. Throw in a good courtroom scene, and you've got a movie that holds your interest to the end. The final resolution is a bit sappy, but overall, the film is pretty good.
I thoroughly enjoyed watching Cagney in this movie. I must admit, after viewing a lot of his films I've grown accustomed to his famous tough-guy image. But, after seeing "These Wilder Years" I was a little surprised to see a softer, gentler Cagney. It's a pleasant contrast in light of his previous roles. Cagney is a splendid and versatile actor and I've always relished seeing him play comedic and dramatic parts as well as gangster/hoodlum roles. He's simply irresistable to watch on screen and I'm always interested to see how he's going to react. You never know when he's going to "sprinkle the goodies" in a scene. He is always good to his audience. In "These Wilder Years", Cagney plays a successful businessman in search of a son that was put up for adoption twenty years ago. Even though Cagney's character pretty much has everything he wants, there's just something missing and he has to fulfull this part of his life. I don't want to give away what happens in the movie but the interactions between Barbara Stanwyck and Betty Lou Keim are compelling and at times, very touching.
Although, I wouldn't say this is Oscar material and there are plenty of good movies out there, this is one definitely worth seeing -- Cagney fan or not :)
Although, I wouldn't say this is Oscar material and there are plenty of good movies out there, this is one definitely worth seeing -- Cagney fan or not :)
Did you know
- TriviaFirst film roles of Michael Landon and Tom Laughlin.
- GoofsWhen Cagney rings doorbell on his first visit to Stanwyck's house, the bell rings before he actually presses the button.
- Quotes
Ann Dempster: There's always a kind of hope in everything.
Details
- Release date
- Country of origin
- Language
- Also known as
- All Our Tomorrows
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,257,000 (estimated)
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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