Les Dernières Heures d'un bandit

Pleasing , concerned Western with plenty of suspense , tension , thrills , exciting situations and some action ; regarding the blazing story of the great Abilene range war . Acceptable and attractive Western with a simple , standard story with a certain intrigue that engages the viewer until the last scene when there takes place the denouement by a moving final . Thrilling and stirring story set when the Civil War is over, dealing with a Jim Trask (Jock Mahoney) , former sheriff of Abilene, goes back to his town accompanied by another soldier called Chip Tomlin (Grant Williams) after fighting for the Confederacy to find everyone thought he was dead . His old friend Dave Mosely (Lyle Bettger) is now engaged to Trask's prior girlfriend (Martha Hyer) and is one of the powerful cattlemen increasingly feuding with the original farmers. Then , Trask is appointed sheriff of Abilene . He is a tough ,reckless sheriff with no guns and with his own hands he has to keep law and order . There is a strong confrontation between settlers and cattlemen all around the movie . Things go wrong when Mosley is leading the cattlemen in a feud against the farmers . As our two-fisted marshal without his Six-Shooter has to contend with farmers and cattlemen , both of them working up to a range war .

Entertaining Western , standing out a fine main and support cast , including action , thrills , fights , shoot'em up and a peculiar triangular love story among Jock Mahoney-Martha Hyer-Lyle Bettger . The story is plain and simple , a strong confrontation with a twisted intrigue behind , as a sheriff faces off enemies alone and being abandoned to his fate by the gutless townspeople . An agreeable and slight tale , almost rudimentary , though full of cliches , as the script lines too often settle for crude routine ; however , packing some surprises . Bursting with appealing , charming characters, including adequate filmmaking and interpretation . The picture gets action Western , shootouts , a love story and being quite entertaining . It's a medium budget film with good actors , technicians, production values and pleasing results . The film is totally set in Abilene (Kansas) which was the first of the major railhead cattle towns . From 1867 to 1872 it was a booming depot , shipping some one million Texas Longhorns by railroad to Kansas City and Chicago and meat markets in the East . The place was selected as a terminus for Texas cattle drives in 1867 . Then the long drives began from Texas over the Chisholm trail . At trail's end in Abilene the rowdy,free-spending cowboys attracted saloon keepers, gamblers , brothels and all types of frontier riff-raff , the town became notorious for its lawlessness . Gunmen were hired for a time to keep the peace in Abilene . With the numerous presence of homesteaders the town prospered , stabilized and grew , its lawabiding citizens decided to discourage the troublesome cattle trade with his transient cowboys and early requested the Texas cattlemen to drive their herds elsewhere , which they soon did and Abilene's role as a wild cow town came to an abrupt ending. . The final stand-off results to be tense , charged and riveting . As the desolation and bleakness of this town stands in contrast to the heroism starred by the brave sheriff .

The narration is perfectly adjusted , from the beginning , until the final showdown and being approximately developed in appropriate runtime : 90 min . Jock Mahoney makes a pretty good sheriff of Abilene planning to vanquish the villain cattlemen . Mahoney played a number of Westerns , some of them directed by Charle F. Haas . Mahoney was basically a stuntman , stunts were easy for him, but as an actor he lacked a certain energy . This is a suspenseful as well as intriguing film in which Jock Mahoney plays decently an ex-confederate rides into town and he suffers threats , intimidation , violence by the nasty Ted De Corsia . Not very-known actor Jock Mahoney was a decent player who had a passable career . When World War II broke out, he enlisted as a Marine fighter pilot and instructor. In Hollywood, he was a noted stunt man, doubling for Errol Flynn, John Wayne, and Gregory Peck. Gene Autry signed him for the lead in his 78-episode The Range Rider (1951) TV series. He tested to replace Johnny Weissmuller, as Tarzan but lost out to Lex Barker. In 1960, he played the heavy in Gordon Scott's Tarzan the magnificent (1960), and his part there led Sy Weintraub to hire him as Scott's replacement. In his two Tarzan movies, he did all his own stunts. As he played Tarzan goes to India and Tarzan's three challenges Tarzan (1963), he continued working in spite of dysentery, dengue fever and pneumonia. By this time, Weintraub was looking for a younger Tarzan, envisioning a future TV series. By mutual agreement, his contract with Mahoney was dissolved. After a couple of years regaining his strength and weight, Jock returned to making action films .There are excellent acting from some Hollywood's best support players , including prestigious secondaries such as Lyle Bettger as an ambitious cattle tycoon , Grant Williams of The incredible shrinking man , the usual villainous Ted de Corsia , Richard Cutting , Chuck Hayward , Robert Anderson , and David Janssen of The fugitive .

