Please Murder Me!

This is a small film, in that the stars weren't big-name stars of the day. PLEASE MURDER ME stars Raymond Burr (just before he made it big as Perry Mason), Angela Lansbury and Dick Foran--all capable actors, though hardly starring actors of the day. Despite this lack of star power and an apparent small budget, it's not a bad film--especially when there is a twist and the plot quickly changes about midway through the movie.

The film begins as Burr is sitting in his office in the darkness--dictating to a tape recorder that he's about to be murdered. Both the lighting and the idea of a man talking about his impending demise are very much in keeping with a Film Noir piece--as is the direction the film goes in the second half. As for the first half, it starts off with Burr telling his best friend that he has fallen for this friend's wife and wants to marry her! Oddly, instead of punching Burr in the face, the guy says he'll get back with Burr in a few days. However, after a few days, his wife shoots him--claiming he was trying to kill her. Did she do this in self-defense and what will her lawyer (Burr) do? While some of this is a bit predictable, it certainly all isn't and makes for a nifty little film. It's not 100% believable, but given that it's so entertaining, why worry about this? If you are interested in seeing it, it's in the public domain and can be downloaded for free from the IMDb site.

By the way, look for Denver Pyle in a small role as a detective testifying in court. It's interesting because Pyle lacks his usual heavy Southern accent and he seems quite at home playing a man living in the big city.

A mysterious stranger walks the seedy streets of a big city in a trench coat with the brim of his hat down low. The stranger stops in front of a business that -literally- has a PILE OF GUNS in the window display case and purchases a weapon. The opening credits explode onto the screen like gunshots as we see a close-up of the stranger loading bullets into the gun. Then the stranger goes into his dark office, sits at his desk, and records this story on a reel-to-reel tape recorder ...

"In exactly 55 minutes I will be dead!"

That stranger is Craig Carlson (Raymond Burr), Attorney at Law.

Then the Flashback: Craig is a very close friend to Joe Leeds (Dick Foran). They were war buddies, and after 15 years of friendship Craig must break the news to Joe that he is in love with his wife Myra (Angela Lansbury). Joe takes the news surprisingly well and tells Craig that he needs some time to sort things out in his head about how to move forward. Craig sees Myra later that evening and confesses what he did.

Then we see Joe arrive home to find Myra in bed reading a book. He enters, the door shuts, and we hear a gunshot! Myra is arrested for murder!

A good chunk of the film is about the court case. Naturally, Craig is Myra's lawyer and she is acquitted. The jury bought the idea that she shot her husband in self-defense.

Now that Myra and Craig are free to spend their lives together, Myra becomes curiously distant, and Craig discovers that Myra has a special friend ... the artist Carl Holt. So, maybe she was really guilty as charged and Craig saved her from the slammer?

Since Myra can't be tried twice for the same crime Craig hatches an elaborate plan to bring her to justice. And it's an unusual plan that he knows will end with his death.

This is a fairly good 50's Noir with an interesting ending.

Recommended!

This is a pretty darn good crime noir. Angela Lansbury really had a fine performance here as Myra Leeds. Myra is a money hungry woman and will use men to get what she wants. Raymond Burr is super in this too as Myra's lawyer Craig Carlson, Craig is another man in-love with Myra and her attorney who helps to acquit her for murder of her husband. Once the trial is over things really pick up as Craig finds out more information, information that proves Myra is guilty of murder - yet she cannot trialed twice for the same murder. Craig feels guilty for her acquittal but what is he to do about it? You'll have to watch to find out and the title of the film will make sense then.

This one I found worthwhile, really good and kept me interested from start to finish. I can easily recommend this film to fans of crime fiction and film noirs.

8/10

A wife kills her husband, while she carries on an affair with his best friend who also happens to be a defense attorney.

Inexpensive little programmer that would work just as well as a movie made for TV. Still it has a good tight script, with a few twists, and two fine actors. It's Raymond Burr a year before Perry Mason and I expect his courtroom scenes here did a lot to win him the lead in Mason. He carries them off with real authority. Then there's Lansbury as the calculating ice queen, and I stopped counting her smiles after one. She does make a convincing spider woman, however.

There's little action, while the courtroom scene takes up a lot of time. Still the plot line is an interesting one of intrigue and misdirection. So there are compensations to the talky format. One does have to wonder, however, about attorney Carlson's (Burr) iron sense of retribution. It appears a key plot contrivance, but an interesting one given the circumstances of his guilt. Should mention, at the same time, the presence of the great John Dehner in the key supporting role of county DA. His is a familiar face from that time, and I don't think he ever turned in a second-rate performance, no matter the role. Anyway, it's highly obscure little movie, but not without compensations.

The story is told in recorded flashback a la Double Indemnity.

Raymond Burr plays a lawyer who defends his lover who has been accused of murder.

Burr brings looming veritas to the role.

Angela Lansbury plays the lover with restrained evil.

The court room sequence is very good. Perhaps Raymond Burr is practicing for his later role as Perry Mason.

John Dehner puts in a good performance as the prosecuting counsel.

The climax is a stunner.

Although it seems a cheap production, the camera work and lighting are effective.

The background music, though not outstanding, supports the action and atmosphere.