Kentucky Rifle

Out of the several hundred Westerns in my DVD collection, this one has to be the very worst. Totally incompetent. Hittleman must have been a better salesman than a movie maker to have even managed to raise what little money would have been needed to make this awful mess. It's devoid of even the campy charm that Ed Wood might have put into it. Wills, Downs, Holloway, & Cagney must have been hurting for money to have agreed to appear in something this bad. Released in 1956, the same year as George Stevens' Giant, Chill Wills must have been been rather amazed to find himself in two such different movie productions in the same year. I only wish that I could get back the time I wasted watching this trash.

Kentucky Rifle is one of those movies that is immediately recognizable as having been made in the 1950's. The "western" accent used in the movies and television matches nothing I have ever heard anywhere else. The gritty version of the west was just starting to emerge at the time this movie came out, but it wasn't completely there yet.

Not completely void of a story, Kentucky Rifle gives us a simple plot that literally and figuratively goes nowhere. A wagon with a broken axle is left behind a wagon train that must keep its schedule. The wagon contains crated Kentucky Rifles that are of financial interest and a matter of personal honor to Jason Clay (Lance Fuller). Comanche Indians also have an interest in obtaining the rifles. From the start of the movie until the end we only see the characters arguing and reasoning for and against trading the rifles to the Comanches for safe passage once the wagon is repaired. Thankfully the philosophical dialogue is kept brief, and the action is given more weight in this production. Both Jason Clay and Tobias Taylor (Chill Wills) encounter the Comanches and work to keep the group of travelers together and alive for most of the movie. The wagon stays put the entire time. The most important attribute of the story is the will and leadership of Clay and Tobias, and the decisions they are forced to make.

Kentucky Rifle is not a total disaster, but it is hardly worth seeking. Enjoy it in a DVD collection like I did. I rated it with a generous 5, but I have a positive bias when it comes to westerns.

Director Carl J. Hittelman's idea of staging is usually just to line up his cast of veterans talking at each other as if on a proscenium. Visual interest is however supplied by the contrast between the attractive locations and studio sets straight out of 'Star Trek'.

Hmmm. As B Westerns go, this has to be more of a C+ as Chill Wills really struggles to hold this together. He is "Taylor" who is in charge of repairing a busted wagon that's been left behind by the train - exposing it to a gang of marauding Comanches who want it's not-so-secret cargo of Winchesters. He's not helped by the fact that his colleagues are all a bit self-obsessed with each having their own agenda and who are all just a bit selfish. Can he get them all through safely without surrendering their lives and/or their weapons? I didn't really care, to be honest. The production is basic, the dialogue far too wordy and the characterisations, led by Wills but hardly augmented by the wooden as as spoon Cathy Downs ("Amy") and Lance Fuller's "Clay" do little to liven this rather procedural mix either. Henry Hull tries his best as the preacher, but by the mid-point I was the one praying: for the Comanches to do us all favour and put us out of our misery. One for list completists, I'd say - though quite what list this'd ever be on. Poor, sorry!

Everyone in this film is sooo clean and smelling of roses even though they are in the middle of nowhere, and BO is never a problem in the hot sun ! Cheap Western, shot mostly in a studio with a few external shots somewhere just outside ... Oh, and the bad guys are the Red Indians as usual .