Rock, Rock, Rock!

Another rock 'n' roll quickie. Flimsy plot, but some very good musical performances. Future sex-kitten, thirteen year old Tuesday Weld makes her debut with the situation of trying to buy a dress for the prom. She 'lip syncs' to the voice of Connie Francis. Her boyfriend(Teddy Randazzo) wins a talent contest and somehow talks DJ Alan Freed into bringing a gaggle of talent to the prom. Randazzo's singing was about as boring as little Ivy Schulman's was dreadful.

Redeeming this film are the performances by The Moonglows, Chuck Berry, The Flamingos, Lavern Baker, The Johnny Burnett Trio and Frankie Lymon. The Bowties and the House Rockers were a joke. There were worse movies out there at the time. This is surely worth the price of admission and a cherry coke.

Note: I found it pretty cool that Miss Weld's character admits spending allowance money on playing Elvis records on the jukebox. Later, in 1961, she would actually play a sexpot trying to seduce him in WILD IN THE COUNTRY.

If you love rock and roll music then give this one a break. Most of the songs are totally out of sync which is fairly amusing and the story is boy loves girl then blah but what do you expect. There is wonderful music and a lot of the film is devoted to it. Some great dresses too. Tuesday Weld is cute and radiant and innocent and smacks of those childhood dreams that were killed by cynicism and growing old. Its a true fantasy trip that you can let yourself go with a bottle of something tasty. Beautiful scripts that make you feel warm inside. If you want an intellectual film them forget it but if you wan a laugh and a dance then this is your girlie wine drinking evening. It got me dancing in the living room. Love it.

The best part of the film is, of course, rock n roll music of the day as done by original artists. On the other side of the coin is some of the worst music as well. To tell which is which, one needs simply to view the movie and it becomes obvious. Also, some of the "teenagers" shown have to be pushing 30 or more. However, all in all, I enjoyed this film for the nostalgia of the 50s which, like many others of it's kind, it does contain.

Alan Freed knew that blacks(Negroes then) were the pioneers of the Rock 'n' Role era, and he was not afraid to showcase them. All of the bands, including the white ones, put on a rocking showcase of a pretty good cross section of rock of the time, including "Rock-a-Billy".

The obvious star of this sitcom like plot, however, is a gorgeous Tuesday Weld at age thirteen (It is hard to believe such a beautiful woman was even more beautiful as a child). Who shows a grace and charm that are far beyond those of the other "teenagers" in the movie.

Definitely a highly entertaining historical document of the times.

Jaw-dropping black-and-white cheapie has typical teen scheming to get herself a strapless prom dress for the dance, which is being hosted by none other than Alan Freed (here desperately trying to sing and keep a beat). Tuesday Weld, very young and very green, opens the movie by bursting into song (with Connie Francis' vocals!). Corny, silly, deliriously dated but enjoyable on a garbage-flick level. Camp enthusiasts will be feasting on this trash-relic for years. Look fast for Valerie Harper as a rock-loving teen in the over-appreciative audience. ** from ****