It contains colorful and brilliant cinematography in Universal International Picture style by cameraman Irving Glassberg . Being shot in Morrison Ranch , Agoura, California and Universal Studios ; Universal City Plaza, Universal City, California . And functional and thrilling musical score by uncredited and Universal regular composers : Henry Mancini , Hans J. Salter , Herman Stein . Produced in middle-budget by Howard Christie , here director Charles F. Haas managed to create a nice work of art with nice acting , appropriate scenarios from production designers Alexander Golitzen and Richard Riedel , and attractive plot . As he makes a picture really intriguing , not merely because Charles Haas 's tersely economic narration of his material , but because Universal Pictures made a decission to cut budget and reducing locations . He was a good craftsman and Western expertise . Haas worked heavily for Universal, and was assigned to write and produce Moonrise (1948). He soon returned to making industrial films, then turned to television directing. He made his feature directorial debut in 1956, and turned out a string of low-budget westerns, gangster and juvenile-delinquent pictures - several with third-string Marilyn Monroe wannabe Mamie Van Doren - before returning to television. In the early 1950s he, along with such Hollywood notables as actor Robert Ryan and director John Sturges, founded the Oakwood School, a private academy in Los Angeles geared toward "progressive" education. As Charles Haas directed films of all kinds of genres such as : Screaming Eagles ,The Big Operator , Girls town , Showdown at Abilene , Wild Heritage, Summer Love , Platinum High School , The beat generation . And especially working in known TV series , such as : Perry Mason , Bonanza , Hawaiian Eye , 77 Sunset Strip , Broken arrow ,Man Without a Gun, Death Valley Days , Charlie Chan , Zane Grey , Route 66, Maverick , Caravan , The Mickey Mouse Club , Dick Tracy , among others . Rating : 6.5/10 . Acceptable and passable western. Well worth watching .

Showdown at Abilene is directed by Charles Hass and written by Bernie Giler and Clarence Upson Young. It stars Jock Mahoney, Martha Hyler, Lyle Bettger and David Janssen. Music is by Joseph Gershenson and photography by Irving Glassberg.

Plot has Mahoney as Jim Trask, a former Sheriff of Abilene who returns home from the Civil War with a guilty conscience and a new contempt for guns. Compounding his troubles is that his old friend Dave Mosely (Bettger) has taken up a romantic relationship with his girl, Peggy Bigelow (Hyer), and he soon learns that Dave is also into villainous activities. Can Trask overcome his troubles and restore order to Abilene and his life?

Better than average and competently acted, Showdown at Abilene is a solid time filler for the undemanding Western fan. Although thoughtful in its treatment of the characters, formula dictates there are no surprises and comparisons are easily drawn to better Westerns with the same thematics. Mahoney (TV series The Range Rider) turns in a good show as the emotionally perturbed Trask, while as a stuntman by trade he isn't found lacking in the physical demands of the role as he leaps around with exciting conviction. Hyer (The Sons of Katie Elder) is pretty as a picture as serves the story well as a rose between two thorns, while Bettger (Gunfight at the O.K. Corral) scores favourably as the crafty Dave Mosely. Not faring so well is Ted de Corsa (also Gunfight at the O.K. Corral) as Dan Claudius, who looks (and is) wrong for prime villain duties. Shot primarily out of Morrison Ranch, Agoura in California, picture sadly is lifeless in colour, so we never get to see the locale and costuming come to life. Producer Howard Christie liked the story so much he re-made it eleven years later as 'Gunfight in Abilene', where Bobby Darin starred as the conflicted lead character.

