Les premiers passagers du satellite

No doubt due to the fact that a big American distributor (Warner Brothers) helped to bankroll its production, the British film "Satellite In The Sky" does look better than many other British productions of the time. It's filmed in color, and there is money for things ranging from extras to elaborate set design. Some (not all, but some) of the special effects are also not bad for this time period. Still, there are some big problems, problems that are more evident to a modern audience than audiences in 1956. The script suffers from the problem of many other British movies, that being that it's very talky and reluctant to get to the action. It takes more than half of the movie before the rocket takes off into space. Another problem is that there is a remarkable lack of tension once the space mission gets into trouble. It's too casual of a feeling. While the movie is never aggressively bad, it feels kind of flat. Still, those who are fans of '50 sci-fi and who also are interested in seeing a British perspective of more realistic space travel story might find the movie has enough interest to make it worth tracking down.

Wowzers! A fun movie if you can stand the British pacing of the movie. The opening shots of the A.V. Roe Vulcan and the Fallon Swift are first rate aerial photography.

Special effects are on par with some of the best 50s era Sci-fi films. A real pointy nosed space ship. Space suits are pretty good for the era. The story line is the usual Hollywood anti-bomb drivel. Interpersonal relationships are stiff and two-dimensional.

Big clunky gages, pipes and levers in the Stardust (name of the space rocket) will remind you of the Golden Age of Steam in Brittan.

This picture is an excellent example of just how limited our knowledge of outer space and space flight. Real kick the tires and light the fires space flying All in all, if you are a 50s Sci-Fi movies you will want to add Satellite in the Sky to your collection. Real Science fiction before it was spoiled by real science facts...

Satellite in the Sky was part of a double feature DVD from Warner Home Video. A B-Movie two-fer.... The second movie on the DVD is another 1956 Sci-Fi pic, World Without End.

Included on the same disc as WORLD WITHOUT END (1956), this contemporaneous sci-effort from Britain takes a much more serious approach (down to the stiff-upper-lipped characters and stirring score) – with its documentary-like depiction of flights outside the Earth's atmosphere, the ultimate reason for which is the testing of a new type of bomb that's so powerful it can only be blown in outer space! While not uninteresting in itself, the treatment is so hackneyed as to render the whole dull instead of gripping, managing only a modicum of suspense during the last half-hour or so when the bomb, already timed to explode, remains attached to the back of the shuttle when dislodged! Casting is second-rate but adequate: Kieron Moore (as the stoic test pilot), Lois Maxwell (an intrepid reporter who, having lost her father and brother to science, feels a natural aversion to progress…but still can't help stowing away on the space vessel for the sake of a scoop!), Donald Wolfit (in the obligatory pompous physicist role, who then breaks into hysterics when the going gets tough!) as well as Bryan Forbes and Jimmy Hanley, playing other members of the flight each given a dreary romantic subplot fraught with complications.

This is a moderately entertaining but rather dry and slow-moving British Cold War sci-fi adventure/parable in color and CinemaScope, released in the U. S. by Warner Bros. It's about an experimental new space project whose participants find out at the last minute was financed by military funds so a new super-bomb could be tested in space.

A woman reporter (a young Lois Maxwell) who doesn't think any space exploration is worth the money stows away on board. When the bomb is ready to be released there is a malfunction and it sticks to the rocket ship, so the ground crew and rocket crew have to decide what to do next. It's okay as a sci-fi drama but more interesting as a symptom of 1950s nuclear war paranoia.

A team of British astronauts on the first manned satellite into space encounter several problems. First, they're informed the satellite will be carrying a new "tritonium" bomb that is to be tested in space. Then, once they've left the atmosphere, they discover they have a reckless reporter as a stowaway. Then the bomb becomes stuck to the side of the ship and they have to find a way to defuse the bomb before it explodes and kills them all.

A mostly dull but not entirely uninteresting British sci-fi film shot in CinemaScope. It starts off with a quote from Nostradamus, which I found kind of odd for a science fiction film. It's a talky movie without much action. There's a bit of an anti-nuke message but not enough to give this any depth. Lois Maxwell's unlikable character has a bizarre anti-science stance because her brother and father were killed...or something like that. Anyway she basically turns out to be a huge hypocrite, on top of her other character flaws like carelessly endangering the lives of others. She's good at fetching coffee and sandwiches, though. And yes, that's literally what they do with the only female character on the satellite -- have her bring the men coffee and sandwiches. Most of the other characters are bland and forgettable, save for Donald Wolfit's Professor Merrity. It takes awhile before the ship gets off the ground and only then do things get a little exciting. The real saving grace of the movie comes from the special effects work of Wally Veevers, who would go on to work on such classics as Dr. Strangelove, 2001: A Space Odyssey, and Superman.