Le cavalier du crépuscule

Though this is the one film that Elvis didn't receive top billing for, his tremendous singing and acting ability go a long way toward making it a lot of fun to watch. He shows us here that he was a terrific actor as well as a gifted singer. The story starts off a little slow but hits the mark after the first ten to fifteen minutes and leads to a well crafted climax. Worth watching for any Elvis fan.

The fanfare of a young Elvis Presley and his first movie certainly was blinding when it came to this movie. It was hard for people to see past it, however, upon viewing the picture, Presley's star dims as he takes his seat at the table among some of the acting greats of cinema. The viewer relinquishes the idea that it's Elvis and accepts him as the doting youngest son of the Reno family.

Dramatic without being maudlin, the picture chronicles the lives of one family post-Civil War, and how each member dealt with the harsh realities of war. Hearing that the eldest son Vance (Egan) has died, Clint (Presley) and Vance's former love (Paget) marry in the aftermath of the murder of her parents and the Reno boys father. As is in wartime, things become increasingly more difficult when he and his two other brothers Brett (Campbell) and Ray (Drury) to find this, as well the spoils of war haunting them shortly upon their return.

It's an honest look at a difficult time in this country, with great performances all around -- from the handsome, impressive lead Richard Egan on down the cast. Egan's portrayal of Vance Reno is an amazing performance -- restrained without being stolid, much as men were during the time. Egan gives glimpses into the inner turmoil that sits just below the characters surface, making the character heartbreakingly sympathetic and admirable.

It's Elvis Presley's best performance and (dare I say only worthwhile) role and film. Upon reflection, his co-stars helped to elevate him into something more than what followed (with films) and Presley really seems to have taken this one seriously. Regardless of whether you're a Presley fan or not, the understated performances, simple but effective storyline and message, and moving conclusion make this a must see.

Headed by a cast that includes Richard Eagen, Debra Paget, Mildred Dunnock, Bruce Bennet, James Drury, and, oh yes, a young crooner making his film debut, Elvis Presley, "Love Me Tender" is a tidy post-Civil War western. Directed by Robert D. Webb from a screenplay by Robert Buckner, the story follows the Reno family in the period just after the War between the States. Four of the Reno brothers were Confederate soldiers, who, on the day after Lee's surrender, steal the Union payroll from a military train. When the brothers realize that the war is over, rather than deliver the cash to their Confederate superiors, they decide to keep it as spoils of war. When the three brothers reach home, they face several unexpected changes that propel the rest of the film.

Without Presley as Clint, the youngest Reno brother, who stayed home with their mother, "Love Me Tender" would likely have gathered dust in the vaults of Twentieth Century Fox. Not that the film lacks merit. Ruggedly handsome Eagen is a strong lead as the eldest brother, and the story holds viewers' attention, as does solid acting from veteran actress Dunnock as the boys's mother. Another major asset is Leo Tover's luscious black and white cinematography, which captures the period in images that often merit freezing and framing. However, even before the inclusion of Presley, the film had anachronisms with Paget, whose hair, costumes, and demeanor have more to do with the mid-1950's than the post-civil-war era.

While Elvis Presley is the film's major asset, he is also a major detriment to credibility. As an actor, the young rock and roll singer is quite good in the dramatic scenes; he has an easy natural quality, and the camera loves him. Unfortunately for the film, but fortunately for his fans and music history, "Love Me Tender" features several songs by Presley, which have nothing to do with the Civil War. He delivers the rock songs with his trademark hip swiveling, which sent audiences wild on the Ed Sullivan show, but might have merited strong disapproval from Ante-Bellum Southerners. Only the title tune, beautifully sung to Clint's mother and wife on the family porch, arguably fits into the film. However, without Presley and his songs and his hip swivel, "Love Me Tender" would not have received the care and visibility that it has. A mixed bag, but all on the positive side, "Love Me Tender" showcases a young actor with dramatic potential, some 1950's rock and roll hits, and an engaging western story. That's good entertainment value for 52 cents, the average cost of a movie ticket in 1956.

If you want to avoid the low-quality movies that Elvis unfortunately made during the 1960's you can still watch this piece. That the "King" is not in the main role gives the film more credibility and you can really say that Love Me Tender is a good movie. With Elvis only as a troubadour works fine and the film remains a proper western too.

Perhaps there has been better westerns too but the storyline in this one is enough interesting: a man returns from the American Civil War and finds his wife at home married to another man. With this marital mess and some other problems being solved Elvis drops in and offers some fresh music, or the music that was still fresh when the movie was being made. It is anyway relaxing to see the "King" in a most unspoiled context.

The title sounds more like a soap opera than the sombre black & white post-Civil War tale it actually is, the shooting title of which was 'The Reno Brothers'. It was changed to name it after one of the songs sung by the heavy-lidded, swivel-hipped kid playing Richard Egan's young brother, and was the first feature ever to recoup it's entire cost in its first three days.

The lad shows promise; I wonder what became of him...