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Gem from the BLACK SERIES with Cornel Wilde

This "film noir", which is not very well known in German-speaking countries, premiered on December 16, 1955 in New York City and is a representative of the so-called Black Series of American films that impressed in the 1940s and 1950s with their darkness and resounding cynicism. The Hungarian-born American leading actor Cornel Wilde (1915-1989), who made his first contacts with the film business in 1940 as Laurence Olivier's fencing coach on Broadway, also acts as a producer with his Theodora Productions and also directs. What a self-made man!

It tells the dark story of three bank robbers, Charlie Blake (Cornel Wilde) and his cronies (Steven Hill, Lee Grant), who have to hide from the police in the snowy mountain hut of Charlie's brother Fred (Dan Duryea). Old family conflicts break out because Fred is married to the beautiful Elizabeth (Jean Wallace, married to Cornel Wilde from 1951 to 1981), who was actually Charlie's girlfriend in her youth. The couple's ten-year-old son (David Stollery) hardly knows his Uncle Charlie and suffers greatly from his parents' alienation. Due to the seemingly hopeless situation, the situation for those who are virtually trapped becomes more and more dire until the intruders finally lose their nerve...

Here, an exciting, dark crime story is skilfully combined with a heart-touching family drama. The unity of place, time and plot is almost classically maintained and increases the intensity of this film gem immensely.

Cornel Wilde, who was particularly noticeable for his impressive physique in films such as "The Greatest Show in the World" (1952) and "Constantine the Great" (1961), proves to be an accomplished film craftsman who understands a lot about the structure of a drama and the The requirements of the genre are met almost perfectly.

In her rather small role as nightclub singer Edna Rogers, Lee Grant, born in 1925, creates a truly magical moment when she sings the song about "Loch Lomond" in a wonderfully off-key way. Twenty years later, Lee Grant was awarded an Oscar for best supporting actor for her role as a bored housewife in "Shampoo" (1975), who likes to bring her strong-armed hairdresser (Warren Beatty) into the house for special treatments.

Former decathlete Dennis Weaver (1924-2006), who was supposed to play a very special role in Steven Spielberg's directorial debut "Duel" (1971), can be seen as Hank, the helping hand of the Blake family.

A very exciting film that is still little known! It's worth it!

...and appreciate them; when drama and acting were more important than special effects. cornel wilde was an underrated director, and gives an impressive performance . It's really an ordinary film, made almost hypnotically watchable by excellent acting, filming and direction. the actor playing the boy is totally believable. and I can't resist noting that I recognized dennis weaver without knowing he was in it.

This is a strange Low-Budget, well Cast Thriller and is a first time Directorial effort from Cornel Wilde. It is the claustrophobic first half that works best as tensions mount and identities are revealed. As things open up later, in the snowy outdoors, it turns rather routine as its limitations are exposed.

There is an attempt at some unusual Family situations that adds some verisimilitude and in Film-Noir tradition all the Characters are flawed. If things were kept indoors the tension would be almost unbearable, but as it is, the last third seems more like typical Hollywood.

Although the Child is central to the Plot and is crucial to the Theme of things gone wrong and regretful behavior, it is ironically left to the Pre-Teen to carry the emotional baggage at the end and it doesn't quite come off as a satisfying closing to the Family Circle. Certainly worth a view because it is a bit different, but the final Act is just too pat and seems a lot less believable than what went before.

There may be a Christmas tree in the living room, but there is little festive flavour to this grim, gripping yarn, which combines crime drama with family misfortunes - regret, remorse and recrimination.

Dan Duryea is a writer who has much wrong with him. Hostile to the music on the radio (wait till you hit the '60's man!), whilst his ailing body and sporadic whines are the closest things to strong drink permitted in the isolated house he shares with dutiful wife, Jean Wallace and teenage son, David Stollery. It's difficult to warm to dismal Dan. There is a blanket of snow outside and he presides over a no less icy mood indoors. The arrival of his brother, Cornel Wilde, shot up and on the run following a robbery, with accomplices, bully boy Steven Hill, who resembles William Bendix after a six week course at Slimming World and his moll, blonde bombshell, Lee Grant, plunge the temperature even further.

A hostage in her own home, Wallace is charged with removing the bullet from Wilde's leg. A painstaking undertaking lightened by the backdrop of big band jazz. Wilde's relief at no longer having a bullet in quickly subsides with a news bulletin revealing that the cop shot during the robbery has since died.

With a visit from handyman Dennis Weaver falling into the "Phew that was a close one!" category and the law drawing ever nearer, Wilde presses his nephew into guiding them over the snow veiled mountain to the highway, whilst Wallace is...er..a bit tied up.

Soon Grant experiences a painful fall (told her not to wear those high heels!) and has a suspected broken ankle. Ah, the 1950's, the age of chivalry. After briefly discussing her sorry plight the two men decide....to leave her to the elements, flinging her a few dollars to become soggy in the snow for company. Cold comfort, literally, as she can't walk, there isn't a shop within miles and at this time Amazon was just a river.

On his directorial debut, working with a small, but eminently capable cast, Wilde hits a middle point where 'On Dangerous Ground' meets 'The Desperate Hours.' He conjures desolately noirish motifs from the unconventional settings, successfully pursuing themes of isolation, loneliness and desperation.

The outdoor scenes in Storm Fear were filmed near Sun Valley, Idaho. A local fellow named Eddie Bennett donned a fur coat and a blonde wig, and played "Edna" when she was pushed off the rock formation (which is located about 3/4 of the way from Ketchum NW to Galena Lodge). Eddie later gave the wig to my father, who gave it to me. Mr. Wilde was kind to a young girl eager to become a writer, and gave me one of the working scripts of Storm Fear. My little sister and I (in our serious moments) read the lines and acted out the script very seriously. In our silly moments, we took turns wearing the wig while the other shouted "Die, Edna, die!" and pushed "Edna" off the roof of our grandparents' house into deep snow.