Rock, Rock, Rock!

If you love rock and roll music then give this one a break. Most of the songs are totally out of sync which is fairly amusing and the story is boy loves girl then blah but what do you expect. There is wonderful music and a lot of the film is devoted to it. Some great dresses too. Tuesday Weld is cute and radiant and innocent and smacks of those childhood dreams that were killed by cynicism and growing old. Its a true fantasy trip that you can let yourself go with a bottle of something tasty. Beautiful scripts that make you feel warm inside. If you want an intellectual film them forget it but if you wan a laugh and a dance then this is your girlie wine drinking evening. It got me dancing in the living room. Love it.

Alan Freed knew that blacks(Negroes then) were the pioneers of the Rock 'n' Role era, and he was not afraid to showcase them. All of the bands, including the white ones, put on a rocking showcase of a pretty good cross section of rock of the time, including "Rock-a-Billy".

The obvious star of this sitcom like plot, however, is a gorgeous Tuesday Weld at age thirteen (It is hard to believe such a beautiful woman was even more beautiful as a child). Who shows a grace and charm that are far beyond those of the other "teenagers" in the movie.

Definitely a highly entertaining historical document of the times.

If you're a fan of the early days of Rock and Roll, then this is a must see. Rock Rock Rock has one of the best line ups of early rock talent seen in these types of films. Frankie Lymon and The Teenagers do two numbers as do The Moonglows. Also on hand are rare film appearances by The Flamingos and LaVerne Baker. Rock Rock Rock also contains the only film performance by the great rockabilly group, The Johnny Burnette Trio. Singer-songwriter-producer Teddy Randazzo does several songs with The Three Chuckles and is the male lead opposite Tuesday Weld (whose singing voice is over dubbed by a then unknown Connie Francis. The plot however, is unbelievably ridiculous (it centers around a prom dress!) and Tuedsay Weld plays an incredibly DUMB teenager (she thinks 1 percent of a dollar is one dollar). Alan Freed is great though, introducing the acts and you'll hear one of his top tenor sax specialists, Freddie Mitchell. Fast forward through the "story" and head for the musical numbers if you want, but don't miss this one if you love early Rock and Roll!

This movie is a riot. It's got the typical 50's music with some excuse for a show put on by Alan Freed, of course. Tuesday Weld plays a real simpleton of a girl who stupidly gets herself in serious 'trouble' at the hands of another equally stupid teenage girl - she lends the other girl money to buy a dress, thinking 100% interest was a fair amount, but the other girl says that rate is so high it's illegal so she isn't going to pay back the money at all. OH MY GOSH! Now Tuesday won't be able to buy her OWN dress for the dance - and she has lost her boyfriend to the other girl, because he loves blue formal gowns like the other girl bought with Tuesday's money. Can you grasp the level of sophistication of this plot? Tuesday also gets her banking advice from the local bank president named - are you ready? - MR. BIMBLE! Is that a scream or what? Maybe the most agonizingly funny part of this flick is the singing by Tommy Rogers. His song "Thanks To You" is so insanely sour and off-key, if you are even the slightest bit 'impaired' you may rupture yourself laughing at it. Some movies are so bad they just stink, but this one is so bad it's entertainingly bad. Highly recommended, but it is NOT a serious look at the 50's. There are some good musical performances which of course were lip sync'd. "Tha-ANKS... to yooo-ooou...." Stop, you're killing me!

A movie that pre-dates music videos by a number of years, "Rock, Rock, Rock" showcased a number of well-known and not so well-known groups in a venue that, admittedly, had very little plot. However, this was 1956, and to have Alan Freed take groups that had, and still were having, so much social impact in "the real world" and put them together on celluloid was a marvellous event. Again, this was 1956, and I don't think I would have seen Cirino and the Bowties, Johnny Burnette, Teddy Randazzo, Jimmy Cavallo and the Houserockers anywhere else during that period. I watched/shouted to/screamed to/danced/to this movie in 1956 (at 10 years of age) and have seen it about 14-15 times since. I'm certain that had I seen it in 1999 for the first time, my point of view would have been much different, but that's only natural. After all, what kind of critical analysis will Pink Floyd's "The Wall" get in the year 2020? If you can look at this movie with "1956 eyes," you get a heck of a lot more than just "weak plot." By the way, Chubby Checker was NOT in this film.