Le Faiseur de pluie

N. Richard Nash adapted his play for the silver screen. Directed by Joseph Anthony, this is a wonderful insight into the core of human emotion. A hard glimpse at the look of low self esteem.

Katherine Hepburn plays Lizzie Curry, a young woman that lives with her father and brothers in a dusty prairie town. She is led to believe she will become an old maid. She of course has more brains than beauty and her emotions tell her that she needs to become a "woman".

Enter Bill Starbuck, played aptly by Burt Lancaster; Starbuck is a con man constantly on the move bilking his way through life. He convinces the Curry family he can end the drought by making it rain. He ends up in the barn with Miss Lizzie. Now she feels a new world has opened up to her.

Deputy File is too shy to tell Lizzie of his interest in her; until he finds Starbuck with her and wants to arrest him for his previous bad deeds. Lizzie has to make a big decision between the side of law and order or a life chasing dreams with a wanderer.

This movie deserves to be called a classic. The deep human element and the diverse relationships within the characters makes for a very interesting movie. Scenery and language may seem at times a bit hokey; but the realism is there. Great movie.

Besides Hepburn and Lancaster, this cast was full of good acting. Wendell Corey, Lloyd Bridges and Earl Holliman turned in fine jobs. Holliman's innocence and fresh spirit was a real highlight. The always cute Yvonne Lime also has a small part.

When The Rainmaker came to Hollywood it was decided to get a couple of movie star names with some box office draw to replace the Broadway leads of Darren McGavin and Geraldine Page. The Rainmaker ran for 164 performances in the 1954-1955 season on Broadway and got good critical notices.

Paramount wisely retained the services of playwright N. Richard Nash to do the screen version and he very nicely expanded the play which on Broadway was set in the Curry parlor to include all kinds of outdoor scenes. But the biggest thing they did was signing Burt Lancaster and Katharine Hepburn as the leads.

Hepburn plays somewhat against type, though not apparently so. She manages to successfully hide her Bryn Mawr speech and does do well as a mid western spinster. The last time Kate went middle west it was for Alice Adams over 20 years before.

But Lizzie Curry is no silly little girl like Alice was. She's an educated woman, a little too smart for most of the town folk where she lives. She intimidates them with her education. In fact she's being unfairly contrasted with Yvonne Lime who plays a silly flirt that her younger brother Earl Holliman is stuck on.

Into her life comes Starbuck who says he can make it rain for $100.00 of Curry money that father Camerone Prudhomme forks over, much to older son Lloyd Bridges's objections. As Starbuck, Burt Lancaster is in dress rehearsal for his Oscar winning role as Elmer Gantry five years later. Lancaster gives Hepburn the great romance she's been seeking and needs in the same manner he wooed Sister Sharon Falconer in Elmer Gantry.

My favorites in The Rainmaker are Hepburn's two brothers, Holliman and Bridges. Holliman in fact got a Golden Globe Award and young Earl more than held his own against this experienced group of veteran players. He's not terribly bright as he was in a whole lot of his early roles, but Earl has a good heart. Bridges is this control freak of a brother to whom the father has ceded much authority in the family and the running of their ranch. Cameron Prudhomme is the only one from the Broadway cast appearing in the film.

Rounding out the cast are Wallace Ford and Wendell Corey as the sheriff and deputy who are both on Lancaster's trail and who the Currys try desperately to fix their sister up with. Corey has a few issues of his own to resolve however.

Katharine Hepburn got one of her Best Actress Academy Award nominations for The Rainmaker, but she lost to Ingrid Bergman in Anastasia. The Rainmaker holds up very well for today's audience. After all, every family has some member they're trying to see happily wedded.

Much has been made of the fact that nearly all of the actors were too old to comfortably inhabit their roles, which I think is crap. I don't think Hepburn's character felt anything other than genuine nor did it seem as if she were playing a character younger than her years. For one, she was a pretty well-preserved 49 - but that's almost beside the point. The point, I think being, is that no matter what your age or station, dreams will infuse you with beauty and purpose, so never abandon them. Sure, there were show-boaty moments (the final scene of the Rainmaker riding off springs to mind) - but this was made in 1956, after all, and gestures tended to be a little more expansive. Context, people, context.

Another of Kate Hepburn's ageing spinsters, to set aside her travelling lady in Italy in 'Summer Madness'. This time she's the unmarried sister in a house of men, whose heart gets a kick start by a visiting 'rainmaker', in the shape of Burt Lancaster.

Hepburn and Lancaster give charm and credence to what might have been an extremely ridiculous scenario. The whole is pretty stagey but it has heart which shines through. Good support from Lloyd Bridges, Wendell Corey and others. Funnily enough the part of the youngest brother was set for Elvis Presley's debut - wonder if he'd have been able to pull it off?

What's best, to live only in our dreams, only on the outside of them, or somewhere in between? N. Richard Nash has written a deceptively simple story about faith, reality, trust, and transformation in the script from his play, "The Rainmaker." Ably directed by Joseph Anthony, richly scored by Alex North, and lovingly played by Katherine Hepburn and Burt Lancaster, this is a poignant and surprisingly moving drama. While the secondary love interest between Earl Holliman and Yvonne Lime become a bit cloying and hokey at times, the main theme is beautifully enacted by two enormously gifted stars. "The Rainmaker" is an entertainment winner, while offering much substantive food-for-thought.