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IMDbPro

Le supplice des aveux

Original title: The Rack
  • 1956
  • Approved
  • 1h 40m
IMDb RATING
6.8/10
1.7K
YOUR RATING
Paul Newman and Anne Francis in Le supplice des aveux (1956)
Legal DramaPsychological DramaDramaWar

A decorated Korean War hero inexplicably collaborates with the enemy while interred in a POW camp and is court-martialed.A decorated Korean War hero inexplicably collaborates with the enemy while interred in a POW camp and is court-martialed.A decorated Korean War hero inexplicably collaborates with the enemy while interred in a POW camp and is court-martialed.

  • Director
    • Arnold Laven
  • Writers
    • Stewart Stern
    • Rod Serling
  • Stars
    • Paul Newman
    • Wendell Corey
    • Walter Pidgeon
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    1.7K
    YOUR RATING
    • Director
      • Arnold Laven
    • Writers
      • Stewart Stern
      • Rod Serling
    • Stars
      • Paul Newman
      • Wendell Corey
      • Walter Pidgeon
    • 38User reviews
    • 13Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos13

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    Top cast76

    Edit
    Paul Newman
    Paul Newman
    • Capt. Edward W. Hall, Jr.
    Wendell Corey
    Wendell Corey
    • Maj. Sam Moulton
    Walter Pidgeon
    Walter Pidgeon
    • Col. Edward W. Hall, Sr.
    Edmond O'Brien
    Edmond O'Brien
    • Lt. Col. Frank Wasnick
    Anne Francis
    Anne Francis
    • Aggie Hall
    Lee Marvin
    Lee Marvin
    • Capt. John R. Miller
    Cloris Leachman
    Cloris Leachman
    • Caroline
    Robert Burton
    Robert Burton
    • Col. Ira Hansen
    Robert F. Simon
    Robert F. Simon
    • Law Officer
    • (as Robert Simon)
    Trevor Bardette
    Trevor Bardette
    • Court President
    Adam Williams
    Adam Williams
    • Sgt. Otto Pahnke
    James Best
    James Best
    • Millard Chilson Cassidy
    Fay Roope
    Fay Roope
    • Col. Dudley Smith
    Barry Atwater
    Barry Atwater
    • Maj. Byron Phillips
    Don Anderson
    Don Anderson
    • Courtroom Spectator
    • (uncredited)
    James Anderson
    James Anderson
    • Skinny
    • (uncredited)
    David Bair
    • Student
    • (uncredited)
    Benjie Bancroft
    • Family Member
    • (uncredited)
    • Director
      • Arnold Laven
    • Writers
      • Stewart Stern
      • Rod Serling
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews38

    6.81.7K
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    Featured reviews

    Michael_Elliott

    Great Newman

    Rack, The (1956)

    *** (out of 4)

    Paul Newman, in his third film, plays Korean War vet who was a POW for three years. When he returns home he's brought up on treason charges and faces a court marshall. This film is based on a Rod Serling teleplay so the material makes for a good movie, although in the end I'm not sure what type of message it's sending out. The POW was tortured, not physically but mentally, and the film takes a look at this and what one's breaking point is. A lot of questions about loyalty to your country is brought up during the court scenes but some might be confused by what the ending tries to say or the complete turn around that seems to happen half way through the film. There's also the added plot of Newman's character not being able to connect with his hard boiled father (Walter Pidgeon) and connecting to his dead brother's girlfriend (Ann Francis). The film's screenplay has a lot of great sequences in it but it never really becomes clear on what it's trying to say. Is the film trying to claim that everyone has a breaking point? Is it trying to say that everyone should reach a breaking point but keep going for your country? The film seems to want to have its cake and eat it too as both sides are given credit yet neither takes the stage over the other. What works the best here are the performances with Newman stealing the film with his passionate character. The torture Newman displays is very striking and wonderfully done, which is rather amazing considering this was only his third film. Pidgeon has some equally impressive scenes as does Cloris Leachman. Lee Marvin, playing a tortured vet, also comes across very good in his few scenes. Wendell Corey and Edmond O'Brien are also very good. While the film's message might be someone confusing the film still works as a nice drama with plenty of good performances.
    7uscmd

    A wake up call, one ignored for 64 years

    Please god. Let the decision makers, stop charging into wars at the behest of those who'll make outrageous profits. Ignoring the thousands of young men and women that come home smashed into pieces, for many irreprably..

    If theres a conflict that threatens the security, of the U. S., thats different. But no more 3rd world esoteric, thinly constructed conflicts, in which the ones deciding are future employees of the weapons industry (read Eisenhower on the military industrial complex, and its threats to America).