Nothing overtly impressive here, nor anything particularly damning either. Just safe and solid B Western viewing. 6/10

Jock Mahoney and Martha Hyer star in this good B western about a Civil War veteran returned from the war with a dark secret and a desire not to carry weapons. Naturally he has no plans to return to his former occupation as sheriff of Abilene.

Abilene has a new sheriff in the coarse and brutal Ted DeCorsia and he's in the pocket of Lyle Bettger who in the interim has moved in on Mahoney's girlfriend Martha Hyer and they plan to be married. Everybody did think Mahoney was killed and one who was killed was Bettger's younger brother.

Abilene has also changed from a peaceful agricultural community to a trail's end for cattle shipping. How many gazillion westerns have been made with that plot premise and all it entails.

Given Mahoney is a cowboy hero in the tradition of Tom Destry you know he only has one way to go. Still Showdown In Abilene is nicely packaged for any western fan.

Couldn't quite give this film an 8, but I think it's a solid 7. First off, it's beautifully shot. The cinematography takes advantage of a few great landscapes, and some solid lot work, and even dares to shoot dark at dusk and in the dark. The depth of the film being pushed becomes really apparent, and it has a thick, rich, painterly quality to it.

Jock Mahoney is said to be wooden, but I think he adapts well in the role of a war- weary veteran with a disability he needs to hide since it is central to his ability to fight and shoot. This is one of a few dynamics that are written into a script that nourishes the emotions and attention of the viewer, something often lacking in modern scripts., where the visual and the casual destroys the immersion. All that's really needed to carry the film is one hero, one tragic figure, one template bad guy (who still warns the tragic figure he's gonna lose, and the tragic figure doesn't take his heed), and a heroine. This keeps the film competently engaging.

The real meat of the script is given to Dave, played strongly and with complexity by Lyle Bettger, whose big eyes project emotion well. His part is really phenomenal in that he is a decent man who is a childhood friend of Mahoney's lead Jim Trask, and yet Trask undoes his entire life and accomplishments, and I ended up wanting him to triumph more than the lead character. It's one of the most tragic figures I've ever seen played in any Western. The trajectory of Dave's destruction occurs on multiple levels, partially through the usual underestimating of his foe, but also at his failure to step in and take down the hero, who has done a list of wrongs any man would kill for.

There's a boilerplate villain, played competently, but not phenomenally, and a heroine who is gorgeous and devoted, but their characters are pretty two dimensional. The strength of this film is really in the dynamic between a hero trying to find his way, and the epic tragic figure of his childhood friend. In fact, the tragedy is almost overwritten, to the point you almost lose support for the lead by the end.

This film has the feel of a peak Hollywood Western, not too clean but far before the revisionism of the 70s. It just has a real authenticity to it, with the dialog and the horse work and stunts, which include Jock Mahoney doing some serious diving into the dirt and hand to hand fighting. The actor was a real physical threat, and it shows.

All in all, a strong film, especially for its time and budget.

In my view by far the best book on the Western is Phil Hardy's "The Western".It is volume one of the Aurum Encyclopedia of the Cinema a series which explores different genres in each volume.The methodology of the series is to provide capsule reviews on a year by year basis and the book has been useful in steering me towards some of the less well publicised Westerns

Phil Hardy does not deem this movie worthy of a seperate review and consigns it to a one line mention in an appendix This is a tad unfair because while routine in conception and execution it is sturdt enough and the studio obviously thought well enough of the basic plot to remake it in the late 1960's as "Gunfight in Abilene"starring the least convincing Westerner in the genre's history,Bobby Darin Mahobney plays "Jim Trask" a retuning Cofederate veteran who is pressured by old friend and ruthless entrepreneur "Dave Mosley" played by Lyle Bettger to take up his former job as the law in Abilene,a town riven by conflict between ranchers and the cattle interests represented bty Mosley who feels he can manipulate "Trask" to seve the cattlemans cause

Trouble soon breaks out and open conflict erupts between the parties before the final shootout restores order

Performances are perfunctory and the direction is routine,but genre lovers could do worse as a way of whiling away a wet afternoon