    Way too cozy, classic conflict of interest, having those who'll gain, personally opting to jump in.

    This movie, is set on that back drop....tangentially, with a young man (boy), no mom, military dad, trotted down the path to glory. Only his "glory" is in a courtroom, where his behavior is judged by many who never faced what he did,

    It was trials like this one that led to a reexamination of the expectations, of a soldiers behavior once hes taken prisoner.
    7jimhorne

    Good film, good acting, great theme.

    I had never even heard of this film when I caught it on TCM this morning. It is a well acted, well written drama that showcases the early, developing talent of Paul Newman in a very becoming light. Edmund O'Brien and Ann Francis are also particularly engaging, as is the conflicted prosecutor played by Wendell Corey. Probably the highlight of the movie is a fantastic scene between Newman and his father, played by Walter Pigeon. All in all, a very good movie dealing with the trauma of war and the dysfunction of family life. 7 stars may be a little low for this one. It is extremely entertaining and thought provoking.
    suzykeen

    I agree its greatly underated

    I have to agree this is one of Pauls best movies and it never seems to come up when he is mentioned, the cast is also terriffic. I am sorry it has gone so unnoticed I can only think that it may have been set about the Korean War and that doesnt seem to get much attention.. I thought the acting was sincere and I was draw to this character that seemed to feel he lost his way by being human..
    7rupie

    rarely seen film that's well above average

    Caught this rarity on TCM. Much heavy duty talent is involved in this production - Rod Serling as writer, and the acting talents of Paul Newman (his second screen appearance), Edmund O'Brien, Walter Pigeon, and Anne Francis, with bits by Lee Marvin and Chloris Leachman, even! The effort must be marked as a success, with an even-handed treatment of the issue of "breaking point" in a war when the Koreans openly sought to crush their POW's thru "brainwashing", a term that came into currency at that particular time. The cut and dried atmosphere of the courtroom proceedings are balanced by portrayals of the personal effects of the tragedy on the principals, especially the searing scenes between Newman/Hall and his father. A thoughtful film dealing with a major issue of the day, that is well worth seeing.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Rod Serling took 19 months to complete the teleplay, the longest he ever spent writing a single screenplay. It also took seven re-writes to get to the final version, the most of any of his screenplays.
    • Goofs
      In the closing scene inside the courtroom, Capt. Miller (Lee Marvin) conspicuously comes in and sits down in a chair right next to the door, against the back wall. We see him there in a couple of close-up shots, but in several wide camera shots taken from the front of the courtroom, he is nowhere to be seen.
    • Quotes

      Lt. Col. Frank Wasnick: [Addressing the jury, presenting the closing arguments for Capt. Hall's defense] Gentlemen, I have here a document which is not very pleasant to read. It's a communiqué written by the Communists describing shortcomings they observed among certain American prisoners of war.

      Lt. Col. Frank Wasnick: [Quoting from the document] "One: Many of the prisoners reveal weak loyalties to their families, their communities, and their army. Two: When left alone, they tend to feel deserted, and they underestimate their ability to survive, because they underestimate themselves."

      Lt. Col. Frank Wasnick: Now, the report goes on to say that even some of our university graduates have a very dim idea of American history and of the strengths and weaknesses of American democracy and that they are virtually ignorant of Communism, because we have never taken the trouble to inform them of its nature. The Communist program of indoctrination was based on this appraisal - and succeeded, because in many cases, the appraisal was true... And now we must judge Capt. Hall. Gentlemen, if there is guilt, where does it lie? In that small number who defected under pressure, as Capt. Hall did? Or do we not share it? At least those of us who created *part* of a generation which may collapse, because we have left it uninspired, uninformed, and - as in the case of Capt. Hall - unprepared to go the limit, because he had not been given the warmth to support him along the way... And now we must judge Capt. Hall. And let us make absolutely certain, that we have had no part in his collapse. This man has proven himself in the two wars of his youth, who has been exposed to conditions of captivity, against which we have never had to test ourselves.

    • Alternate versions
      Exists in a computer-colorized version.
    • Connections
      Referenced in American Masters: Rod Serling: Submitted for Your Approval (1995)
    • Soundtracks
      The Last Time I Saw Paris
      (uncredited)

      Music by Jerome Kern

      Hummed by Walter Pidgeon

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    FAQ16

    • How long is The Rack?Powered by Alexa

    Details

    Edit
    • Release date
      • November 2, 1956 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • The Rack
    • Filming locations
      • Letterman Army Hospital, Presidio, Golden Gate National Recreation Area, San Francisco, California, USA(exterior scenes at the army hospital)
    • Production company
      • Loew's
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $779,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      1 hour 40 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.85 : 1

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